1st species counterpoint

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Last updated 6:22 AM on 2/18/26
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16 Terms

1
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What harmonic intervals should be used for the opening?

P8, PU, or P5 (only with the cantus in the lower voice)

2
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What harmonic intervals should be used for the closing?

6-8 or 3-U (10-8)

3
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What should be raised in minor before 7?

Raise bŷ and raise b6

4
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What should be avoided to prevent an A2?

Avoid raising b6 if it precedes 7

5
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What type of motion should be used mostly between parts?

Contrary motion

6
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What should be avoided in terms of intervals?

Parallel octaves or fifths

7
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How should perfect intervals be approached?

By contrary motion, or in similar motion with a stepwise upper voice

8
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How many parallel imperfect consonances can be written in a row?

No more than three (3 or 6)

9
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What should be included in the mix of consonances?

A mix of perfect and imperfect consonances, with more imperfect than perfect

10
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What should be avoided in harmonic intervals?

Dissonant harmonic intervals (including P4)

11
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When can accidentals be added in minor?

Only at the cadence

12
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What should be avoided in melodic intervals?

Dissonant melodic intervals (e.g., m7, M7, d5, A4, or A2 in minor)

13
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How should leaps be approached and left?

By step in contrary motion if possible

14
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What should be aimed for in melodic line contour?

An interesting contour; avoid static repeating notes or circling around one note

15
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What should be kept distinct in the ranges of voices?

Avoid overlapping or crossing voices

16
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What type of motion should be primarily aimed for?

Primarily stepwise motion, with no more than two skips in a row