AP Lit Summer Assignment

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72 Terms

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Alliteration
The repetition of accented consonant sounds at the beginning of words that are close to each other, usually to create an effect, rhythm, or emphasis.
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Allusion
A reference in literature or in art to previous literature, history, mythology, pop culture/ current events, or the Bible
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Ambiguity
Quality of being intentionally unclear. Events or situations that are ambiguous can be interpreted in more than one way.
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Antecedent
The word or phrase to which a pronoun refers; most often, the antecedent precedes the pronoun
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Antihero
A protagonist who carries the action of the literary piece but does not embody the classic characteristics of courage, strength, and nobility.
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Antithesis
A concept that is directly opposed to a previously presented idea.
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Anaphora
Repetition of a word or phrase at the beginning of successive clauses.
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Analogy
A comparison between two things, typically for the purpose of explanation or clarification.
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Apostrophe
A rhetorical figure of direct address to a person, object, or abstract entity.
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Archetype
A character, situation, or symbol that is familiar to people from all cultures because it occurs frequently in literature, myth, religion, or folklore.
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Assonance
The repeated use of a vowel sound within several words in a sentence.
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Asyndeton
A rhetorical term for a writing style that omits conjunctions between words, phrases, or clauses. Poets use asyndeton to quicken the pace of the line (opposite of polysyndeton).
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Atmosphere
The pervading mood of a place, situation, or work of art (synonymous to “mood”)
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Attitude
The author’s feelings toward the topic he or she is writing about. Attitude, often used interchangeably with “tone,” is usually revealed through word choice.
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Bildungsroman
A novel whose principal subject is the moral, psychological, and intellectual development of a usually youthful main character. Often called a “coming of age” story.
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Cacophony
Harsh, discordant sounds that are unpleasant to the ear (opposite of euphony).
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Catharsis
An emotional cleansing or feeling of relief.
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Caesura
Any interruption, pause or break in the middle of a line of poetry.
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Climax
The turning point in a literary work; the culmination of the rising action; after the climax, the falling action and resolution occur
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Colloquial
Of or relating to slang or regional dialect; the type of speech used in familiar everyday conversation.
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Consonance
The repeated use of a consonant sound within several words in a sentence.
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Conceit
An extended metaphor that makes a comparison, but the objects that are compared are very dissimilar (in this case, “extended” means that the comparison is continued throughout the passage).
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Cumulative sentence
A sentence that delivers its point at the beginning; usually constructed as a main clause followed by a series of subordinate clauses (opposite of periodic sentence).
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Deus ex machina
Mostly used in mythology, this is when the gods intervene at a story’s end to resolve a seemingly impossible conflict
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Didactic
A story, speech, essay or play in which the author’s primary purpose is to instruct, teach or moralize.
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Dynamic character
A character who undergoes an important inner change in personality or attitude.
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Enjambment
The continuation of a sentence without a pause (no period or comma) beyond the end of a line or stanza.
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Epiphany
A sudden flash of insight. A startling discovery and/or appearance; a dramatic realization.
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Epistolary novel
A novel in letter form written by one or more of the characters.
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Euphemism
Substitution of an inoffensive word or phrase for another that would be harsh, offensive, or embarrassing.
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Euphony
The quality of a pleasant or harmonious sound of a word or group of words (opposite of cacophony).
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Figurative language
Unlike literal expression, figurative language uses figures of speech (such as a metaphor, simile, personification, and hyperbole) to create meaning.
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Flat/static character
Characters who are relatively uncomplicated and do not change throughout the course of a work.
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Foil
A character whose contrasting personal characteristics draw attention to enhance or contrast with those of the main character. A character who, by displaying opposite traits, emphasizes certain aspects of another character.
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Foreshadowing
Foreshadowing hints at what is to come. It is sometimes noticeable only in hindsight, but usually it is obvious enough to give the reader a small hint at what is to come.
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Hamartia
A tragic flaw (also called a fatal flaw).
