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Quote: "I am not a Polack. People from Poland are Poles, not Polacks. But what I am is a one hundred percent American, born and raised in the greatest country on earth and proud as hell of it, so don't ever call me a Polack."
Character: Stanley
Blanche makes derogatory and ignorant remarks about Stanley's Polish ethnicity throughout the play, implying that it makes him stupid and coarse. In Scene Eight, Stanley finally snaps and speaks these words, correcting Blanche's many misapprehensions and forcefully exposing her as an uninformed bigot. His declaration of being a proud American carries great thematic weight, for Stanley does indeed represent the new American society, which is composed of upwardly mobile immigrants. Blanche is a relic in the new America. The Southern landed aristocracy from which she assumes her sense of superiority no longer has a viable presence in the American economy, so Blanche is disenfranchised monetarily and socially.
Quote: "I have always depended on the kindness of strangers."
Character: Blanche
Blanche's final comment is ironic for two reasons. First, the doctor is not the chivalric Shep Huntleigh type of gentleman Blanche thinks he is. Second, Blanche's dependence "on the kindness of strangers" rather than on herself is the reason why she has not fared well in life. In truth, strangers have been kind only in exchange for sex. Otherwise, strangers like Stanley, Mitch, and the people of Laurel have denied Blanche the sympathy she deserves. Blanche's final remark indicates her total detachment from reality and her decision to see life only as she wishes to perceive it.
Quote: "I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action."
Character: Blanche
This line clearly sets up the key theme of illusion vs reality. Blanche takes the naked truth - the stark bare lightbulb, the rude remark - and dresses it up prettily to make everyone happier and everything easier. That she speaks of talk and action as analogous to a lightbulb shows that she considers the remedy for uncouth behavior and appearance to be a paper lantern, an external cover, rather than a change from within.
Quote: "Poker should not be played in a house with women."
Character: Mitch
During Stanley's tantrum at the poker game, Mitch twice remarks that women and poker are a bad mix. This characterizes Mitch as someone who believes women are soft and gentle and should be protected from the roughness of poker. But it also shows that he doesn't blame the individual - Stanley - for his actions, but instead blames the poker game, as though the testosterone stirred up were unavoidable and necessary
Quote: "But there are things that happen between a man and a woman in the dark - that sort of make everything else seem - unimportant."
Character: Stella
Stella is explaining her overwhelming love for Stanley in terms of physical passion. Blanche correctly sums this up as "desire," just like "that rattle-trap street-car that bangs through the Quarter." Blanche can recognize desire, but she tries to pretend she can’t and refuses to get on board.
Quote: "I don't want realism. I want magic!"
Character: Blanche
This is Blanche's battle cry. It doesn't matter whether the magic is real. It doesn't even matter whether Blanche herself believes it. What's important for Blanche is that she always have the option of the fantasy - that she can believe in and hope for something prettier and lovelier and kinder than the real world.
Quote: " "Stanley carries his bowling jacket and a red-stained package from a butcher's"
Character: Stanley’s first description
Look at how Williams uses props to emphasize Stanley's "primitive" masculinity.
Quote: " "And turn that over-light off! Turn that off! I won't be looked at in this merciless glare!" "
Character: Blanche
This first instance is the most important and reveals Blanche's fear of showing her age. Mitch points out Blanche's avoidance of light in Scene Nine, when he confronts her with the stories Stanley has told him of her past. Mitch then forces Blanche to stand under the direct light. When he tells her that he doesn't mind her age, just her deceitfulness, Blanche responds by saying that she doesn't mean any harm. She believes that magic, rather than reality, represents life as it ought to be. Blanche's inability to tolerate light means that her grasp on reality is also nearing its end.