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Disorder - Poems
Afterwards and Prufrok
The Ruined Maid and Preludes
Disorder - Intro
1) Pru + A - uncertainty surrounding speaker’s abilities
2) Pru + A - Pru is present but A is potentia future
3) Ru + Pre - untidy lives of ordinary people
Disorder P1 - uncertainty + criticism
Prufrock
“That is not what I meant at all”
Repetition and regretful tone
Sort of ironic
Afterwards
“But he could do little for them and now he is gone”
Regretful tone
Radical politics
Hardy’s poems are “wracked with guilt” - Mallon
Disorder P2 - time + criticism
Prufrock
“And indeed there will be time to wonder, “Do I dare?””
Rhetorical question
Doubtful
Repetition of time
Afterwards
“When the Present has latched its posters behind my tremulous stay”
Personification
“Hardy is a poet that dwells on human mortality” - Davie
Disorder P3 - Ordinary lives + criticism
Ruined Maid
“You left us In tatters” + “Some polish is gained with one’s ruin”
Demotic language contrasted with TRM
Surprisingly positive despite negative stereotypes
Preludes
“Insistent feet at four and five and six o’clock” + “the morning come to consciousness”
Repetition
Personification
“A feel of life happening automatically and helplessly” - Peter Howarth
Disorder - Conclusion
disorder through self-doubt
Cruel constraints of time
Chaos of ordinary lives
Voices- Poems
Tess’ Lament + A game of chess
The Voice + Journey of the Magi
Voices - intro
1) Tess + chess - tragedy of women
2) V + J - lack of understanding
3) V + J - isolated and hostile world
Voices - tragedy + criticism
Tess
“And it was I who did it all, did it all”
“Make every relic of me rot”
Repetition
A lament
Extreme
“It wails with a mere that seems .. rock with an infinite sadness” - Gosse
Chess
“The change of Philomel by the barbarous king”
Heteroglot/multivocal
“Arguable there is a redeeming quality to Eliot’s presentation of tragic female experiences” Tucker
Voice P2 - misunderstanding + criticism
Voice
“Can it be you that I hear?”
Rhetorical question
Uncertainty
Romanticism - no heightened powers of perception
Journey
“Were we lead all that way for Birth or Death?”
Rhetorical question
Juxtaposition
“Eliot views Christianity as a journey of gradual, difficult discovery rather than sudden glorious epiphany” - Powers
Voice P3 - isolation/hostility + criticism
Voice
“You being ever dissolved to wan wistlessness”
Suggests a lack of vitality
Hardy’s elegies “resist the tendency to provide comfort in situations of loss” - Riquelme
Journey
“voices singing in our ears saying this was all folly” + “hard and bitter agony for us”
Negative
Connotes suffering and torture
Voices - conclusion
explore the world around them and different perspectives
Key concepts
Place - Poems
Drummer Hodge + What the Thunder Said
Darkling Thrush + Preludes
Place - Intro
1) lost in an unfamiliar landscape
2) Pessimism - modernity + brutality of nature
3) hope vs no hope
Places P1 - unfamiliar
Hodge
“Strange-eyed constellations reigned his stars eternally”
In control
Foreign
2nd Boer war
Thunder
“We’re who we’re now living are dying” + “Here is water but only rock”
Juxtaposition
Feels like going through a wasteland whilst reading the poem
Grail quests
Place P2 - pessimism + criticism
Thrush
“Frost was spectre grey” + “Seemed fervourless as I”
Pathetic fallacy + Personification
Tentative language
Death imagery
Preludes
“The burnt out ends of Smokey days”
Olfactory imagery
Likens life to a cigarette
“The sordidness of the surroundings in the first section prepares for the increasing emphasis in the others on the sordidness of life itself” - Cahill
Places P3 - hope - criticism
Thrush
“Of joy ilimited” + “Of such ecstatic sound”
The Volta of the poem
Optimistic language, hope in the darkness
“The universe is neither malevolent or benevolent; it is simply indifferent” - Clipper
Preludes
“Infinitely suffering thing”
No hope
“A sick version of life” - Chakraborty
Place - Conclusion
places reflects the mood - intrinsically linked
Suffering
Brutality of nature and modernity