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Homer asks us to apply the code of hospitality to the various characters in the epic in order to distinguish good from bad
Morrison
Many of the remarkable figures in Homer’s Odyssey are female characters, both mortal and divine
Morrison
They continuously fail to behave in the manner we expect. They steal, commit adultery, quarrel and spend their time drinking and laughing
Graziosi
Calypso is an invention to give Telemachus time to grow up
Jones
‘Surrogate wives’, women who in one way or another try to take the place of Penelope
Morrison
The use of Zeus allows the plot to be arbitrary without seeming to be
Tracy
Penelope symbolises the goal for which Odysseus constantly strives
Murray
Penelope is the equal focus and hero of the poem
Murray
Women were not as segregated but their place was still firmly in the home
Hayward
Penelope in order to be praised and prove herself worthy, must be true to Odysseus
Morrison
Throughout Odysseus’ wanderings it is Penelope who remains firmly at the centre of the epic, and it is she who symbolizes the goal for which Odysseus constantly strives his homecoming
Murray
For all the dangerous girls, women, goddesses and monsters that Odysseus meets on his way home, it is Penelope herself who constitutes the greatest peril for him
Graziosi
Penelope is the greatest peril, because Odysseus will lose everything without her
Graziosi
When the heroes sailed to Troy, they had no problems in leaving their wives to manage their kingdoms
Pomeroy
Odysseus transcended gender by weeping like a woman, so Penelope weeps like male sailors whose experience mirrors her husbands
Callen King
Eurymachus is a more subtle character than Antinous, with a more attractive exterior masking hidden cunning
Sowerby
Antinous is straightforwardly a nasty piece of work
Jones
They have invaded the house in a gross perversion of xenia and their collective wickedness is seen through Homer's moral messages
Jones
Homer’s polytropic hero and polytropic plot reflect each other perfectly. Odysseus’ character unfolds naturally with the action
Sowerby
Odysseus achieves glory in part by underhandedness, by stealth and by deception [...] Homer offers his audience something of a paradox: a tricky hero
Morrison
Portrays the character of his heroes by presenting them to us in action, so that we see what they do and hear what they say, thus allowing us to make up our own minds about them
Thorpe
One of the main agents driving the Odyssey's plot is Odysseus’ patron, the goddess Athena
Kahane
There are 3 types of figure with which Nausicaa might be compared [...] a rape victim, a helper or she could be a temptress/monster
Kelly
Quite intent on helping Odysseus return home
Morrison
Trickery - not always associated with heroism - is one of Odysseus’ great strengths
Morrison
His vengeance can be seen as the heroic race asserting supremacy over later and lesser men
Michael Clarke
When he slaughters the suitors, the act of vengeance brings his heroic self to the fore once again
Michael Clarke