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It is a SIMPLE AND FLEXIBLE FORMAT OF PRESENTING INFORMATION or conveying ideas whether handwritten, printed or displayed on-screen.
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This is a VERY POWERFUL AS WELL IN DISSEMINATING INFORMATION, providing direction and giving suggestions.
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It is AVAILABLE IN DIFFERENT SOURCES WHETHER FORMAL OR INFORMAL.
Formal text-based materials
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These are CREATED AND DISTRIBUTED BY ESTABLISHED INSTITUTIONS (Publishing companies, news agencies etc.)
Formal text-based materials
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This GO THROUGH A RIGOROUS PROCESS OF EDITING OR EVALUATION and are usually governed by censorship of the state.
Informal text based materials
TEXT
It COME FROM PERSONAL OPINIONS OR VIEWS on different issues, processes, etc.
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This CAN BE AS SHORT SUCH A SINGLE SENTENCE OR PHRASE OR THEY CAN BE LENGTHY as news articles or investigative reporting.
Typeface
This is ALSO CALLED FONT, FONT TYPE OR TYPE.
Typeface
It REFER TO THE REPRESENTATION OR STYLE OF A TEXT in the digital format.
Text
THIS IS THE EASIEST WAY OF COMMUNICATING TO THE AUDIENCE IN THE ABSENCE OF IMAGES OR DRAWINGS.
Serif
TYPEFACE
It connotes FORMALITY AND READABILITY IN LARGE AMOUNT OF TEXTS.
Serif
TYPEFACE
This FONT IS USUALY USED FOR THE BODY TETX OF BOOKS, newspapers, magazines and research publication.
Serif
TYPEFACE
Also, THIS FONT GIVE A CLASSIC OR ELEGANT LOOK WHEN USED FOR TITLE OR HEADING.
Ex: Times New Roman, Garamond and Baskerville.
Sans serif
TYPEFACE
This FONT BRINGS A CLEAN OR MINIMALIST LOOK to the text.
Sans serif
TYPEFACE
This FONT IS USED FOR CLEAR AND DIRECT MEANING OF TEXT such as road signage, building directory or nutrition facts.
Example: Arial, Helvetica, Tahoma, Verdana, Calibri
Slab serif
TYPEFACE
This FONT CARRIES A SOLID OR HEAVY LOOK TO TEXT.
Slab serif
TYPEFACE
This FONT CAN BE USED FOR LARGE ADVERTISING SIGN ON BILLBOARDS.
Example: Rockwell, playbill
Script
TYPEFACE
This FONT DRAWS MUCH ATTENTION TO ITSELF BECAUSE OF ITS BRUSH-LIKE STROKES.
Script
TYPEFACE
This MUST BE USED SPARINGLY AND NOT TO BE USED IN LARGE BODY TEXT.
Script
TYPEFACE
This FONT IS USUALLY USED IN WEDDING INVITATION CARDS or other formal events.
Edwardian, Vladimir, Kunstler
Decorative
TYPEFACE
Or also KNOWN AS DISPLAY, CATERS TO A WIDE VARIETY OF EMOTIONS (Celebration, fear, horror, etc.) or THEMES.
Chiller, Jokerman, Curlz MT
Emphasis
DESIGN PRINCIPLES AND ELEMENTS
It refers to THE IMPORTANCE OR VALUE GIVEN TO A PART OF THE TEXT-BASED CONTENT.
When trying to MAKE A POINT OR HIGHLIGHT A MESSAGE, make the TEXT BOLD, ITALICIZED, HAVE A HEAVIER WEIGHT, DARKEN OR LIGHTEN IT.
Appropriateness
DESIGN PRINCIPLES AND ELEMENTS
It REFERS TO HOW FITTING OR SUITABLE THE TEXT IS USED for a specific audience, purpose or event.
Proximity
DESIGN PRINCIPLES AND ELEMENTS
This refers to HOW NEAR OR HOW FAR ARE THE TEXT ELEMENTS FROM EACH OTHER.
Alignment
DESIGN PRINCIPLES AND ELEMENTS
This REFERS TO HOW THE TEXT IS POSITIONED IN THE PAGE.
This can be left, right, center or justified
Organization
DESIGN PRINCIPLES AND ELEMENTS
It refers to THE CONSCIOUS EFFORT OF ORGANIZING VARIOUS TEXT ELEMENTS ON A PAGE.
Organization
DESIGN PRINCIPLES AND ELEMENTS
THIS ENSURES THAT WHILE CERTAIN TEXT ELEMENTS ARE SEPARATED FROM EACH OTHER, THEY STILL MAINTAIN A CONNECTION with the rest of the elements on the page.
Repitition
DESIGN PRINCIPLES AND ELEMENTS
It CONCERNS THE CONSISTENCY OF ELEMENTS AND THE UNITY OF THE OVERALL DESIGN.
Repitition
DESIGN PRINCIPLES AND ELEMENTS
This PROMOTES THE USE OF CONSISTENT TYPEFACES throughout the page.
Contrast
DESIGN PRINCIPLES AND ELEMENTS
It CREATES VISUAL INTEREST IN TEXT ELEMENTS.
Contrast
DESIGN PRINCIPLES AND ELEMENTS
This is ACHIEVED WHEN TWO ELEMENTS ARE NOTICEABLY DIFFERENT from each other.
Contrast
DESIGN PRINCIPLES AND ELEMENTS
This CAN BE ACHIEVED THROUGH VARIOUS COMBINATIONS, such as using a large font with a small font, serif and sans serif typefaces, thin elements with thin elements, or cool colors with warm colors.