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Title
‘A Minor Role’ → polysemic, meaning both a minor role in a play or a minor role in real life
instability of the language represents the instability between these 2 roles
“I’m best observed on stage”
“observed” - feels a little clinical → not performing!
careful scrutiny
“Propping a spear or making endless / Exits and entrances with my servant’s patter”
“All the men and women merely players / they have their exits and their entrances”
As You Like It → using a line taken from performance to depict performance → metatextual recognition?!
“Yes sir. O no, sir”.
Graphology → separates the speaker’s outside voice from their inner voice → inner thoughts are very different from the way they try and present themself → expectations v realities!
epistrophe → repetition of “sir”, ending each clause to represent how at the end of the day the speaker feels they are inferior to the people they wait on
“the monstrous fabric / shrinks to unwanted sniggers”
“monstrous fabric” → like a curtain → theatre? societal fabrication? feels overwhelming
“unwanted sniggers” → humiliation
“But my heart’s in the unobtrusive / the waiting room roles:”
“But” → conjunction, as readers witness the truer self of the performer/carer
“unobtrusive” → the non-spectacle?!
“roles” → again, performance!
“driving at hospitals, / parking at hospitals”
epistrophic “hospitals” → monotony of clinical care?! repetitive cycle of endless care!
Caesura → lack of order to the endless tasks
DACTLYS → STRESSED FIRST BEAT !
PARALLELISM OF ‘ING’ VERBS !
“Holding hands under / Veteran magazines”
shame of emotion?
“making sense / Of consultants’ monologues”
“monologues” → makes the healthcare process sound like an archaic performance?
What happens to the caesurae in stanza 2?
it shifts to different places on the line → instability of rest + breaks / cycles?
“asking pointed / questions politely; checking dosages, / Dates; getting on terms with receptionists”
dental consonance → sharpness
the clauses get shorter and shorter in length → monotony becomes unbearable + impatient?
“Sustaining the background music of civility”
once more using the metaphor of performance for caring
possibly first inkling towards this being a Greek chorus?
“background music” → unnoticeable but does have an effect
endstop!
“At home in the street you may se mee / Walking fast in case anyone stops:”
“At home” → constant geographical dislocation → instability!
“O, getting on, getting better”
Written in the same graphology as spoken lines of a play → these are rehearsed lines!
anaphoric asyndeton → “getting” → speaker is always progressing rather than being at the end-goal of satisfaction
“
“my formula / for well-meant intrusiveness”
“formula” → this performance is a scientific + precise art?
“At home, / Thinking ahead: Bed? A Good idea!”
between “intrusiveness” and “At home” → together they make a whole line → the speaker feels fractured, especially surrounding where “home” really is!
“Bed? A Good Ideas!” → direct diction, exhaustion
“(Bed solves a lot); answer the phone, / Be wary what I say to it”
parenthetical aside → the speaker finds space in the poem to make jokes away from claustrophobic everyday?
“Contrive meals for a hunger-striker, track down / whimsical soft-centred happy-all-the-way-though novels”
hunger striker → hyperbolic?
multiple hyphenated phrase feels verbose, adding to a sense of wry humour?!
“Find the cat (mysteriously reassuring)”
speaker is relieved of the homelife mundanity!
“Cancel things, tidy things; pretend all’s well / admit it’s not”
epistrophe → cycle → there is a cycle of epistrophe → repetition within repetition!
“pretend all’s well” ENJAMB “admit it’s not” → line break representing the line of facade…?
“Learn to conjugate all the genres of misery: / tears, torpor, boredom, lassitude, yearnings”
caring as having a specific lexis? could look at how this enables a facade to take place, with language becoming repetitive and futile!?
***
delay in the pome → forces the speaker to enact the waiting of time before action can take place?!
“Enduring ceremonial delays. Being referred / somewhere else”
circumnavigating actual healing + care?
caesura enacts this delay
“Saying Thank you / For anything to everyone”
“anything to everyone” → vagueness + anonymity → speaker loses sense of identity + self
The asyndetic list turned into sentence fragments → normative grammar goes a bit out the window
“ // Not the star part. / And who would want it?”
truncated line → feels pushed aside, literally
Speaker forces the guilt of not wanting to be a carer, while not wanting to be a patient co-exist!
“I jettison the spear, / The servant’s tray, the terrible drone of Chorus”
Speaker tracks the ‘serving’ role of theatrical history → from the Greek chorus to the possibly Renaissance ‘servant’s tray’ → back to Shakespeare at the beginning
the carer = a timeless role.
“Yet to my thinking this act was ill-advised / It would have been better to die”
Oedipus Rex → plague in Thebes direct result of the murder of king Laius → LINES SPOKEN BY THE CHORSUS !!
“No it wouldn’t / I am here to make you believe in life”
poem becomes deceptively carpe diem → ironic exhaustion