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Perfect authentic cadence (PAC)
V or V7 to I where both chords are in root position and the soprano ends on tonic.
Imperfect authentic cadence
V or V7 to I where either one of the chords may be in inversion or the soprano does not end on the tonic.
Half cadence (HC)
A cadence that ends on V and can be approached in a variety of ways.
Plagal cadence (PC)
IV to I.
Deceptive cadence (DC)
Cadence that creates the expectation of moving to I, but goes somewhere else instead.