ARTH 121 Final

Eyema-O Byeri (reliquary figure), Fang, 1800-1860, wood, metal and shell, Dallas Museum of

Art, 54 cm

Louis-Jacques Mande Daguerre, The Artists Studio, 1837, Daguerrotype, Societe Francase

de Photograpie, Paris

William Henry Fox Talbot, The Open Door, before May 1844, salted paper print from paper

negative, Metropolitan Museum of Art, N.Y.

Alexander Gardner, Home of a Rebel Sharpshooter, Gettysburg, July 1863, wet-plate

photograph, Chicago Historical Society

Gustave Courbet, A burial at Ornans, 1849-50, oil on canvas, Louvre, Paris

Jean- François Millet, The Gleaners, 1857, oil on canvas, Musée d’Orsay, Paris

Rosa Bonheur, The Horse Fair, 1853-55, oil on canvas, The Metropolitan Museum, N.Y.

Eduard Manet, Luncheon on the Grass (Le Dejeuner sur l’herbe), 1863, oil on canvas, Musee

d’Orsay, Paris

Eduard Manet, Olympia, 1865, oil on canvas, Louvre, Paris

Thomas Eakins, The Gross Clinic, 1875, oil on canvas, Philadelphia Museum of Art, 244 x 198

cm

Henry O. Tanner, The Banjo Lesson, 1893, oil on canvas, Hampton University Museum,

Hampton, Virginia, 124.5 x 90.2 cm

Edmonia Lewis, Forever Free, 1867, marble, Howard University Gallery of Art, Washington,

DC

John Constable, Salisbury Cathedral from the Meadows, 1829-34, oil on canvas, private

collection, on loan to the National Gallery

John Constable David Lucas, Spring, English Landscape, 1830, mezzotint, Tate Gallery,

London

J. M. W. Turner, The Fighting ‘Temeraire” tugged to her last berth to be broken up, 1838, oil on

canvas, National Gallery, London

J. M. W. Turner, A Disaster at Sea, c. 1835, oil on canvas, Tate Gallery, London

J. M. W. Turner, The Slave Ship, 1840, oil on canvas, Museum of Fine Arts, Boston

Richard (Dicky Doyle, Turner painting one of his pictures, from The Almanack

of the Month, woodcut, 1846, London, National Portrait Gallery

J.M.W. Turner, prob. Henry Dawe engr., Moonlight on the Medway, mezzotint, Tate Gallery,

London

Honoré Daumier, lithography stone/printed coloured image, “Caricaturana”, Le Charivari,

January 26, 1837, Private Collection

Honoré Daumier, Pardon me, Sir, if I disturb you a little, From the Bluestockings, 1844, Le

Charivari, British Museum, London

Honoré Daumier, Too distracted to notice the milk is bootblack, The mother is in the fire of

composition, the baby is in the water of the bath!, from The Bluestockings, 1844, Le Charivari,

British Museum, London

Honoré Daumier, Nadar Raising Photography to the Height of Art, 1862, lithograph, Museum of

Fine Arts, Boston

Nadar, Aerial view of Paris, print from wet-plate negative 1859 taken from the swinging basket

of a balloon over Paris

William Holman Hunt, The hireling Shepherd, 1851, oil on canvas, Manchester City Art

Gallery, Manchester

Joseph Nicephore Niepce, View from His Window at Le Gras, 1826, heliograph, University of

Texas at Austin

William Henry Fox Talbot, Lacock Abbey, 1839, photogenic drawing, The Metropolitan

Museum of Art, N.Y

Shin Yun bok, Beautiful Meeting at a Pavilion by a Pine, c. 1790, ink and colour on paper,

Gangsong Art Museum, 32.6 x 37.8 cm

Shin Yun bok, Two-Sword Dance, c. 1810, ink and colour, Gangsong Art Museum, 35.6 x 28.2

cm

Shin Yoon-bok, Woman with a Jangot, c. 1800, ink and colour on silk, National Museum of

Korea, 28.8 x 31.4 cm

Shin Yun bok, Women at Fish Market, from the Yeosokdo (album of genre paintings of

women), c. 1800, ink and colour on paper, National Museum of Korea, 19 x 28.c cm

Ilya Repin, Reply of the Zaporozhian Cossacks, 1880-91, oil on canvas, Russian State

