global contemporary

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30 Terms

1
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<p>Guggenheim Bilboa Museo</p>

Guggenheim Bilboa Museo

  • Artist: Frank Gehry

  • Location: Bilbao

  • Materials: Titanium, glass, and limestone

  • Function: To bring people to the boat-shaped museum to remember the seat port city

    • was also used to revitalize Bilbao

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<p>MAXXI National Museum of XXI Century Art</p>

MAXXI National Museum of XXI Century Art

  • Artist: Zaha Hadid

  • Location: Rome, Italy

  • Materials: Glass, steel, and cement

  • Function: Serves as a proud display of technology; innovative materials like titanium in Hadid’s work, or unusual materials

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<p>The Gates</p>

The Gates

  • Artists: Christo and Jeanne-Claude

  • Location: Central Park, NYC

  • Medium: Mixed medium installation; orange fabric

  • Function: To spread happiness and inspire joy and beauty rather than deep messages

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<p>Vietnam Veterans Memorial </p>

Vietnam Veterans Memorial

  • Artist: Maya Lin

  • Medium: The earth (earthwork)

  • Location: Washington D.C

  • Function: A minimalistic to memorialize veterans; the reflective black granite is used for people to see themselves in the veterans/soldiers.

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<p>Horn Players</p>

Horn Players

  • Artist: Michel Basquit

  • Medium: Canvas panels (triptic)

  • Location: Santa Monica, California

  • Materials: Acrylic and oil paint stick

  • Function:

    • Urgent paint application and hurried lettering convey Basquit’s dedication to Jazz.

    • Foregrounds African-American subjects in an unsettling way.

  • Content: Horn Players portrays legendary jazz musicians Charlie Parker and Dizzy Gillespie

    • Inspired by Picasso’s “Three Musicians”

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<p>Summer Trees</p>

Summer Trees

  • Artist: Song-su Nam

  • Medium: Paper

  • Location: British Museum, London

  • Materials: Ink

  • Content: Ink trees on paper; abstract visual mixed with contemporary styles

  • Function:

    • References a traditional theme of pine trees; symbolizes a gathering of friends

    • Combines traditional Sumukhwa (oriental ink movement of the 80s) with contemporary techniques

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<p>Androgyn III</p>

Androgyn III

  • Artist: Magdalena Abakanowicz

  • Medium: Installation

  • Location: MET, NY

  • Materials: Burlap, resing, wood, nail, and string

  • Content: ambiguous and empty sculptures of people.

  • Function:

    • Draws of personal history, yet very ambiguous

    • The brutality of war and totalitarian state. The body is a husk without arms and legs

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<p>A Book from the Sky</p>

A Book from the Sky

  • Artist: Xu Bing

  • Medium: Installation; books

  • Location: Madison, WI

  • Materials: Books

  • Content: Block printed characters on books; false characters (made up). 400 handmade books

  • Funciton:

    • To question the meaning and importance of langauge

    • Inspired by Warhol and Michel Duchamp

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<p>Pink Panther</p>

Pink Panther

  • Artist: Jeff Koons

  • Medium: statue; porcelain

  • Location: MOMA, NYC

  • Materials: glazed porcelain, acrylic

  • Content: 3ft statue of Playboy Playmate Jane Mansfield

  • Function:

    • Exists as a commentary on romance, sexuality, commercialism, stereotypes, pop culture, sentimentality

    • Very sensual piece of art

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<p>Untitled #228</p>

Untitled #228

  • Artist: Cindy Sherman

  • Medium: Photograph

  • Location: Santa Monica, California

  • Materials: realistic photograph with makeup and costume

  • Content: Cindy Sherman posing as Judith with the head of Holofernes.

