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Flashcards on Christian Metz's 'The Imaginary Signifier' and psychoanalysis of cinema.
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Theatre (Metz)
In theatre, props and actors are real objects referring to fictional objects in another time and place.
Cinema (Metz)
In cinema, images on the screen create a fictional object referring to a fictional object (the story), characterized by an imaginary signifier.
Metz's Key Argument
Argues that cinema's defining characteristic is the imaginary that constitutes it as a signifier.
'Every film is a fiction film'
Every film is ….
Presence vs. Absence
Theatre involves presence (actors and props) referring to an absence (actions and scenes), while cinema is double absence
Cinema as Absence
Cinema is an absence (light on a screen) invoking another absence (actions and scenes of the film).
Spectator Identification
The spectator is separate from the film but needed to see it.
Identification with the Camera
The spectator identifies with the camera and its position/framing, determining the vanishing point.
Scopic Regime of Cinema
Cinema is based on the desire to see (scopic drive, scopophilia, voyeurism), looking and listening from a distance, hidden in darkness.
Cinematic Voyeurism
Voyeurism is 'unauthorised' scopophilia where something lets itself be seen without presenting itself to be seen, like the actors
Solitude and Segregation
Cinema's voyeurism is heightened by the solitude and segregation of the audience.
Cinema as a 'Loophole'
Cinema is a break from everyday life, a special escape.
Fetishism (Freud)
Requires the simultaneous existence of contrary beliefs, such as primal belief vs. knowledge.
Fetish as Negative Signifier
the penis is absent in the mother, the fetishist chooses another object represent it
Spectator Beliefs
The spectator simultaneously believes that the action on screen is not real (imaginary) and that it is real ('willing suspension of disbelief').
Cinematic Fetishism
Knowing the images are projections but still choosing to believe in them.