Music of the Medieval Period – Key Vocabulary

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These vocabulary flashcards cover essential terms, concepts, textures, modes, and practices discussed in the lecture on medieval music, providing a concise reference for exam review.

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43 Terms

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Medieval Period

The era of Western history from roughly 400 CE–1400 CE, also called the Middle Ages or Dark Ages.

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Middle Ages

Historical period between the fall of the Roman Empire and the Renaissance; synonymous with the medieval period.

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Dark Ages

Informal label for the early medieval era, characterized by social upheaval yet rich in religious music.

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Culture

Shared beliefs, values, and practices (arts, religion, language, music, food) of a group of people.

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History

Chronological, documented account of past events used to understand cultural developments like music.

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Sacred Music

Music composed for, or influenced by, religious worship—especially in the Roman Catholic Church.

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Secular Music

Non-religious medieval music performed in courts, marketplaces, and social gatherings.

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Gregorian Chant

Official sacred music of the Roman Catholic Church for over 1,000 years; monophonic Latin plainsong credited to Pope Gregory I.

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Plainsong (Plainchant)

Unaccompanied monophonic chant of the medieval church, including Gregorian chant.

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Monophony

Musical texture with a single melodic line and no accompaniment.

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Polyphony

Texture featuring two or more independent melodic lines performed simultaneously.

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Homophony

Texture in which multiple voices move together rhythmically, supporting one main melody.

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Heterophony

Texture where multiple performers deliver varied versions of the same melody at once.

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Chant Traditions

Early sacred singing practices influenced by Jewish psalmody and developed independently across Europe.

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Mass – Proper

Variable parts of the Roman Catholic Mass (e.g., introit, gradual, alleluia, tract, offertory, communion).

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Mass – Ordinary

Constant sections of the Mass: Kyrie, Gloria, Credo, Sanctus, Agnus Dei.

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Syllabic Text Setting

Gregorian-chant style assigning one note to each syllable of text.

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Neumatic Text Setting

Style where small groups of notes (neumes) correspond to single syllables.

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Melismatic Text Setting

Style in which many notes are sung on a single syllable.

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Psalmodic Text Setting

Style with many syllables intoned on a repeated single note.

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Authentic Modes

Four principal medieval church scales: Dorian, Phrygian, Lydian, Mixolydian.

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Dorian Mode

Minor-flavored scale with a lowered 3rd; first authentic mode.

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Phrygian Mode

Third church mode, like natural minor but with a lowered 2nd.

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Lydian Mode

Major-sounding scale with a raised 4th; fourth authentic mode.

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Mixolydian Mode

Fifth mode of the major scale; resembles major but with a lowered 7th.

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Plagal Modes

Four derivative church scales: Hypodorian, Hypophrygian, Hypolydian, Hypomixolydian.

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Hypodorian Mode

Plagal counterpart of Dorian, spanning a range below the final note D.

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Hypophrygian Mode

Plagal form of Phrygian; fourth mode in medieval theory.

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Hypolydian Mode

Sixth church mode, plagal variant of Lydian.

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Hypomixolydian Mode

Plagal variant of Mixolydian; scale from D to D with final on G.

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Ionian Mode

Scale identical to the modern major (not common but used in some secular pieces).

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Aeolian Mode

Scale identical to the natural minor; occasionally employed in secular music.

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Triple Meter

Rhythmic pattern with three beats per measure, prevalent in secular medieval songs.

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Conjunct Melody

Smooth, stepwise melodic motion with few leaps, typical of Gregorian chant.

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Unmetered Rhythm

Lack of fixed time signatures; characteristic of many chants.

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Neumatic Notation

Early system of musical notation using symbols (neumes) to indicate chant pitches.

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Knights’ Music

Secular songs celebrating chivalry and crusades, performed by troubadours and minstrels.

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Nobles’ Music

Courtly entertainment including love songs, dances, and drinking tunes.

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Priests’ Chants

Sacred vocal music used in Christian services within cathedrals and monasteries.

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Roman Catholic Church

Primary religious institution shaping Western sacred music during the medieval era.