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Hubris
Excessive pride. In Greek tragedy, the protagonist’s hubris is usually the tragic flaw that leads to his or her downfall.
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Hyperbole
An extreme exaggeration for literary effect that is not meant to be interpreted literally
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Imagery
Anything that affects or appeals to the reader’s senses: sight, sound, touch, taste, or smell.
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In medias res
In literature, a work that begins in the middle of the story.
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Inversion
A switch in the normal word order, often used for emphasis or for rhyme scheme.
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Irony
The expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.
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Juxtaposition
The fact of two ideas or words being placed close together to create a contrasting effect
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Line of reasoning
The way an argument is organized to show a progression of the writer’s ideas; using signpost words (see below), writers link together their ideas to show proof of their argument.
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Meter
The rhythmical pattern of stressed and unstressed syllables in poetry
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Mood
The pervading atmosphere of a place, situation, or work of art (synonymous to “atmosphere”)
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Motif
A distinctive or dominant idea in an artistic or literary composition.
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Nuance
A subtle difference in or shade of meaning, expression, or sound.
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Octave
An eight-line stanza; also, the first eight lines of an Italian or Petrarchan sonnet.
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Oxymoron
A figure of speech that combines two contradictory words, placed side by side..
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Paradox
A statement or situation that at first seems impossible or oxymoronic, but which solves itself and reveals meaning.
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Parallelism
The repeated use of the same grammatical structure in a sentence or a series of sentences.
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Periodic sentence
A sentence that delivers its point at the end; usually constructed as a subordinate clause or clauses followed by a main clause (opposite of cumulative sentence).
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Polysyndeton
Repetition of conjunctions in close succession. Poets use polysyndeton to slow the pace of the line for emphasis (opposite of asyndeton).
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Pun
Humorous play on words that have several meanings or words that sound the same but have different meanings.
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Quatrain
A four-line stanza in a poem.
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Repetition
A word or phrase used more than once to emphasize an idea
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Rhetorical question
A question with an obvious answer, so no response is expect
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Satire
The use of humor to ridicule and expose the shortcomings or failings of society, an individual, or an institution, often in the hope that change and reform are possible.
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Sestet
A six-line stanza of poetry; also, the last six lines of an Italian or Petrarchan sonnet.
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Shift
In writing, a movement from one thought or idea to another; a change.
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Signpost words
Transition words used between ideas to demonstrate the author’s line of reasoning or thought process.
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Slant rhyme
A rhyme based on an imperfect match of the end syllable sounds. It is rhyme that almost sounds like it matches, but not quite.
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Soliloquy
A dramatic or literary form of discourse in which a character talks to himself or herself or reveals his or her thoughts without addressing a listener. In drama, this is done when a character is alone on stage.
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Sonnet: English or Shakespearean
A fourteen-line poem in iambic pentameter. A Shakespearean sonnet is 3 quatrains followed by a couplet that sums up or resolves the situation described in the previous lines. Rhyme scheme is ABAB/CDCD/EFEF/GG.
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Sonnet: Italian or Petrarchan
A fourteen-line poem in iambic pentameter; it is divided into two parts, an 8-line octave and a 6-line sestet. Rhyme scheme is ABBAABBA/CDCDCD (note: the sestet may change slightly in pattern, such as /CDDCDD).
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Stream of consciousness
The unbroken flow of thought and awareness where novelists express the unspoken thoughts and feelings of a character.
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Synesthesia
A conflation of two or more senses, such as describing a color as “loud.”
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Syntax
The arrangement of words and phrases to create well-formed sentences in a language.
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Tercet
A three-line stanza
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Theme (in AP Lit, we call this the “meaning of the work as a whole”)
The universal insight presented in a work; contrary to popular belief, the theme is NEVER simply one word. To express the theme or the meaning of the work as a whole, it requires a sentence. In our class, we call this the “mowaaw” (pronounced “mow-wow”).
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Tone
The author’s attitude toward the subject, which often sets the mood of the piece. Tone is always “created” by the author; it is never “used” by the author.