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Gold Fibula with Lions from the Regolini-Galassi Tomb
An exquisite 7th-century BCE Etruscan gold jewelry piece from the Regolini-Galassi Tomb in Cerveteri, Italy. Featuring two confronting lions that symbolize strength, this fibula exemplifies advanced Etruscan metalworking and served as a functional garment clasp and a symbol of status and wealth.
Tomb of the Shields and Chairs
etruscan burial sight in cerveteri
unique architectural features
distinct representation of shields and chairs
symbolize status, importance of deceased in etruscan society
Tomb of the Bulls: Achilles and Troilos Painting
significance of heroic narratives in etruscan culture
540-530 BCE
part of a continuous narrative in the tomb
located in tarquinia
depicts achilles attacking young trojan prince troilus
Portonaccio Temple (architecture and Apulu)
likely made of wood
blend of etruscan and greek architectural styles
statue of apulu (apollo) signifies transition of etruscan art towards classical greek influences
Wounded Chimaera
4th century BCE
advanced metalworking techniques
bronze
arrezzo, italy
sculpture in the round
Statue of Aule Metele
cast bronze
etruscan, but made in the roman style
statue takes an oratorial position
contrapposto
etruscan inscription
late second - early first century bce
Temple of Jupiter Capitolinus
monumental
tripartite interior; jupiter, juno, minerva
earliest temple contained terracotta elements
completed around 509 BCE
year when romans overthrew the monarchy
destroyed and rebuilt several times
Temple of Portunus
late 2nd century BCE
near forum boarium
‘in antis’ design
columns placed between two projecting walls
reflect traditional etruscan practices
facade adorned with marble
more defined roman style
Temple of Vesta at Tivoli
late first century BCE
circular temple dedicated to vesta
peristyle of corinthian columns supporting coffered dome
housed sacred flame of vesta
located within a sacred grove
Sanctuary of Fortuna at Praeneste.
2nd century bce
honor isis and fortuna
on a mountainside; built w/ roman cement
hellenistic and egyptian influences
Stabian Baths (know names, functions/features of the rooms; you do not need to know their Latin names).
entrance - changing room
warm baths
heating under floors
hot baths
steam and heat fill the chamber
heated by a hypocaust system
cold baths
help to close pores after heat exposure
exercise areas
self explanatory
Second Style Paintings from the Cubiculum of the Villa of Publius Fannius Synistor at Boscoreale
50 - 40 BCE
second style: extend the architectural space of the room
vibrant colors enhance lifelike quality
use of perspective and shading
status, culture, wealth
Aemilius Paullus Monument
macedonian war general
forum of delphi, greece
columns and inscriptions detailing paullus’s military accomplishments, virtues
roman dominance, acknowledges greek artistic tradition
location signifies merging of greek and roman identities
honor, memory
So-Called Altar of Domitius Ahenobarbus
elaborate relief sculptures from roman military + religious life
power and influence of ahenobarbus family
early roman decorative art
Head of a Republican Priest, General from Tivoli
late republican period
veristic style
making guys into my type (way older than they actually are)
age, wisdom
intersection of civic duty and religious responsibility
Augustus as Imperator from Primaporta
early first century ce
idealized features
break from veristic style
greek art influence + roman realism
symbolic imagery
cupid figure riding a dolphin = augustus’ divine heritage
propaganda piece
Latium and Etruria (locations; where was Rome?)
latium
central part of italy where rome was founded
etruria
north of latium
modern tuscany, parts of umbria, lazio
natural resources of Italy and their locations.
marble, mercury, potash
tuscany
natural gas
po valley, adriatic sea
crude oil
sicily, abruzzo
iron ore
elba, cogne (aosta valley)
Magna Graecia (where and what)
“great greece”
coastal areas of southern italy colonized by greek settlers
Greek temples
doric, ionic, or corinthian orders
peristyle and a cella elevated on a stylobate, featuring steps leading up to them
primarily made from marble or limestone
Proportions (for greek temple)
1:2.25
source of Etruscan wealth
trade
metalwork, pottery, wine
greeks & phoenicians
agriculture
grains, olives, grapes
Greek symposium and how it contrasted with Etruscan practice
massive frat parties but ancient and they talk about philosophy
greeks don’t allow women, etruscans do