Harmony 3 Midterm

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24 Terms

1
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available tensions on 2ndary doms

b9, 9, S4, b13, 13

2
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Chord Scale: V7/VI and V7/III

mixo b9 b13 (S4)

3
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Chord Scale: V7/V and V7/IV

mixo (S4)

4
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Chord Scale: V7/II

mixo b13 (S4)

5
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Chord Scale: Sub v7/___

Lydian b7 (t9, t#11, t13)

6
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Optional Chord Scales: V7, V7/V, V7/IV, Ext Doms

  1. Mixo

  2. Mixo b9

  3. Mixo b13

  4. Mixo b9, b13

  5. Mixo b9, #9, b13

  6. Altered

7
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Optional Chord Scales: V7/II

  1. Mixo b13

  2. Mixo b9, b13

  3. Mixo b9, #9, b13

  4. Altered

8
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Optional Chord Scales: V7/III

  1. Mixo b9, b13

  2. Mixo b9, #9, b13

  3. Altered

9
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altered chord scale

1, tb9, t#9, 3, ___, b5, tb13, b7

(no 4)

10
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Ext Dom related II chord scale

Dorian when the chord can’t be labelled

11
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Ascending Diminished Chords

#I*7 —→ II-7

#II*7 —→ III-7

#IV7 —→ V7

#V*7—→ VI-7

12
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How to Find Chord Scales for Ascending Diminshed Chords

Called ___ Diatonic Diminished or RN*7

  1. Spell out the *7 chord with accidentals

  2. Spell out the target chord in between

  3. dont label avoid notes with an S, just fill them in and leave it blank

(Works for all but #IV7 —→ V7)

13
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Tensions and Avoid Notes for Ascending Diminished Chords

#I*7 —→ II-7

#II*7 —→ III-7

#V*7—→ VI-7

AATT (b13 and maj7)

14
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Tensions and Avoid Notes For Ascending Diminished Chords

#IV7 —→ V7

AATT (11 b13 and maj7)

15
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Available Modal Interchange Chords

I-7

IV-7

V-7

bIIImaj7

bVImaj7

bIImaj7

bVIImaj7

bVII7

bVI7

II-7b5

16
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Modal Interchange Chords Chord Scale

I-7

IV-7

V-7

Dorian (9, 11, 13) (s6)

17
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Modal Interchange Chords Chord Scale

bIIImaj7

bVImaj7

bIImaj7

bVIImaj7

Lydian (9, #11, 13)

18
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Modal Interchange Chords Chord Scale

bVII7

bVI7

Lydian b7 (9, #11, 13)

19
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Modal Interchange Chords Chord Scale

II-7b5

Locrian Natural 9 (11, b13) (sb2)

20
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What are Extended Substitute Dominants

  1. Start on a 3 or a b7

  2. descend in half steps until reaching the V7 which resolves to the I

21
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Ext Sub Doms Chord Scale

Lydian b7

22
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Chord Scale for #IV-7b5

Locrian (sb2, t11, tb13)

23
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Ways to use #IV-7b5 in a progression

IVmaj7—→#IV-7b5——→V7

IV-7—→#IV-7b5——→V7

V—→#IV-7b5——→IVmaj7

V—→#IV-7b5——→IV-7

24
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#IV-7b5 can also function as a II chord with a bracket when…

before V7/III