  • Function:

    • Inspired by living in Rome

    • Similar to Cristofano, Allori, Judith with the Head of Holofernes, 1613 and Judith Slaying Holofernes (Carrivageo)

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<p>Dancing at the Louvre from the series The French Collection, Part 1</p>

Dancing at the Louvre from the series The French Collection, Part 1

  • Artist: Faith Ringgold

  • Medium: Canvas

  • Location: Kenyon College, Gambier, Ohio

  • Materials: fabric (on the boarders), acrylic

  • Content: A woman with her three daughters and a friend dancing in front of the Mona Lisa

  • Function:

    • Significant statements about race in America through African American quilts

    • challenges people to think about expectations of gender and race, as well as traditional values of art

    • Rewrites history to make a place for women

12
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<p>Gifts for Trading Land with White People</p>

Gifts for Trading Land with White People

  • Artist: Jaune Quick-to-See Smith

  • Medium: mixed media canvas

  • Location: Chrysler Museum of Art, VA

  • Content: mixed items of knick knacks, boat painting, sports teams (hats), etc.

  • Function:

    • Response to 500th anniversary of Columbus’ arrival to North America

13
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<p>Earth’s Creation</p>

Earth’s Creation

  • Artist: Emily Kngwarreye

  • Medium: synthetic polymer, paint on canvas

  • Location: Australia

  • Content: Complete abstract art with patches of bold reds, greens, blues, and yellows

  • Function:

    • To represent the green time when the outback flourishes

    • Kngwarreye was very close and personal when creating Earth’s Creation.

14
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<p>Rebellious Silence</p>

Rebellious Silence

  • Artist: Shirin Neshat

  • Medium: Photograph

  • Location:

  • Content:

    • A woman in a chador with a rifle across her face.

    • Writing on her face

  • Function:

    • To demonstrate the Western view of Muslim/Islamic women.

    • The fight between tradition and modernity, as well as a protest or movement against the regime in Iran

    • Shows the changing cultural landscape of the Middle East

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<p>En La Barberia no se Llora</p>

En La Barberia no se Llora

  • Artist: PepĂłn Osorio

  • Medium: Installation

  • Location: NYC

  • Content:

    • A life size installation of a barber shop

    • highlights pictures and images of Puerto Rican men who visit the shop often

    • personal artifacts and memories

    • Bronx community’s stories and personal materials

  • Function:

    • Commentary of traditional gender roles, cultural identity, and the dynamics of a barbershop as a gathering place for men

16
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<p>PIsuppo Lua Afe (Corned Beef 2000)</p>

PIsuppo Lua Afe (Corned Beef 2000)

  • Artist: Michel Tufferey

  • Medium: Mixed Media, Installation

  • Location: New Zealand, pacific

  • Content:

    • Canned been cans made into a cow.

  • Function:

    • to criticize issues of ecological health

    • interested in how the introduction of cattle to New Zealand and the Pacific impacted negatively on the plants, landscapes and waterways of these countries.

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<p>Electric Superhighway</p>

Electric Superhighway

  • Artist: Naum June Paik

  • Medium: Mixed Media, Installation

  • Location: Smithsonian Art Museum

  • Content:

    • Neon lighting outlines the fifty states (Alaska and Hawaii are on the sides). Neon lighting symbolizes motel and restaurant signs

    • Each state has a separate video feed (313 monitors)

  • Function:

    • celebrates the fact that the “electronic superhighways’ allows us to communicate with and understand each other across traditional boundaries

    • posing some difficult questions about how that technology is impacting culture

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<p>The Crossing </p>

The Crossing

  • Artist: Bill Viola

  • Medium: video and sound installation

  • Location: Dallas Museum of Art

  • Content:

    • Two male figures drenched in water and burning in flames

  • Function:

    • Mixed messages, could represent heaven and hell.

    • Religious implications

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<p>Pure Land</p>

Pure Land

  • Artist: Mariko Mori

  • Medium: Color photograph on glass

  • Location: LA, California

  • Content:

    • Artists uses a creative interpretation of traditional japanese art forms> animated figures of aliens play musical instruments on clouds

    • Mori herself is in the disguise of a deity (the essence of beauty and the harbinger of prosperity and happiness)

  • Function:

    • Jewel symbolizes buddha’s universal mind

    • religious and contemporary/modern implications and combinations

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<p>Darkytown Rebellion</p>

Darkytown Rebellion

  • Artist: Kara Walker

  • Medium: Cut paper and projection on wall

  • Location: Luxemburg

  • Content:

    • One figure stands upright over his severed limb

    • A teenager holds a flag that resembles a colonial ship sale

    • A woman with a bonnet and a voluminous hoop skirt may be attacking a smaller figure on its back, perhaps a crying baby.

