Mendelssohn Symphony No.4 in A major

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24 Terms

1
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What is the tonic key of the entire symphony?

A major

2
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What is the time signature of the first movement?

6/8 which is compound duple time

3
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What does compound time mean?

It refers to each beat being divided into 3

4
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What does duple time mean?

Rhythm based on two main beats in a bar

5
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What does oscillating refer to in music?

Pitch moving back and forth

eg: A - C# - A, A - C# - A again in mvt 1 bars 2-4) —> (motif)

6
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Define tonicisation

Treating a non-tonic chord or pitch as if it was the tonic

Eg: (tonicisation of E in bar 17 in mvt 1)

7
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Define fanfare

A loud and short piece of music played by brass instruments

8
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Define sequencing

A passage of music is repeated at a higher or lower pitch

9
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Define antiphonal

  • (‘musical tennis’)

  • A type of texture where two or more groups of voices or instruments alternate between each other

(Eg: the start of transition in mvt 1, bar 66-73 has antiphonal texture)

10
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Which bar does the second subject start in mvt 1?

Bar 92

11
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What key is the second subject of mvt 1?

E major - (the dominant of A)

12
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Define Tutti

Entire orchestra plays

13
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In bars 132 in mvt 1, what does the leading 7th note (A note in B major) do?

The leading 7th note builds tension

14
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Define augmentation

Lengthening the duration of notes of a motif or series of notes

15
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Define pedal note

A note that is held or repeated (typically in the bass) while the harmony changes around it

16
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Which bar is where the first development starts in mvt 1?

Bar 210

17
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Define monophonic

A type of texture with a single melody line

18
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Define fugatto style. Which bars does this occur in? How is that created?

Fugatto style refers to elements of a fugue that is in a non-fugal composition

(Eg: bars 231 - 240 - fragments of the theme imitated)

19
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Define stretto. How is that created in bar 249?

  • means ‘stress’

  • created by bringing fragments of themes closer and closer together

20
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Define neapolitan 6th

A flattened supertonic in the first inversion

21
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What can a dominant pedal note serve as a preparation for?

The tonic or a tonicisation eg: F# pedal note to prepare for B minor

22
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What does Mendelssohn do to make his Sonata in mvt 1, funkier, weirder and to be a silly billy in order to proceed with his devious plans?

Add a FALSE reprise / FALSE recapitulation in bars 285 - 296 (in C major… C MAJOR?!)

23
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Which bar is the second development section?

Bar 297

24
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Which bars are when themes are on top of each other?

Bars 317 - 327