Museum, St. Petersburg

Ilya Repin, Ivan the Terrible and his Son Ivan: November 16, 1581, 1885, oil on canvas, The

Tretyakov Gallery, Moscow

Power figure (Nkisi Nkondi), late 19th c, wood and metal, Detroit Institute of the Arts, 115.6 x 47

x 38 cm

Rosa Bonheur, Ploughing in the Nivernais, 1849, oil on canvas, Musée d’Orsay, Paris

Honore Daumier, Before the Painting of M. Manet, 1865, lithograph, Bibliotheque Nationale,

Paris

Winslow Homer, Snap the Whip, 1872, oil on canvas, Metropolitan Museum, NY, 30.5 x 50.8

cm

Henry O. Tanner, The Thankful Poor, 1894, oil on canvas, Private Collection, 90 x 112.4 cm

Edmonia Lewis, Robert Gould Shaw, 1864, marble, Museum of African American History,

Boston

Roger Fenton’s Photographic Van from the Crimean War Expedition, wood engraving, from the

Illustrated London News, 1855

Roger Fenton, The Valley of the Shadow of Death, 1855, salted paper print, Gernsheim

Collection, University of Texas, Austen

Jacob Riis, “Five cents a Spot” Lodging House, Bayard Street, c. 1889, Gelatin-silver print,

Museum of the City of New York

Julia Margaret Cameron, Charles Darwin, from The Norman Album (Images from The Life), c.

1866, Albumen print, George Eastman House, Rochester, N.Y.

Julia Margaret Cameron, Sister Spirits, c. 1865, Albumen print, George Eastman House,

Rochester, N.Y.

Eadweard Muybridge, Untitled (sequence of photographs of the trot and gallop), from La

Nature, December 1878, Bravures, Geroge Aastman House, Rochester, N.Y.

Claude Monet, Impression – Sunrise, 1872, oil on canvas, Musée Marmottan, Paris

Cham, cartoon, 1877. Piff, cartoon, 1881.

Berthe Morisot, Summer’s Day, ca. 1879, oil on canvas, National Gallery, Londo

Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte, 1884-86, oil on canvas,

The Art institute of Chicago

Vincent Van Gogh, Starry Starry Night, 1889, oil on canvas, Museum of Modern Art, N.Y

Edvard Munch, The Scream, 1893, oil pastel and casein on cardboard, National Gallery, Oslo

Henri Toulouse-Lautrec, Jane Avril, 1893, lithograph, San Diego Museum of Art

Paul Cezanne, Mont Ste.-Victoire, c. 1885-1887, oil on canvas, The Courtauld Institute of Art

Gallery, London

Paul Cezanne, Still Life with Apples in a bowl, 1879-83, oil on canvas, NY Carlsberg Glyptotek,

Copenhagen, Denmark

James Abbott McNeill Whistler, Black Lion Wharf, 1858, etching, Hunterian Art Gallery,

University of Glasgow

James Abbott McNeill Whistler, Arrangement in Gray and Black No. 1, 1872, oil on canvas,

Musée d’Orsay, Paris

James Abbott McNeill Whistler, Nocturne in Blue and Gold (Old Battersea Bridge), 1872-77,

oil on canvas, Tate Gallery, London

James Abbott McNeill Whistler, Old Battersea Bridge, 1879, etching and drypoint, Hunterian

Art Gallery, Glasgow

Louise Jopling, Through the Looking-Glass, 1874, oil on canvas, Tate Gallery, 53.9 x 43.7 cm

Louise Jopling, A Modern Cinderella, 1875, oil on canvas, private collection, 91.4 x 70.8 cm

Utagawa Hiroshige, Bamboo Market at Capital Bridge, 1857, colour woodcut, Metropolitan

Museum of Art, 35.7 x 24.1 cm

Claude Monet, Water Lilies, 1907, oil on canvas, Kawamura Memorial Museum of Art, Sakura

City, Chiba Prefecture, Japan

Pierre-August Renoir, Luncheon of the Boating Party, Bougival, 1881, oil on canvas, The