  • Function:

    • to represent slavery and colonization, and show the histories of the past and issues of the present

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<p>The Swing </p>

The Swing

  • Artist: Yinka Shonibare

  • Medium: Mixed Media Installation

  • Location: London

  • Content:

    • Life-size headless mannequin

      The dress is made of African print fabric (Dutch Wax Fabric)

    • Meant to imitate the French rebellion and original painting

  • Function:

    • Dutch wax was sold in South Asian markets and that failed. So, they were integrated into West African colonies (colonization)

    • represents the beheading and aristocracy, and the reign and terror of the guillotine.

    • invites us to consider the increasing disparity between economic classes today.

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<p>Old Man’s Cloth</p>

Old Man’s Cloth

  • Artist: El Anatsui

  • Medium: Aluminum liquor bottle caps and copper wire.

  • Location: Ghana, Gainsville FL

  • Content:

    • A bunch of bottle caps and wire used to create a “cloth” of some sort in traditional African colors.

  • Function:

    • The bottle caps signify a fraught history of trade between Africa and Europe.

    • Bottle caps were made in Nigeria and sold to Europe

    • A wall hanging; the colors relate to west african textiles and traditional colors of ghana (gold), and royalty.

    • Combines the home country of ghana, nigeria, and the global contemporary art

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<p>Stadia II</p>

Stadia II

  • Artist: Julie Merehtu

  • Medium: Ink and acrylic on canvas

  • Location: Pittsburgh

  • Content:

    • represents a stadium; complete abstraction

  • Function:

    • The feeling of being in a excited stadium, with different countries/teams

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<p>Praying Mantra</p>

Praying Mantra

  • Artist: Wangechi Mutu

  • Medium: Mixed media on mylar

  • Location: Brooklyn, NY or Kenya

  • Content:

    • The female body posing exotically and making eye contact with the viewer

    • Colors like purple and dark pink/magenta

  • Function:

    • Complicating both western and non-Western cultural norms, questioning how we see gender, sexuality, and even cultural identity.

    • images have the female body, specifically an imagined "African" body, subjected to sexism and racism on a global scale.

    • work was shaped by the complex history of colonization and women’s rights in Africa

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<p>Shibboleteh </p>

Shibboleteh

  • Artist: Doris Salcedo

  • Medium: Installation; ground

  • Location: London

  • Content:

    • focused around Colombia and the boarders

    • A large crack in the ground

  • Function:

    • Shibboleth is a term from the Bible used to differentiate two groups of people

    • Speaks on issues at the boarder for immigrants/refugees, specifically Latinos.

    • Also represents feeling different or the “outsider” in a new country/place

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<p>Sunflower Seeds</p>

Sunflower Seeds

  • Artist: Ai Weiwei

  • Medium: Installation; porcelain

  • Location: London

  • Content:

    • millions of hand crafted porcelain pieces resembling sunflower seeds

    • looks like an ocean

    • 600 artisans worked for 2 years

  • Function:

    • represents fathomless depth; each seed is made in Jingdezhen, a city known for porcelain during imerial china

    • The sunflower seeds were eaten as a source of food during the famine era under Mao Tse-tung

    • Speaks on the realities of fast production

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Assemblage

art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or bought specially.

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Earthwork

Art that is made by shaping the land itself or by making forms in the land using natural materials like rocks or tree branches.

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Installation

large-scale, mixed-media constructions, often designed for a specific place or for a temporary period of time.

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Kistch

art, objects, or design considered to be in poor taste because of excessive garishness or sentimentality, but sometimes appreciated in an ironic or knowing way.