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Parody
A work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule.
Pedantic
An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish.
Periodic Sentence
A sentence that presents its central meaning in a main clause at the end.
Personification
A figure of speech in which the author presents or describes concepts, animals, or inanimate objects by endowing them with human attributes or emotions.
Polysyndeton
Figure of addition and emphasis which intentionally employs a series of conjunctions (FANBOYS: for, and, nor, but, or, yet, so) not normally found in successive words, phrases or clauses; the deliberate and excessive use of conjunctions in successive words or clauses.
Point of View
In literature, the perspective from which a story is told.
Prose
One of the major divisions of genre, _ refers to fiction and non-fiction, including all its forms.
Rhetorical Modes
This flexible term describes the variety, the conventions, and purposes of the major kinds of writing.
Rhetorical Question (erotesis)
Differs from hypophora in that it is not answered by the writer because its answer is obvious or obviously desired, and usually just a yes or no answer would suffice. It is used for effect, emphasis, or provocation, or for drawing a conclusive statement from the fact at hand.
Sarcasm
Bitter, caustic language that is meant to hurt or ridicule someone or something.
Satire
A work that targets human vices and follies or social institutions and conventions for reform of ridicule.
Semantics
The branch of linguistics that studies the meaning of words, their historical and psychological development, their connotations, and their relation to one another.
Style
The consideration of _ has two purposes:
1) An evaluation of the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices.
2) Classification of authors to a group and comparison of an author to similar authors.
Subject Complement
The word (with any accompanying phrases) or clauses that follows a linking verb and complements, or completes, the subject of the sentence by either (1) renaming it or (2) describing it.
Subordinate Clause
Like all clauses, this word group contains both a subject and a verb (plus any accompanying phrases or modifiers), but unlike the independent clause, the _ cannot stand alone; it does not express a complete thought.
Syllogism
A deductive system of formal logic that presents two premises (the first one called “major” and the second “minor”) that inevitably lead to a sound conclusion.
Symbol / Symbolism
Generally, anything that represents itself and stands for something else.
Synecdoche
A type of metaphor in which the part stands for the whole, the whole for a part, the genus for the species, the species for the genus, the material for the thing made, or in short, any portion, section, or main quality for the whole or the thing itself (or vice versa).
Syntax
The way an author chooses to join words into phrases, clauses, and sentences.
Theme
The central idea or message of a work, the insight it offers into life.
Thesis
The sentence or a group of sentences that directly expresses the author’s opinion, purpose, meaning, or position.
Tone
Describes the author’s attitude toward the material, the audience, or both.
Transition
A word or phrase that links different ideas.
Understatement
The ironic minimizing of fact, _ presents something as less significant than it is.
Undertone
An attitude that may lie under the ostensible tone of the piece.