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summary of the scene
M’s room
M + D-M in there
D-M is play marching around room then makes a move
M pushes away initially then gives in
why does the drum major want Marie specifically
Objectification - he sees Marie as an object to pursue
power dynamics - Dum major is high status and Marie is poor and therefore vulnerable - he could easily manipulate her
ego - Drum major is described as being ‘chosen for physique‘ - he knows he is good-looking, alpha male , feels like he could have anyone he wants
push and pull factors for Marie
PULL:
drum major offers chance to escape a difficult life for a bit
she’s attracted to him! he is the dream man to look at - W is described as ‘wrought’
PUSH:
fear of societal judgement
responsibilities as a mother and common law wife
describe the use of animalistic imagery in the scene
“chest of an ox” - she’s stroking his ego
“you should see me Sundays with my plume” - avian mating rituals - whoever has the biggest plume wins
“i’m going to fill your belly full of drum majors, sire a whole damn stable of them.“ - highly animalistic desire - “sire” links to the horse imagery in scene 3
the baby in this scene
the baby sees all the sin - is predisposed to it
baby isn’t crying as it is so familiar with sin
Marie is angry at W for not looking at the baby earlier - but doesn’t look at it now
Drum major and Marie’s intimacy
he is in control “Devil in you, isn’t there?” - she gives in after this line and so his degradation has power over her