Art Section 2 (Modernist Photography)

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77 Terms

1
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What did many modernist photographers retain despite working outside aesthetic conventions?

Traditional processes and materials.

2
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What did Man Ray's photographic work experiment with?

T techniques of photo-making and ways to push photographic materials.

3
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What photographic materials did Man Ray experiment with pushing to their limits?

Paper and chemicals.

4
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What was Man Ray looking for by pushing photographic materials to their limits?

New forms of representation.

5
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What was Man Ray's birth name?

Emmanuel Radnitzky.

6
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In what year was Man Ray born?

1890.

7
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What was the heritage of Man Ray's parents?

Russian Jewish immigrants.

8
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Where did Man Ray spend most of his childhood and youth?

New York City.

9
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From which Ashcan artists did Man Ray learn drawing?

Robert Henri and George Bellows.

10
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Whose works on display did Man Ray soon become more interested in?

Alfred Stieglitz's 291 gallery.

11
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With which French artist did Man Ray become friendly during the artist's time in New York?

Marcel Duchamp.

12
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On what did Man Ray and Marcel Duchamp collaborate?

Several occasions.

13
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In what year did Man Ray follow Duchamp back to Paris?

1921.

14
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How long did Man Ray stay in Paris after moving there in 1921?

Until the outbreak of the Second World War.

15
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What event forced Man Ray to return to the United States from Paris?

The outbreak of the Second World War.

16
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With whom did Man Ray become acquainted in France?

Members of the Dada and Surrealism movements.

17
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Name three figures in the French Surrealism movement that Man Ray knew.

André Breton, Tristan Tzara, and Salvador Dalí.

18
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Who was the founder of Surrealism?

André Breton.

19
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In what year was Surrealism officially launched?

1924.

20
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What event marked the official launch of Surrealism?

André Breton published his Manifesto of Surrealism.

21
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Besides visual art, what other forms did Surrealism encompass?

Literature, poetry, theater, and film.

22
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What partly inspired the Surrealist movement?

Writings on dreams and the unconscious by Sigmund Freud.

23
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What other movement partly inspired Surrealism?

The Dada movement.

24
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What aspect of the Dada movement influenced Surrealism?

Its focus on randomness.

25
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What did Surrealism embrace to unlock the viewer's unconscious mind?

Strange juxtapositions, uncanny imagery, and chance encounters.

26
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What did Man Ray write that an artist could rely on to create innovative work?

Their own "limitless" capacity for "subconscious energy."

27
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What form of creation did many Surrealists use?

Automatism.

28
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What did automatism involve in writing or drawing?

Writing or drawing without any preconceived plan.

29
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How did Breton describe the lack of control in automatic drawing?

Without using "any control exerted by reason."

30
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What might the results of automatic drawing show?

Fixations of the artist's unconscious revealed by idle doodling.

31
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Name three artists who used automatism.

André Masson, Joan Miró, and Paul Klee.

32
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What did artists like René Magritte, Max Ernst, Dalí, and Giorgio di Chirico create?

Carefully composed images evoking dreamlike scenarios or placing unexpected objects in conversation.

33
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In which country was Surrealism most prevalent?

France.

34
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Name three other regions where Surrealist movements existed.

Belgium, Spain, Italy, Latin America, and the United States (after WWII).

35
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What forms did Surrealist photography take?

Many forms, similar to Surrealist painting and drawing.

36
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How did Dora Maar create jarring juxtapositions in her photography?

Spliced together multiple negatives.

37
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What did Hans Bellmer create and photograph?

Nightmarish constructions from doll parts, splayed in grotesque bodies.

38
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What was Claude Cahun's birth name?

Lucy Schwob.

39
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How did Claude Cahun create commentary on gender ambiguity in their photographs?

Posed in masks or in front of mirrors, the uncanny hiding or doubling of their image.

40
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How did Man Ray use the tenets of Surrealism in his work?

