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greco-roman, medieval, and renaissance artists
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renainassane means —- and was the ——of —— art styles by italians.
rebirth; re-poularization; greek and roman
roman vs greek portraiture
romans- realistic depictions
greeks- idealization of the human form
what societal conditions allowed the renaissance to take place
economic prosperity, humanism, rise in education, and increased art patronage
North vs South Ranaissance
north- warm pictures more accurately modeled after Greco-Roman style. Focused on naturalism and details
south- physically and psychologically dark pieces (due to black plague) that were not accurate to Greco-Roman style due to the geographical divisions. Focused on emotional expression and religion
medieval art function
visual religious education due to low literacy rates
-cartooney style with uniformity; comissioned by the church
whats the difference between naturalistic, abstract, and non-objective/non-representational art
naturalistic: depicts reality with a focus on detail and realism
abstract: made of shapes and colors with intent to express emotions
non-objective: no references to reality; purely aesthetic
giotto (ital. ren)
-used “human” models to create art
-biblical imagery paintings
masaccio (ital. ren)
-introduced illusionary space
-linear and arial perspectives as well
Italian renaissance
-1400-1500
-wealth trickled down to create a middle class in society for the 1st time (merchants + bunkers)
brunelleschi (ital. ren)
-1st true renaissance artist
-architect that devised linear perspective
-finished Cathedral of florence
donatello (ital. ren)
-sculptor
-created bronze, life sized David statue which was sig because it was the 1st nude statue in a 1000 years
botticelli (ital. ren)
-biblical art
-re-popularized greco-roman mythology
-birth of venus
grunewald (N ital. ren)
-dark and highly detailed paintings
-more Gothic than greco-roman doe to access
-Isenhein Altarpiece (Jesus with freaky long hands and ergotism on altar)
van eyck (N. Italian ren)
-fake oil paint inventor (he ain’t make it fr)
-HIGHLY detailed paintings (painted pic in mirror)
-Arnolfini portrait (mirror in background potrait)
bosch (N ital. ren)
-did art in transitional period (from spiritualism —> materialism)
-hard-headed (flat earther)
-Garden of Earthly delights
bruegel (N. Ital ren)
-Bosh's student
-ordinary and biblical images (inspired by black plague)
-laid foundation for moderism
-the triumph of death (bunch of dead ppl laying around)
durer (N.ital. ren)
-bridge between north and high Renaissance
-painted natural things (parrots, grass) in high detail
-guy with cool name signature (1st to sign and date his paintings)
da vinci (high ren)
-preferred subjects in action instead of posing
-skilled in many fields: hydrology, anatomy, engineering
-science and art geek combined basically
-Mona Lisa, Last Supper
michelangelo (high ren)
-artist of many means (like da vinci)
- some idealization in sculptures
raphael (high ren)
-The School of Athens
Why was there a shift from classical art to modernism? What work by Manet and what art style marked this transition?
-reaction to elitism of classical works u needed education to appreciate
-looking to the ordinary instead of unordinary
-Manet, luncheon on the grass 1863'
-abstract; connected w broader audience
Daguerre 1839
-invented photograpghy which allowed more people to create images
-step to modernism as art wasn’t just for the elite
Impressionism characteristics
-flickering brushwork
-use of light and atmosphere
-color used to convey emotion
Impressionist work that named the movement
Monet, Impression Sunrise 1872
Degas (imp)
-ballerina guy
-painted off of pics
-created 1st recorded multi-media sculpture
Renoir (mod.)
-co-foudner of impressionism
Cassatt (mod.)
-painted lots of mother-child paintings
-used color for emotive quality rather than actuality
Pissarro (mod.)
-painted from high perspectives
Manet (mod.)
-father of modernism
-”Luncheon on the Grass” by him marked as beginning of moderism movement bc it was so easily deciferable
View from the windows at Le Gras (Niépce)
1st recorded photograph