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Ben Jonson
"Song: To Celia", marks serious beginning of neoclassicism
Cavaliers
"The Tribe of Ben", a group of wealthy aristocrats who followed Ben Jonson
Robert Herrick
"To the Virgins" and "To Daffodils"
Sir John Suckling
"The Constant Lover" and "Why So Pale and Wan"
Richard Lovelace
"To Lucasta, on Going to the Wars" and "To Althea, from Prison"
Metaphysical Poetry
The poetry of John Donne and other 17th century poets who wrote in a similar style
John Donne
"A Valediction", "Holy Sonnets", and "Meditation", metaphysical
George Herbert
"Easter Wings", metaphysical
Carpe Diem
The speaker tries to persuade an attractive person to give in to love now
John Milton
"Paradise Lost", Renaissance and Reformation
Restoration
Beginning in 1660, when King Charles II came back from his exile in France
John Dryden
"An Essay of Dramatic Poesy", Restoration
John Bunyan
"The Pilgrim's Progress", Restoration
Jonathan Swift
"Gulliver's Travels", "A Modest Proposal"
Addison and Steele
"The Tatler" and "The Spectator"
Alexander Pope
"The Rape of the Lock", 1st half of the 18th c
Samuel Johnson
"Letter to Lord Chesterfield", Dictionary, Age of Johnson
Heroic couplet
An iambic pentameter couplet
"A Modest Proposal"
by Jonathan Swift, satire about eating the children of Ireland
Gulliver's Travels
by Jonathan Swift, a satire mocking the English society
Robinson Crusoe
by Daniel Defoe, first realistic English novel
Pilgrim's Progress
by John Bunyan, an allegory
Robert Burns
"O Wert Thou in the Cauld Blast" and "To a Mouse"
William Blake
"Songs of Innocence" and "Songs of Experience", Romantic
Thomas Gray's "Elegy"
Maybe the most-quoted single poem
Alliteration
The repetition of consonant sounds in a group of words
Allusion
A reference to a person, place, event, or literary work that a writer expects the reader to recognize and respond to
Enjambed
Thought keeps going to next line
End-stopped
Full thought in line, ends with a period or comma
Hyperbole
A figure of speech using exaggeration, or overstatement, for special effect
Irony
A contrast or incongruity between what is stated and what is really meant, or between what is expected to happen and what actually happens
Meter
A generally regular pattern of stressed and unstressed syllables in poetry
Metaphor
A figure of speech that makes a comparison between two things that are basically dissimilar
Paradox
A statement that reveals a kind of truth, although it seems at first to be self-contradictory and un-true
Personification
A figure of speech in which something nonhuman is given human qualities
Quatrain
Usually a stanza or poem of four lines
Simile
A comparison made between two things through the use of a specific word of comparison
Stanza
A verse of poetry
Tone
The attitude a writer takes toward his or her subject, characters, or audience
Understatement
Opposite of hyperbole
Satire
A kind of writing that holds up to ridicule or contempt the weaknesses and wrong-doings of individuals, groups, institutions, or humanity in general
2 most common ways to create satire
A trivial subject presented in a significant tone, or a significant subject presented in a trivial tone
How "Rape of the Lock" creates satire
A trivial subject presented in a significant tone, by using exaggerated quantifiers and inflated diction
How "A Modest Proposal" creates satire
A significant subject presented in a trivial tone, by using a rational, humble tone and appeal to authority
Mock-epic
a comic literary form that treats a trivial subject in the grand, heroic style of the epic
How "The Rape of the Lock" is a mock-epic
Uses fancy, bold language to describe something insignificant like a card game. USE EXAMPLE
3 Major characteristics of metaphysical poetry and reason/purpose for each
Deliberate combination of different types of emotions (expressing a belief that "pure" feelings do not actually exist)
The use of elaborate and far from obvious comparison - "conceits" (more accurate comparison)
Harsh versification - a result of putting idea above sound (reflects combination of incongruities and shifts of viewpoint found in poetry + colloquial style)
When did Metaphysical poetry lose popularity and why?
After the 18th century, people wanted intellectual, static writing, thought the writers were showing off their cleverness
When did Metaphysical poetry regain popularity and why?
Revived in 20th c. by T.S. Eliot and others, metaphysical poets expressed themselves in elaborate intellectualized images to confront the complications of life
Paradise Lost's Central Teme
To justify the ways of God to men
Paradise Lost's hero
God
Paradise Lost's protagonists
Fallen man, Satan
Character of Satan
Not the hero, determined to leave the brimstone lake and pervert God's plan
Neo-classicism's major characteristics
Emphasis on rationalism, conformity, fixed standards, decorum
Characterized by polish, speed, concentration
Inspired by classicism
Forms of Literature popular in Neo-classicism, how they express the characteristics
Tragedy and heroic play - Emphasis on rationalism, inspired by classicism
Satire in prose and verse - skillful, neat, elegant