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These vocabulary flashcards cover essential terms, concepts, textures, modes, and practices discussed in the lecture on medieval music, providing a concise reference for exam review.
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Medieval Period
The era of Western history from roughly 400 CE–1400 CE, also called the Middle Ages or Dark Ages.
Middle Ages
Historical period between the fall of the Roman Empire and the Renaissance; synonymous with the medieval period.
Dark Ages
Informal label for the early medieval era, characterized by social upheaval yet rich in religious music.
Culture
Shared beliefs, values, and practices (arts, religion, language, music, food) of a group of people.
History
Chronological, documented account of past events used to understand cultural developments like music.
Sacred Music
Music composed for, or influenced by, religious worship—especially in the Roman Catholic Church.
Secular Music
Non-religious medieval music performed in courts, marketplaces, and social gatherings.
Gregorian Chant
Official sacred music of the Roman Catholic Church for over 1,000 years; monophonic Latin plainsong credited to Pope Gregory I.
Plainsong (Plainchant)
Unaccompanied monophonic chant of the medieval church, including Gregorian chant.
Monophony
Musical texture with a single melodic line and no accompaniment.
Polyphony
Texture featuring two or more independent melodic lines performed simultaneously.
Homophony
Texture in which multiple voices move together rhythmically, supporting one main melody.
Heterophony
Texture where multiple performers deliver varied versions of the same melody at once.
Chant Traditions
Early sacred singing practices influenced by Jewish psalmody and developed independently across Europe.
Mass – Proper
Variable parts of the Roman Catholic Mass (e.g., introit, gradual, alleluia, tract, offertory, communion).
Mass – Ordinary
Constant sections of the Mass: Kyrie, Gloria, Credo, Sanctus, Agnus Dei.
Syllabic Text Setting
Gregorian-chant style assigning one note to each syllable of text.
Neumatic Text Setting
Style where small groups of notes (neumes) correspond to single syllables.
Melismatic Text Setting
Style in which many notes are sung on a single syllable.
Psalmodic Text Setting
Style with many syllables intoned on a repeated single note.
Authentic Modes
Four principal medieval church scales: Dorian, Phrygian, Lydian, Mixolydian.
Dorian Mode
Minor-flavored scale with a lowered 3rd; first authentic mode.
Phrygian Mode
Third church mode, like natural minor but with a lowered 2nd.
Lydian Mode
Major-sounding scale with a raised 4th; fourth authentic mode.
Mixolydian Mode
Fifth mode of the major scale; resembles major but with a lowered 7th.
Plagal Modes
Four derivative church scales: Hypodorian, Hypophrygian, Hypolydian, Hypomixolydian.
Hypodorian Mode
Plagal counterpart of Dorian, spanning a range below the final note D.
Hypophrygian Mode
Plagal form of Phrygian; fourth mode in medieval theory.
Hypolydian Mode
Sixth church mode, plagal variant of Lydian.
Hypomixolydian Mode
Plagal variant of Mixolydian; scale from D to D with final on G.
Ionian Mode
Scale identical to the modern major (not common but used in some secular pieces).
Aeolian Mode
Scale identical to the natural minor; occasionally employed in secular music.
Triple Meter
Rhythmic pattern with three beats per measure, prevalent in secular medieval songs.
Conjunct Melody
Smooth, stepwise melodic motion with few leaps, typical of Gregorian chant.
Unmetered Rhythm
Lack of fixed time signatures; characteristic of many chants.
Neumatic Notation
Early system of musical notation using symbols (neumes) to indicate chant pitches.
Knights’ Music
Secular songs celebrating chivalry and crusades, performed by troubadours and minstrels.
Nobles’ Music
Courtly entertainment including love songs, dances, and drinking tunes.
Priests’ Chants
Sacred vocal music used in Christian services within cathedrals and monasteries.
Roman Catholic Church
Primary religious institution shaping Western sacred music during the medieval era.