To guide not just his imagery, but his working process.

41
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What did Man Ray experiment with in his photographic process?

Randomness and manipulating images in uncontrollable ways.

42
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What technique did Man Ray use to manipulate his images in uncontrollable ways?

Briefly exposing the film to light before developing it (solarization).

43
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What effect did solarization have on the final image?

Unpredictable areas of tonal reversal.

44
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What did Man Ray write in his essay "The Age of Light" was necessary to push the arts forward?

"A certain amount of contempt for the materials employed."

45
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What did Man Ray's experiments show a lack of?

Respect for the ways photographers traditionally worked with their materials.

46
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What did Man Ray call his most characteristic experiments with photographic technique?

Rayographs.

47
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How were Rayographs made?

Without a camera or film, by laying objects directly onto light-sensitive paper and exposing them to bright light.

48
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What characteristics did Rayographs have in terms of detail?

No detail.

49
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What appeared in the resulting Rayograph images where solid objects had been placed?

Ghostly white shapes.

50
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How much control did the artist have over the appearance of the final Rayograph image?

Relatively little control.

51
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What factors could make the results of Rayographs unpredictable?

The direction of the light, the relative transparency of the items, or the shadows cast by the objects.

52
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Describe the traditional photographic printing process in terms of negatives and positives.

Image exposed on a negative (tones reversed), then printed on paper as a positive (tones reversed again, restoring natural relations).

53
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How do Rayographs differ tonally from traditional positive prints?

They keep the tonal reversal of a photographic negative (white objects on a black background).

54
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What is a print made by direct contact with a light-sensitive surface called?

A photogram or contact print.

55
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How old is the technique of making photograms?

One of the oldest kinds of photography, practiced as early as the 1830s.

56
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Why had most photographers long ago stopped using photograms in favor of other processes?

Because of their lack of detail and texture.

57
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Was Man Ray the only photographer using forms of contact printing in this period?

No.

58
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From where did Man Ray get the idea for his Rayographs?

The "schadographs" made by Christian Schad.

59
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What nationality was Christian Schad?

German.

60
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Starting in what year did Christian Schad make schadographs?

1918.

61
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Name two other avant-garde artists making photograms in the early 1920s.

El Lissitzy and Laszlo Moholy-Nagy.

62
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What nationality was El Lissitzy?

Russian.

63
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What nationality was Laszlo Moholy-Nagy?

Hungarian.

64
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With which Surrealist poet did Man Ray work in 1922?

Tristan Tzara.

65
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How did Tristan Tzara describe Man Ray's photograms?

In suitably Surrealistic terms, using vivid and evocative imagery.

66
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What year was the Rayograph shown in the provided material created?

1922.

67
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What does Ray create through the choosing and arrangement of objects in this Rayograph?

A bold interplay between angular and rounded shapes.

68
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Name a recognizable object in the Rayograph.

The coiled form that looks like a stretched-out spring or the small collection of thumbtacks at the upper left.

69
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What purpose do some of the objects in the Rayograph serve beyond being recognizable?

Their ability to create interesting geometric juxtapositions.

70
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What do the nested round and oval objects at the center of the Rayograph echo?

The ripples in a pond.

71
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What creates a syncopated rhythm in the central nested shapes?

Their differences in thickness and texture.

72
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What is the only straight-edged form in the Rayograph composition?

A v-shaped wedge near the bottom.

73
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What might the v-shaped wedge appear to be made from?

A door hinge or hardware fitting.

74
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What does the v-shaped wedge provide a counterpoint to?

The rounded forms in the rest of the composition.

75
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What does the v-shaped wedge almost appear like?

A dart or arrowhead getting ready to hit a target.

76
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Is there a specific meaning given to the different shapes in Ray's Rayograph work?

No.

77
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What is the process of playing with arrangements of objects or angles of lighting in Ray's work considered?

A Surrealistic exploration of form and material.