Haydn 4th Movement

kill me

Overall Structure

• Intro B1-2

• Exposition B3-118

S1 B3-18

Transition B19-53

S2a B54-83

S2b B84-101

Codetta B102-117

• Development B119-194

• Recapitulation B195-264

• Coda B265-end

Exposition S1

Intro

• B1-2 a Tonic drone is played in FH and VC

S1

• Based on a Croatian folk tune

• B3-18

• B3-4 Q B5-6 A

• B3-4 vln1 plays a minor third followed by a major third

• B4 X motif→ Stamping Rhythm first time heard its an imperfect cadence

• B11 Vln1 repeats melody up the octave and Oboe doubles

• B11-18 Vln2 plays counter melody and B13 of this is now known as Y motif

Transition

• B19-53

• B19 stamping rhythm is now heard in crotchets rather than minims →Diminution

• B19 IVc

• B20 I

• B21 IVc

• B22 I

• B22^4-23 (may continue) Vln1 plays a thematic transformation of S1 in diminution. This creates pace and energy, pushing the music foreword.

• B29 Tonic pedal in Vc

• B31 Vln1 B33 Vln2 B35 Bassoon play S1 in imitation

• B36 Vln1 Augmentation of Y figure

• B36 Em tonicization

• B37 A tonicization

• B44-45 Vln1 New figure introduced called Z motif

• B44 E functions as V of A to help move to dominant for S2

S2A

• S2A B54-83

• Monothematic

• Melody is now in flute, bassoon, and Vln2 while Vln1 and Vla play counter melody from B11 → Fuller instrumentation from when first heard

• FH and Trumpet and VC play pedal with dominant and tonic

• B57 Vla plays contrary motion with Vln1

• B65-68 Vln1 and B69-72 Bassoon and VC play melody influenced by figure Y

• B81^1 I of A then ^3 IV then B82 Ic then B83 V → To B84 interrupted cadence as it goes to F#

S2B

• S2B 84-101

• Focus is Harmonic→ Circle of fifths

• B85, 86, 88 b1 appogiatura

• B84 F#

• B86 Bm

• B88 E

• B98 A

• B99 IV B100 IV B101 Ic B102 V7 →Cadential 6/4, resolves to I next bar

Codetta

• 102-117

• In A

• B102 Vln1 Z motif

• B115-114 Strings and Woodwind playing in octaves

Development (whole is broken up other flashcards)

• B119-194

• B119 Vln2, B121 Vln2, B123 VC S1 played in imitation

• B123 Vln2 and Oboe play counter melody

• B123 FH and trumpet play an inverted pedal

• B126-128 Homophonic strings and WW

• B129 Vln1 Y motif played inverted and Vln2 is syncopated

• B129 Diminished B130 Minor B133 Diminished B135 Minor

• B133-136 Bassoon and Vln1 5 note motif heard in contrary motion accompanied by homophonic crotchet chords

• B137 F#maj but functions as V of Bm

• B139 Bm

• B139 violins playing in two bar quick rhythm phrases which pushes the piece

• B150 Flute and Oboe play inverted Y theme ascending

• B150-153 Vln1 plays a diminished sequence

• B154 Em 1st inversion

• b157 Violins Z motif and B158 Vla stamp X Stamping motif

• B167 S2b previously in F# and now in G#

• B169 C#

• B171 F#m

• B173 Bm

• B181 D# and B183 resolves through D7

• B185 pedal C# (dom)

• B191 V7 (C#maj) then B193 goes to VI instead of actual tonic but this functions as the tonic of Dmaj to return to home key for recapitulation

1st bit of development

• B119 Vln2, B121 Vln1, B123 VC S1 played in imitation

• B123 Vln2 and Oboe play counter melody

• B123 FH and trumpet play an inverted pedal

• B126-128 Homophonic strings and WW

• B129 Vln1 Y motif played inverted and Vln2 is syncopated

• B129 Diminished B131 Minor B133 Diminished B135 Minor

• B133-136 Bassoon and Vln1 5 note motif heard in contrary motion accompanied by homophonic crotchet chords

• B137 F#maj but functions as V of Bm

• B139 Bm

• B139 violins playing in two bar quick rhythm phrases which pushes the piece

2nd bit of development

• B150 Flute and Oboe play inverted Y theme ascending

• B150-153 Vln1 plays a diminished sequence

• B154 Em 1st inversion

• b157 Violins Z motif and B158 Vla stamp X Stamping motif

3rd bit of development

• B167 S2b previously in F# and now in G#

• B169 C#

• B171 F#m

• B173 Bm

• B181 D# and B183 resolves through D7

• B185 pedal C# (dom)

• B191 V7 (C#maj) then B193 goes to VI instead of actual tonic but this functions as the tonic of Dmaj to return to home key for recapitulation

Recapitulation S1

• B195-264

S1 recap 195-202

• B195 S1 played in Vln1 and oboe and counter melody is played in Vln2

Recap transition

• Transition B203-220 only 18bars in exposition it was 35

• In tonic

• B207 homophonic chordal texture with running quavers

• B215 V pedal in VC

• B220 V7 before S2 recap

Recap S2

S2a

• 221-246

• FH has the melody →unusual

• B231^4-232 Amaj tonicization

S2b

• 247-264

• B247 Bmaj

• B249 Em

• B263 Ic then 264 V7 but B265 coda it goes to Bm, not the expected tonic

Coda

• 265 coda 70 bars long

• starts Bm

• B276 Woodwind trio → sonority change

• B287 Dminor

• B307 X stamping motif

• B3099 Dmajor

• B311 Vln1 S1 and Clarinet and Vln2 Counter Melody

• B320 &324 X motif

• B326 y motif in woodwind

• B332 II, B333 V7 then B334 I