intro, chapters 8, 2, 3, 4, 5, +
analytical
breaking things down + appreciating how they fit
critical
questioning + probing
cultural
recognize media as a part of life
cultural studies
separates culture from the elitist concept
citizen
political subject in a democratic society
citizenship
identity/a way of seeing yourself/a part of life
community
citizens w/whom you share an interest in public affairs
civic culture
culture used to engage citizens in democratic experience + communication
public sphere
individuals engage w/one another about public concerns outside of gov
democratizing
process of expanding access and participation to move people
networked public
online community
networked counter public
public that opposes another mainstream public (ie: blm)
counter publics
positioned in relation to other publics
industry
tells us more where media originates and what forces shape their creation
revenue
all earnings coming into a company
profit
revenue - expenditures
political economists
look at connections between companies and their way of making money
conglomeration
a big company made up of many other companies
integration
combo of 2 or more elements of a media business
vertical integration
combines production, exhibition, and distribution into individual companies
horizontal integration
combination of different media w/in 1 large company
for-profit
serves an agenda - keep business going
public media (non-profit)
grants from the gov, donations from orgs, etc
individual online creators
hybrid individual and industustrial production
consumer-driven media
money is made from consumer spending
advertising-driven media
money is made from advertising capitalizing on a target market
senior citizens
old and established films from pre-digital era
the teenagers
online, digital, and social media such as apple
the industry trade press
collection of publications that focus on a specialized form of journalism
ethnography
engagement with people who work in media industry at their place of work
media text
an individual instance of media/something made by a producer and received by a consumer
levels of textual analysis
anticipation
experience
description
interpretation
evaluation
appropriation
anticipation
info we learn before we encounter
experience
consumption of media
description
describing text before breaking it down
interpretation
assign meaning
evaluation
making a claim about value
appropriation
media text in another media text
intertextuality
media text reference another text
polysemy
media texts with multiple meanings
intentional fallacy
believing what the author says without looking at their work
auteur
artist whose signature is visible throughout their work
conspicuous authorship
work that has 1 name attached
denotation
the meaning is obvious
connotation
requires the audience to read the text to have prior knowledge
audience
a group of people who come together to pay attention to the same thing
prosumer
producing and consuming media on the same platform
mass audience
audiences around the world watching the same thing
media effects
how media shapes society
active audience
audiences that pay attention/ actively critically thinking
preferred/dominant reading
accepts the meaning given by the author
oppositional reading
rejecting preferred meaning
negotiated reading
accepting meaning but still being critical about it
transmission view
sending and receiving
ritual view
sharing and participating
fan
extremely active audience
encoding
producing
decoding
receiving
representation
one thing standing for another
social construction of reality
the production of ideas about the real world and people who live there
symbolic annihilation
absence of representation makes that group of people disappear irl
tokenism
diversity sprinkled in to anticipate criticism
plastic representation
diversity without personality or culture
burden of representation
burden on minority to represent
normative identity
typical/average identity
non-normative identity
othered identity
regime of representation
power dynamics about representation as a form of politics
address
speaking to viewers
modes of address
thinking about whom the representation is speaking to
orientalism
european and american perspective on the east that fixates on its otherness
identities
social conditions of existence - the way you identify yourself as
identification
called in a certain way - the way others identify you
the changing same
reworking transmits the capacity to be both the same and different
regimes of truth
discourse that hold certain things to be “truths”
problematizing
the see-saw movement of finding fault while also finding something (or much) to admire in the way a media texts represents
mimesis
reflection of the real world