114 Literary Terms

5.0(1)
studied byStudied by 36 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/113

flashcard set

Earn XP

Description and Tags

English

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

114 Terms

1
New cards
Allegory
A prose or poetic narrative in which the characters, behavior, and even the setting demonstrates multiple levels of meaning and significance. Is a universal symbol or personified abstraction such as Death portrayed as a black
2
New cards
Alliteration
The sequential repetition of a similar initial sound, usually applied to consonants, usually heard in closely proximate stressed syllables. A common example is "Peter Piper picked a peck of pickled peppers." Edgar Allen Poe's famous poem "The Bells" talks about the clinging and clanging and tintinnabulation of the bells, bells, bells.
3
New cards
Allusion
A reference to a literary or historical event, person, or place. For example, in Jane Smiley's novel 1,000 Acres, the father figure is Larry who attempts to divide his land among three daughters à la Shakespeare's King Lear. Someone who has a great burden may refer to it as an albatross
4
New cards
Anapestic
A metrical foot in poetry that consists of two unstressed syllables followed by one stressed: ^^/^^/^^/^^/. Can be found in "The Night before Christmas": "Twas the night before Christmas and all through the house/ Not a creature was stirring not even a mouse."
5
New cards
Anaphora
The regular repetition of the same word or phrase at the beginning of successive phrases or clauses.
6
New cards
Anecdote
A brief story or tale told by a character in a piece of literature. For example, Chaucer's entire Canterbury Tales is a collection of anecdotes related by the Pilgrims on their journey.
7
New cards
Antagonist
Any force that is in opposition to the main character, or protagonist. For example, Pap is against Huck in The Adventures of Huckleberry Finn, and the environment is an opposing force in Jack London's "To Build a Fire."
8
New cards
Antithesis
The juxtaposition of sharply contrasting ideas in balanced or parallel words, phrases, grammatical structure, or ideas. For example, Alexander Pope reminds us that "To err is human, to forgive divine." Ella Wheeler Wilcox's "Solitude" is a poem consisting entirely of opposites. Can best be seen in the first two lines of each stanza.
9
New cards
Apostrophe
An address or invocation to something that is inanimate
10
New cards
Archetype
Recurrent designs, patterns of action, character types, themes, or images which are identifiable in a wide range of literature; for instance, the femme fatale, that female character who is found throughout literature as the one responsible for the downfall of a significant male character.
11
New cards
Assonance
A repetition of identical or similar vowel sounds, usually those found in stressed syllables of close proximity. Ex: "In Xanadu did Kubla Khan..."
12
New cards
Asyndeton
A style in which conjunctions are omitted, usually producing a fast
13
New cards
Attitude
The sense expressed by the tone of voice and/or the mood of a piece of writing; the feelings the author holds toward his subject, the people in his narrative, the events, the setting, or even the theme. It might even be the feeling he holds for the reader.
14
New cards
Ballad
A narrative poem that is, or originally was, meant to be sung. Characterized by repetition and refrain. "Scarborough Fair" is an example. The Scots poet Robert Burns used it in many of his poems, including "Bonny Barbara Allen" and "Get Up and Bar the Door."
15
New cards
Ballad Stanza
A common stanza form, consisting of a quatrain (stanza of four lines) that alternates four
16
New cards
Blank Verse
The verse form that most resembles common speech, blank verse consists of unrhymed lines in iambic pentameter. Many of Shakespeare's plays are in this format, such as is Milton's Paradise Lost.
17
New cards
Caesura
A pause in a line of verse, indicated by natural speech patterns rather than due to specific metrical patterns. Pope was able to keep his heroic couplets interesting by varying the position of the pause.
18
New cards
Caricature
A depiction in which a character's characteristics or features are so deliberately exaggerated as to render them absurd. Political cartoons are visual caricature; writers, such as Charles Dickens, create verbal caricature
19
New cards
Chiasmus
