CPAR review lesson 2

STUDY

LINES

COLOR

VALUE

TEXTURE

SHAPE

COMPOSITION IN SPACE

MOVEMENT

The elements of art (LiCoVaTShCoiSpaM)

Elements of art

Aspects of form
They convey meaning, and express ideas and feelings

LINE

ASSOCIATED WITH THE BODY’S AXIS AS IT MOVES TOWARDS DIFF. DIRECTIONS & ADJUSTS TO A POINT OF REFERENCE.

WHEN SEVERAL ___ COME TOGETHER

VERY THIN

VERY THICK

WASHED

ROUGH

FINE

WHEN SEVERAL LINES COME TOGETHER, THEY CREATE TEXTURE LIKE:

(T&T,WRF)

COLOR

ASSOCIATED WITH OUR EXPRERIENCES OF COLD AND WARMTH.

QUALITY OF LIGHT IN OUR TROPICAL ENVIRONMENT

HUE

NAME OF THE COLORS

HOW LIGHT WAVES OF VARIOUS LENGTHS AND RAPIDITY OF VIBRATIONS BOUNCE OFF OBJECTS AND ENTER OUR EYES

WARM HUE

THIS HUE HAS:

LONGER WAVE LENGTH

MORE DISTINCT

EASILY DISCERNIBLE

ADVANCES TOWARDS US

COOL HUE

THIS HUE HAS:

SHORTER WAVE LENGTHS

MERGES INTO EACH OTHER

RECEDES AWAY

ORANGE

VIOLET

GREEN

SECONDARY COLORS

RED

YELLOW

BLUE

PRIMARY COLORS

SATURATION

HOW TRUE THE COLOR IS

INTENSITY

DEGREE OR PURITY OF SATURATION OF STRENGTH OF A COLOR

BRILLIANCE

BASED ON INTENSENESS OR DULLNESS

TINT

ADDING WHITE TO A PURE HUE

SHADE

ADDING BLACK TO A PURE HUE

TONE

ADDING GREY TO A PURE HUE

VALUE OR TONE

BRIGHTNESS OR DARKNESS

SCHEMES

SETS OF COLORS

POLYCHROMATIC

MANY COLORS

MONOCHROMATIC

ONE COLOR

MIX IT WITH WHITE OR GRAY TO ACHIEVE MANY TONES

BLACK

COLOR THAT ABSORBS ALL

WHITE

COLOR THAT REFLECTS THEM ALL

USES

DONE IN DIFFERENT WAYS, DEPENDING ON THEIR STYLE AND PREFERENCES

REPRESENTATIONAL

DEPICTS THE WORLD AS ACCURATELY AS POSSIBLE

• PORTRAITS, WITH APPROXIMATE SKIN TONE AND COLOR

LEEROY NEW

PHS FOR ARTS.

CREATES POLYCHROMATIC FANTASY LANDSCAPES WITH AN INTENSE, OFTEN POLYCHROMATIC COLOR SCHEME

PERSONAL COSMOLOGY

LEEROY NEW EXPRESSES A _____

RAMEER TAWASIL

ECHOES THE COLOR SCHEME OF MINDANAO’S MATERIAL CULTURE

NESTOR VINLUAN

THEIR ABSTRACT PAINTINGS ARE MUTED, MAKING US FOCUS ON THE FORM AND ELEMENTS OF THE PAINTING ITSELF.

T’NALAK / DAGMAY

COLOR SCHEME ALSO DEPENDS ON THE MATERIALS AVAILABLE AND REGIONAL VARIATIONS

VALUE

GRADIATIONS OF TONE FROM LIGHT TO DARK

SPECIFICALLY REFER TO PLAY OF LIGHT

LIGHTNESS AND DARKNESS OF A HUE

REPRESENTATIONAL PAINTING

THIS USE OF VALUE HAS LENDED THE FLAT SURFACE AN ILLUSION OF DEPTH AND PERSPECTIVE

NON-REPRESENTATIONAL

BLAC & WHITE PHOTOGRAPHY

UNIQUE CHARACTERS

ARTISTIC PHOTOGRAPHY

REPORTAGE PRACTICES

VALUE SCALE

GRADUAL CHANGE IN VALUE FROM ITS LIGHTEST VALUE

VALUE CONTRAST

LIGHT VALUES ARE PLACED NEXT TO DARK VALUES

TINT

SHADE

HIGH-KEY

LOW-KEY

VALUE SCALE

VALUE CONTRAST

ELEMENTS OF VALUE

(TiSh, H&LK, ValSC)

