Critics (AO5)

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‘Their perpetually…

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37 Terms

1

‘Their perpetually…

clandestine marriage’

Dymphna Callaghan

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2

’During the course of the play…

Bosola plays many characters’

Lucy Webster

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3

'The Duchess seeks happiness at the…

expense of public stability’

Lee Bliss

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4

‘Ferdinand is 'a threatened aristocrat frightened by…

the contamination of his ascriptive social rank'

Wingham

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5

'Our attention is drawn not to the horrors but to…

the Duchess' reaction to them; she beholds terror and we behold her'

Peter Murray

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6

'The world seen [by Webster} is of its…

nature incurably corrupt'

Lord David Cecil 

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7

Webster was ‘guilty of…’

sensationalism'

Chris Thorn 

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8

'A powerful critique…

of Jacobean society'

Peter Morrison

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9

the play has a 'perpetual…

graveyard ambience'

Zimmerman

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10

The Duchess is 'repeating the historic…

transgression of Eve'

Dymphna Callaghan

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11

The Duchess 'achieves heroism through…

her death’

R.S White

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12

The Duchess 'acts on human impulses…only to discover she

cannot control the consequences of her actions'

Christiana Luckyj

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13

Bosola's 'previous conduct has been too wicked for us…

to lament his fall as that of a morally good man'

C.V Boyer (1914)

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14

'The exclusion of women and personal happiness from society…

is the sign of absolute corruption'

Dymphna Callaghan

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15

There is a 'sharp distinction between private…

and public spheres'

Belsey

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16

The Cardinal is a 'satiric indictment…

of Catholicism'

Leah S.Marcus 

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17

'Each brother is driven by a different obsession:…

Ferdinands is sexual, the Cardinal's is social rank'

Brian Gibbons

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18

Tragedy stirs 'not only sympathy and pity,…

but admiration, terror and awe'

A.C Bradley 

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19

Without her title the Duchess ‘loses her identity, she becomes…

devoid of all other meaning or value’

Nigel Wheale

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20

'The destructive power of society on…

the sensitive non-conformist individual'

Tennesee Williams 

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21

'Stanley represents the macho…

forward-driving America of the future'

Victoria Elliot 

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22

'It is no accident that the day…the post war hybrid of Stanley and Stella is born is also

the day that the representative anti bellam South, Blanche is raped defeated and destroyed'

Wertheim 

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23

'The play presents Blanche as a tragic figure and…

Stanley as an agent of her destruction'

Kathleen Lart 

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24

'New Orleans becomes the…

melting pot of new ideas'

Thomas E.Porter 

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25

Blanche 'craves magic because the truth about…

post war america is too hard to bear'

P Allan 

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26

'Stanley's assertiveness depends on his ability to crush the…

opposition and his relationship with Stella'

Simon Bubb 

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27

'Stella is genuinely in love with her husband. She puts up with his abuse…because…

she feels helpless to change the way he treats her'

Harold Bloom 

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28

'At first glance Blanche seems superficial…however her

behaviour is symptomatic of society itself'

M.Skiba 

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29

Blanche 'as her own desires, that draw her to Stanley, like a…

moth to a light, a light she voids even hates yet yearns for'

Shirley Galloway 

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30

'Blanche Dubois, already deeply emotionally damaged and economically vulnerable,...suffers a full blown mental breakdown at…

the hands of Stanley Kowalski, one of the great anti heroes of western literature'

Tony Coult  

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31

The 1947 performance 'left the audience feeling that a madwoman has entered an…

alien world, and after shaking the world, had been successfully exorcised'

Susan Spector 

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32

'Mitch cannot break the sexual code…

upheld and policed by Stanley'

Carla McDonough

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33

'Stella's refusal to accept Blanche's story of rape is…

a commitment to self preservation rather than love'

McGlinn 

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34

'Blanche becomes a social outcast because she refuses to conform…

to conventional moral values'

Onyett

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35

'The bad end unhappily, the good unluckily. That…

is what tragedy means'

Thomas Hardy 

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36

'Stanley, the master player and…

Darwinian survivor, controls all'

Leonard Quirino 

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37

'The sensual brute Stanley, Blanche's young husband Allan, and the naive Mitch together epitomises…

the conflicting masculine identities available in Williams stage world' 

McDonough

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