A figure of speech by which the order of the terms in the first of two parallel clauses is reversed in the second. This may involve a repetition of the same words: "Pleasure's a sin, and sometimes sin's a pleasure."
20
New cards
Colloquial
Ordinary language, the vernacular. For example, depending upon where in the United States you live, a large sandwich might be a hero, a sub, or a hoagie.
21
New cards
Conceit
A comparison of two unlikely things that is drawn out within a piece of literature, in particular an extended metaphor within a poem. Might be the idea of tracing a love affair as a flow growing, budding, coming to fruiting, and dying, for example.
22
New cards
Connotation
What is suggested by a word, apart from what it explicitly describes, often referred to as the implied meaning of a word. For example the words awesome or sweet or gay have undergone a series of suggestive alterations in the last couple decades.
23
New cards
Consonance
The repetition of a sequence of two or more consonants, but with a change in the intervening vowels, such as pitter
24
New cards
Couplet
Two rhyming lines of iambic pentameter that together present a single idea or connection. Ex: The last two lines of all of Shakespeare's sonnets, such as XVIII, "So long as men can breathe or eyes can see/So long lives this and this gives life to see."
25
New cards
Dactylic
A metrical foot in poetry that consists of two stressed syllables followed by one unstressed syllable //
26
New cards
Denotation
A direct and specific meaning, often referred to as the dictionary meaning of a word.
27
New cards
Denouement
The final resolution of the main conflict in a play or story. It generally follows the climax.
28
New cards
Dialect
The language and speech idiosyncrasies of a specific area, region, or group of people. For example Minnesotans say "you betcha"; Southerners say "y'all."
29
New cards
Diction
The specific word choice an author uses to persuade or convey tone, purpose, or effect. For example, Edgar A. Poe said, "I hadn't so much forgot as I couldn't bring myself to remember." This has far more impact on the reader than his just saying "I chose not to remember."
30
New cards
Dramatic Monologue
A monologue set in a specific situation and spoken to an imaginary audience. Also known as soliloquy. Two speeches are "To be or to not to be" in Hamlet and "Is this a dagger I see before me" in Macbeth.
31
New cards
Elegy
A poetic lament upon the death of a particular person, usually ending in consolation. Perhaps the most famous one is Thomas Gray's poem "Elegy Written in a Country Churchyard."
32
New cards
Enjambment
The continuation of a sentence from one line or couplet of a poem to the next.
33
New cards
Epic
A poem that celebrates, in a continuous narrative, the achievements of mighty heroes and heroines, often concerned with the founding of a nation or developing of a culture, it uses elevated language and grand, high style.
34
New cards
Exposition
The part of the structure that sets the scene, introduces and identifies characters, and establishes the situation at the beginning of a story or play.
35
New cards
Extended Metaphor
A detailed and complex metaphor that extends over a long section of a work, also known as a conceit.
36
New cards
Fable
A legend or a short moral story often using animals as characters. Aesop is the best
37
New cards
Falling Action
That part of plot structure in which the complications of the rising actions are untangled. This is also known as denouement.
38
New cards
Farce
A play or scene in a play or book that is characterized by broad humor, wild antics, and often slapstick and physical humor.
39
New cards
Flashback
Retrospection, where an earlier event is inserted into the normal chronology of the narrative. Harper Lee's novel To Kill a Mockingbird is written as a flashback to specific events that took place in the adult narrator's childhood.
40
New cards
Foreshadowing
To hint at or to present an indication of the future beforehand.
41
New cards
Formal Diction
Language that is lofty, dignified, and impersonal. Such diction is often used in narrative epic poetry.
42
New cards
Free Verse
Poetry that is characterized by varying line lengths, lack of traditional meter, and non rhyming lines.
43
New cards
Genre
A type or class of literature such as epic or narrative or poetry or belles lettres.
44
New cards
Hyperbole
Overstatement characterized by exaggerated language.
45
New cards
Iambic
A metrical foot in poetry that consists of an unstressed syllable followed by a stressed syllable:
46
New cards
Idyll
A short poem describing a country or pastoral scene, praising the simplicity and peace of rustic life.
47
New cards
Imagery
Broadly defined, any sensory detail or evocation in a work; more narrowly, the use of figurative language to evoke a feeling, to call to mind an idea, or to describe an object. Involves any or all five of the senses.
48
New cards
Informal Diction
Language that is not as lofty or impersonal as formal diction; similar to everyday speech.
49
New cards
In Medias Res
"In the midst of things:" Refers to opening a story in the middle of an action, necessitating filling in past details by exposition or flashback.
50
New cards
Irony
A situation or statement characterized by significant difference between what is expected or understood and what actually happens or is meant. Often humorous, and sometimes sarcastic when it uses words to imply the opposite of what they normally mean. A form of humor in which the outcome is the opposite of what was expected
51
New cards
Jargon
Specialized or technical language of a trade, profession, or similar group. The computer industry, for example, has introduced much jargon into our vocabulary. Words such as geek, crash, interface are all examples.
52
New cards
Juxtaposition
The location of one thing as being adjacent or juxtaposed with another. This placing of two items side by side creates a certain effect, reveals an attitude, or accomplishes some purpose of the writer.
53
New cards
Limited Point of View
A perspective confined to a single character, whether a first person or a third person; the reader cannot know for sure what is going on in the minds of other characters.
54
New cards
Litote
A figure of speech that emphasized its subject by conscious understatement. For example, the understated "not bad" as a comment about something especially well done.
55
New cards
Loose Sentence
A sentence grammatically complete and usually stating its main idea before the end. For example, "The child ran as if being chased by demons."
56
New cards
Lyric
Originally designated poems meant to be sung to the accompaniment of a lyre; now any short poem in which the speaker expresses intense personal emotion rather than describing a narrative or dramatic situation.
57
New cards
Message
A misleading term for theme; the central idea or statement of a story, or area of inquiry or explanation; misleading because it suggests a simple, packaged statement that pre
58
New cards
Metaphor
One thing pictured as if it were something else, suggesting a likeness or analogy between them. Does not use like or as.
59
New cards
Meter
The more or less regular pattern of stressed and unstressed syllables in a line of poetry. This is determined by the king of "foot" and by the number of feet per line.
60
New cards
Metonymy
A figure of speech in which an attribute or commonly associated feature is used to name or designate something
61
New cards
Mood
A feeling or ambiance resulting from the tone of a piece as well as the writer/narrator's attitude and point of view. This effect is fabricated through descriptions of feelings or objects that establish a sense of fear, patriotism, sanctity, hope, etc.
62
New cards
Motif
A recurrent device, formula, or situation that often serves as a signal for the appearance of a character or event.
63
New cards
Narrative Structure
A textual organization based on sequences of connected events, usually presented in a straightforward, chronological framework.
64
New cards
Narrator
The character who tells the story, or in poetry, the persona.
65
New cards
Occasional Poem
A poem written about or for a specific occasion, public or private. An epithalamium is a wedding poem, for example.
66
New cards
Ode
A lyric poem that is somewhat serious in subject and treatment, is elevated in style, and sometimes uses elaborate stanza structure, which is often patterned in sets of three.
67
New cards
Omniscient Point of View
Also called unlimited focus: a perspective that can be seen from one character's view, then another's, then another's, or can be moved in or out of the mind of any character at any time. The reader has access to the perceptions and thoughts of all the characters in the story.
68
New cards
Onomatopoeia
A word capturing or approximating the sound of what it describes: Buzz, bang, smash, bing, boom.
69
New cards
Overstatement
Exaggerated language; also called hyperbole.
70
New cards
Oxymoron
