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Fromentin
His eye is the most marvellous prism
Cordova
Bernini proved that he could make images that dazzled visually, told a story with high drama, and aroused powerful sentiments
Schama
The power of Caravaggio's art is the power of truth, not least about ourselves
Christiansen
Caracci formed an assault on Mannerism’s rarefied complexicality and artificiality
Hibbard
Rome and the Baroque were as synonymous as the focus and expression of catholic Power
Wittkower
Nothing could be more misleading than to label - as has been done - the entire art of the Baroque the art of the Counter-Reformation
Richardson
Baroque art has to be encountered as a whole and entered into with all the senses
Harris
His devotion to the Catholic church is as heartfelt as his pleasure in an imagined world of pagan gods and goddesses
Steinbach
The villa had three primary functions, relaxation, entertainment and exhibition
Sutherland
His knowing tilted gaze tells us that he is fully aware of our inability to look away
Schama
We feel the horror unfold and we feel implicated
De Luca
The lord Christ must be portrayed alive, before having expired, with his head inclined to the right side
Graham-Dixon
Caravaggio always leaves space for doubt, even as some of the vine leaves begin to wither
Valérie
His pain is as much moral as physical, human glory is ephemeral as signified by the cup won at the games
Ayers
Vaux-le-Vicomte was closed down and its treasures seized - tapestries, furniture, paintings, books and rugs
Braham
The church is a ... native expression of a fundamentally Italian idea
Haskins
A kind of penitential pin up
Harris
When Zubarán painted this picture, collectors favoured more lavish displays that offered more visual entertainment
Fertik
A deeply moving yet disturbing image