HIGH KEY

ALL LIGHT VALUES IN A PICTURE

LOW KEY

ALL DARK VALUES IN A PICTURE

TEXTURE

HOW OBJECTS AND SURFACES FEEL, MOST ASSOCIATED WITH SENSE OF TOUCH OR TACTILITY

DONE WHEN SEVERAL LINES COMBINE

BARONG & BARO AT SAYA

THE TEXTURE OF THESE DRESSES ARE TRANSLUCENT AND DELICATE

AZE ONG CROCHETED DRESSES

DRESSES THAT ARE SOFT YET THICK

COLLAGE

ACTUAL OBJECTS ARE GLUED ON A SURFACE

IMELDA CAJIPE-ENDAYA

INTEGRATES SAWALI PANES, CROCHETED LACE, FABRICS AND ROPE

FEMINISM, EXPORT LABOR, ANTI IMPERIALISM

THEMES THAT IMELDA CAJIPE-ENDAYA EMPLOY INTO HER ARTWORK

SHAPE

FORMS THAT ARE TWO-DIMENSIONAL OR THREE-DIMENSIONAL

2D

EXISTS AS PLANES HAVING LENGTH AND WIDTH

3D

POSSESSES LENGTH, WIDTH, AND VOLUME

RECTILINEAR, CURVILINEAR, BIOMORPHIC, FREE INVENTIONS

THE TYPES OF SHAPE DESCRIPTIONS

(REC,CURV,BIO,FRINV)

rectilinear

INVOLVES STRAIGHT SHAPES

CURVILINEAR

INVOLVES CURVED SHAPES / LINES

BIOMORPHIC

SHAPES BASED OF NATURE & BIOLOGY

FREE INVENTIONS

NON-DISCERNABLE GEOMETRIC SHAPES

THERES NO SHAPES TO BE SEEN

BINAKOL (TINGGIANS OF ABRA)

GEOMETRIC SHAPES WITH MATH PERCISION ACHIEVEN AN ILLUSIONISTIC EFFECT

GEOMETRIC

ORGANIC

POSITIVE

NEGATIVE

STATIC

DYNAMIC

ELEMENTS OF SHAPE

(GeOr, +-, StaDyn)

COMPOSITION IN SPACE

INVOLVES THE RELATIONSHIP BETWEEN FIGURES AND ELEMENTS

HOW IT IS ORGANIZED AND COMPOSED ACCORDING TO VARIOUS PRINCIPLES OF ORGANIZATION

BAHAY KUBO

HOUSES FOR LOWLANDS

IFUGAO HOUSES

HOUSES FOR HIGHLANDS

MOVEMENT

MAY OCCUR IN 2D DESIGN AS RHYTHM OR THROUGH THE RECURRENCE OF MOTIFS, THEIR ALTERNATION OR PROGRESSION UNFOLDING IN A SERIES

RELATED TO LINE AND THE DIRECTION OF THE EYE

NINE MUSES

MADE BY NA NAPOLEON ABUEVA THAT SHOWS MOVEMENT IN SCULPTURE

FLOR CONTEMPLACION

THE MOVIE THAT SHOWS MOVEMENT IN FILM

UNIVERSITY GATEWAY

BY NA NAPOLEON ABUEVA THAT SHOWS AN EXAMPLES OF LINES USED

HIGH-INTENSITY

PURE PRIMARY OR SECONDARY COLOR

LOW-INTENSITY

COLOR MIXED WITH ITS COMPLEMENT

CHIAROSCURE

USE OF STRONG CONTRASTS BETWEEN LIGHT AND DARK

ITALIAN TERM WHICH LITERALLY MEANS “LIGHT-DARK”

WARM AND COOL HUE

TYPES OF HUE

PRIMARY AND SECONDARY

TYPES OF COLORS

POLYCHROMATIC, MONOCHROMATIC

TYPES OF SCHEMES