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Aubade
A morning-song. Example: Siegfried Idyll by Wagner, written for his wife Cosima on her birthday.
Atonal
Music with no specific key, tonality, or “home” note; often used to describe 20th-century compositions.
Assai
Italian for 'very'; used in tempo markings like allegro assai (very fast) or assai moderato (very moderately fast).
Aria
A formally structured song in opera. Da capo aria repeats the first section with embellishments.
Arco
Italian for 'bow'; instructs string players to use the bow instead of plucking (pizzicato).
Arabesque
A composition featuring ornate, decorative melodic lines, often flowing and intricate. Inspired by Arabic art.
Anthem
A short vocal composition, often non-liturgical in the Church of England. Full anthem = full choir.
Andante
Italian for 'walking'; indicates a moderate tempo. Andantino means slightly faster or slower.
Alto
A voice type (lower female or male falsetto); Alto clef marks middle C on the third line.
Allemande
A 4/4 time German dance, usually moderate in speed; often first in a Baroque suite.
Allegro
Italian for 'cheerful' or 'lively'; indicates a fast tempo, slower than vivace or presto.
Alla
Italian for 'in the style of'; e.g., Rondo alla turca means 'Rondo in the Turkish Style'.
Air
A tune or melody (also spelled ayre); similar to aria, used for voice or instruments.
Adagio
Italian for 'slow'; indicates a slow tempo. Adagietto = a bit faster than adagio.
Accompaniment
A secondary musical part supporting the main part (e.g., piano accompanying a singer).
A
A note on the musical scale, commonly used for tuning (called la in solfège).
Arpeggio
The tones of a chord played one after another in rapid succession.