Music Technology

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Chapter 2

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52 Terms

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Bit Depth

amount of binary digits that can be used to represent the data being recorded

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Bit

an amount of binary digits

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Compression

reducing a file size by sacrificing some of the audio quality

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Samples

numerical values/ a series of digits converted from discrete signals

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Sampling Rate

how many discrete signals an audio signal can be broken down into

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Audio Interface

converts audio signals into a digital format

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A to D (“analog to digital”)

a sound is captured by a mic (analog) and converted into a signal (digital)

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Feedback

a piercing sound caused by mics being close to speakers, especially when sound levels are high. The speaker amplifies its own signal

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Stems

another word for tracks

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unity gain “U”

level of gain where no volume is being added or taken away

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-inf

negative infinity decibels, meaning "no sounds”

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Stage Monitor

a speaker on stage for the performers that comes from the mixers AUX outpu

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What is the problem with a signal being too weak?

it is difficult to use the mixer’s features for that channel

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Clip

occurs when a signal is too strong, resulting in an unpleasant and undesired distortion

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Pad button

decreases gain by a set amount

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Boost button

increase gain by a set amount

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Gain

the amount of boost and cut applied to the incoming signal

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Boost

strengthen

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Cut

weaken

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Mixing Board

used to create a balanced mix of different audio signals, and then send that mix back out

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Unbalanced signal

signal that are susceptible to noise and interference, like guitars and basses

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Balanced signal

when a signal (hot) is inverted (cold) to eliminate unwanted hum and noise, like microphones

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XLR Cable

a balanced, three prong cable that has a ground, hot (+), and cold (-) signal used for Lo-Z instruments and DIs

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Thru Output

a part of the DI that allows the input signal to be sent to other Hi-Z inputs (like a stage guitar amplifier)

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Direct Box/DI

a device that takes a Hi-Z level to a Lo-Z level (typically for a mixing board)

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distortion

a very low signal caused by a mismatch in impedance type

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Lo-Z

low impedance (weaker than line level) like a microphone

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Hi-Z

high impedance (weakest of signals) like guitars

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Line Level

the strongest signal, like a synthesizer

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Input

when a signal reaches a device

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Output

when a signal leaves a device

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RCA connections/cable

white and red is for audio; white, red, and yellow is for video; sometimes used for stereo

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Channels

another word for audio signals

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Stereo

two-channel signals simultaneously sent, one for the left and one for the right

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1/8” TRS Cable

sends two different audio signals through headphone jacks

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Audio Snake

a bundle of cables wrapped together to route audio from one location to another

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Preamp

a device that adds strength to a signal

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1/4” TS cable

a shielded instrument cable that sends out unbalanced signals for Hi-Z instruments (like electric guitars and basses)

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1/4” TRS cable

an instrument cable that sends out balanced signals for headphones, boom mics, and stereo recordings. Can be used as stereo and gives phantom power

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Signal Path

the way a signal travels to and through audio devices and cords

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IEC cable

a power cable mainly used for speakers and amps

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Pick-up

a transducer used for electric guitars that converts the acoustic sound into an electrical signals by either magnets or crystals

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Dynamic Microphones

a less sensitive mic best placed close to a sound to prevent sound bleeding

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Condenser microphones

a much more sensitive mic that should be placed some distance away from a sound source. These require 48V (or phantom power) to operate.

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Crossover

the part of an amplifier that filters the low frequency content below a certain specified number (Hz) and sends it to a subwoofer

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Types of ways that microphones can pick up sound

Omnidirectional, Figure 8, Cardioid, and Unidirectional

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Band

a designated frequency range within a spectrum; a certain group of frequencies

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Digital audio workstation (DAW)

a software program that uses recording, editing, and playback

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Gain stage

the part of a mixer where a signal is weakened or strengthened

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lossy and lossless compression

when parts of a file are cut out to save space and quality, like MP3 files, vs when they aren’t, like a zip file

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Panning

when an audio signal is adjusted to be stronger in a certain speaker

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Mono

when the same audio content comes out of multiple speakers

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