A figure of speech that combines two apparently contradictory elements, sometimes resulting in a humorous image or statement: "tight slacks," "jumbo shrimp," "deafening silence," and "baggy tights" are just a few examples.
71
New cards
Parable
A short fiction that illustrates an explicit moral lesson through the use of analogy. Many can be found in the Bible.
72
New cards
Paradox
A statement that seems contradictory but may actually be true. A popular example from the 1960s was "fight for peace."
73
New cards
Parallel Structure
The use of similar forms in writing for nouns, verbs, phrases, or thoughts. Good writers rely on parallel structure to maintain balance and symmetry
74
New cards
Parody
A work that imitates another work for comic effect by exaggerating the style and changing the content of the original.
75
New cards
Pastoral
A work that describes the simple life of country folk, usually shepherds who live a timeless, painless life in a world full of beauty, music, and love.
76
New cards
Periodic Sentence
A sentence that is not grammatically complete until the end. For example, "The child, who looked as if she were being chased by demons, ran."
77
New cards
Persona
The voice or figure of the author who tells and structures the story and who may or may not share the values of the actual author.
78
New cards
Personification
Treating an abstraction or nonhuman object as if it were a person by endowing it with human qualities.
79
New cards
Petrachan Sonnet
Also called Italian sonnet: A sonnet form that divides the poem into one section of eight lines (octave) and a second section of six lines (sestet), usually following the abba abba cde cde rhyme scheme, though the sestet's rhyme varies.
80
New cards
Plot
The arrangement of the narration based on the cause
81
New cards
Protagonist
The main character in a work, who may or may not be heroic.
82
New cards
Quatrain
A poetic stanza of four lines.
83
New cards
Realism
The practice in literature of attempting to describe nature and life without idealization and with attention to detail. Henry James and Mark Twain are examples of authors in this school.
84
New cards
Refrain
A repeated stanza or line in a poem or song.
85
New cards
Rhetorical Question
A question that is asked simply for stylistic effect and is not expected to be answered.
86
New cards
Rhyme
The repetition of the same or similar sounds, most often at the ends of lines.
87
New cards
Rhythm
The modulation of weak and strong elements in the flow of speech.
88
New cards
Rising Action
The development of action in a work, usually at the beginning. The first part of plot structure.
89
New cards
Sarcasm
A form of verbal irony in which apparent praise is actually harshly or bitterly critical.
90
New cards
Satire
A literary work that holds up human failings to ridicule and censure. Johnathan Swift and George Orwell both were masters.
91
New cards
Scansion
The analysis of verse to show its meter.
92
New cards
Setting
The time and place of the action in a story, poem, or play.
93
New cards
Shakespearean Sonnet
Also called an English sonnet: A sonnet form that divides the poem into three units of four lines each and a final unit of two lines, usually abab cdcd efef gg.
94
New cards
Shaped Verse
Another name for concrete poetry: poetry that is shaped to look like an object.
95
New cards
Simile
A direct, explicit comparison of one thing to another, usually using the words like or as to draw the connection.
96
New cards
Soliloquy
A monologue in which the character in a play is alone and speaking only to himself or herself.
97
New cards
Speaker
The person, not necessarily the author, who is the voice of a poem.
98
New cards
Stanza
A section of a poem demarcated by extra line spacing. Some distinguish a stanza, a division marked by a single pattern of meter or rhyme, from a verse paragraph, a division marked by thought rather than pattern, not unlike a paragraph in prose writing. Stanzas can be identified by the number of their lines: Couplet, Tercet, Quatrain, Cinquain, Sestet, Heptatich, Octave.
99
New cards
Stereotype
A characterization based on conscious or unconscious assumptions that some aspect, such as gender, age, ethnic, or national identity, religion, occupation, marital status, and so on, are predictably accompanies by certain character traits, actions, even values.
100
New cards
Stock Character
One who appears in a number of stories or plays such as the cruel stepmother, the femme fatale, etc.