Phillips collection, Washington D.C

Pierre-August Renoir, Pinning the Hat, about 1898, lithograph, single state, Bibliothèque

nationale, Paris

Berthe Morisot, The cradle, 1872, oil on canvas, Musée d’Orsay, Paris

Berthe Morisot, The Duck, 1888, drypoint, Bibliothèque nationale, Paris

Edgar Degas, The Glass of Absinthe, c. 1876, oil on canvas, Musée d’Orsay, Paris

Edgar Degas, The Orchestra of the Paris Opera, c. 1868-69, oil on canvas, Musée d’Orsay,

Paris

Edgar Degas, Prima Ballerina, c. 1876, pastel, Musée d’Orsay, Paris

Edgar Degas, On the Stage, 1877, etching, third plate, fourth state, Bibliothèque

nationale, Paris

Mary Cassatt, The Bath, 1891-92, oil on canvas, The Art Institute of Chicago

Mary Cassatt, Woman Bathing, 1890-1, drypoint and aquatint, hand coloured, National Gallery

of Art, Washington, 36.4 x 26.7 cm

Georges Seurat, Chahut, 1889-90, oil on canvas, Rijksmuseum Kroller-Muller, Otterlo, Holland

Henri Toulouse-Lautrec, At the Moulin Rouge, 1893-95, oil on canvas, The Art Institute of

Chicago

Henri Toulouse-Lautrec, La Goulue, 1891, lithography

Paul Cézanne, Head of a Young Girl, 1873, etching, single state, Bibliothèque nationale, Paris

Paul Cezanne, Self Portrait, c. 1879, oil on canvas, The Tate Gallery, London

Vincent Van Gogh, The Potato Eaters, 1885, oil on canvas, Van Gogh Museum, Amsterdam

Vincent Van Gogh, The Night Cafe, 1888, oil on canvas, Yale University Art Gallery

Utagawa Hiroshige, Plum Garden at Kameido from One Hundred Famous Views of Edo, 1857,

colour woodblock print, Art Institute of Chicago, 36 x 24.4 cm

Vincent van Gogh, Flower Plum Orchard, after Hiroshige, 1887, oil on canvas, Van Gogh

Museum, Amsterdam, 55.6 x 46.8 cm

Vincent Van Gogh, Wheat Field and Cypress Trees, 1889, oil on canvas, The National Gallery,

London

Vincent Van Gogh, Self Portrait, 1889, oil on canvas, Collection of Mrs. John Hay Whitney,

N.Y.

Vincent Van Gogh, Portrait of Dr. Gachet, 1890, etching, Bibliothèque nationale, Paris

Paul Gauguin, The Vision after the Sermon (Jacob Wrestling with the Angel),

Paul Gauguin, Ia Orana maria (We Hail Thee Mary), c. 1891-92, The Metropolitan Museum of

Art, N.Y

Edvard Munch, The Scream, 1895, woodcut, National Gallery, Oslo

Edvard Munch, Consolation, 1894, drypoint and aquatint printed in black on Japan paper,

National Gallery, Oslo

Camille Claudel, The Waltz, 1892-1905, bronze, Musée Rodin, Paris, 43.2, 23 x 34.3 cm

Henri Matisse, The Joy of Life, 1905-6, oil on canvas, The Barnes Foundation, Merion,

Pennsylvania

Pablo Picasso, Les Demoiselles d’Avignon, 1907, oil on panel, The Art Institute of Chicago

Georges Braque, Violin and Palette, 1909-10, oil on canvas, Guggenheim Museum, N.Y

Auguste Rodin, The Gates of Hell, 1880-1917, plaster, Musée d’Orsay, Paris

Auguste Rodin, The Thinker, 1879-89, bronze, Musée Rodin, Paris

August, Rodin, Monument to Balzac, 1897-98, bronze, Musée Rodin, Paris

Camille Claudel, Bust of Rodin, 1892, Camille Claudel Museum, Paris

Camille Claudel, Abandonment, c. 1886, bronze, Camille Claudel museum, 42.3 x 39.1 x 20.5

cm

Louis Comfort Tiffany, A Wooded Landscape, c. 1905, glass, copper-foil, and lead, Museum

of Fine Arts, Houston

Victor Horta, exterior, Tassel House, Brussels, 1892-93