Set 8: Sors Filtr Theeree

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26 Terms

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Source-filter theory

a theory of speech acoustics that analyzes the vocal tract as a series of band-pass filters.

A basic scientific framework for understanding the sounds that are coming out of the vocal tract.

Source – origin (we’ll start with glottis)

Filter(s) – shape the noise: high pass / low pass / band pass

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High-pass vs. Low pass filter

High pass -> frequencies higher than x can pass

e.g., 300 Hz High Pass Filter à frequencies higher than 300 Hz allowed through

Low pass is the opposite

<p><span><span>High pass -&gt; frequencies higher than </span><em><span>x</span></em><span> can pass</span></span></p><p class="MsoNormal"><span><span>e.g., 300 Hz High Pass Filter à frequencies higher than 300 Hz allowed through</span></span></p><p class="MsoNormal"><span><span>Low pass is the opposite</span></span></p>
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Band-pass filter

lets frequencies within a range through

Whan the high and low cut-off frequencies of a bandpass filter are equal, we can talk about the center frequency of a filter

<p>lets frequencies within a range through</p><p>Whan the high and low cut-off frequencies of a bandpass filter are equal, we can talk about the center frequency of a filter</p>
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Explain the concepts of skirts

You get this shape b/c nothing is perfect or absolute – some things beyond the filter will squeeze through

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Center Frequency

When the high and low cut-off frequencies of a bandpass filter are equal, we can talk about the center frequency of a filter.

 

This is how we model the vocal tract

<p><span><span>When the high and low cut-off frequencies of a bandpass filter are equal, we can talk about the center frequency of a filter.</span></span></p><p class="MsoNormal"><span><span>&nbsp;</span></span></p><p class="MsoNormal"><span><span>This is how we model the vocal tract</span></span></p>
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Bandwidth

The range around the Center Frequency: 50% higher + 50% lower

<p><span><span>The range around the Center Frequency: 50% higher + 50% lower</span></span></p>
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What happens to the bandwidth when you lower the energy?

Lowering the energy à higher spread of bandwidth

<p><span><span>Lowering the energy à higher spread of bandwidth</span></span></p>
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Harmonics

Harmonics are properties of the source (which creates the pressure wave)

 

Whole number multiples of F0

<p><span><span>Harmonics are properties of the </span><strong><u><span>source</span></u></strong><span> (which creates the pressure wave)</span></span></p><p class="MsoNormal"><span><span>&nbsp;</span></span></p><p class="MsoNormal"><span><span>Whole number multiples of F0</span></span></p>
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Glottal Source

The glottal source provides a complex (quasi-)periodic signal

Pulsating air with all these harmonics

The glottal source thus produces the fundamental frequency and an
infinite number of harmonics.

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Resonance

• All objects oscillate at greater amplitude in response to certain

frequencies. This is the natural resonance of that object.

• In speech, we are talking about the column of air in the vocal tract.

• The natural resonance is based on the size of that vocal tract.

• We model this as a tube.

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Natural resonance of speech

Natural resonance of speech is based on size and shape of vocal tract.

Speech can be imagined as a column of air in the Vocal Tract

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How do we estimate the resonance frequencies of a tube?

we estimate it based on the tube’s length

<p>we estimate it based on the tube’s length</p>
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Ruben’s Tube

A Ruben’s tube is a long tube filled with gas and perforated with small holes along the top, with a speaker attached to one end.


When sound waves travel through the tube, they create pressure variations that cause the flames emerging from the holes to rise and fall in a pattern corresponding to the standing wave inside the tube.


These flame patterns make the normally invisible sound pressure distribution visually observable.

<p><span><span>A Ruben’s tube is a long tube filled with gas and perforated with small holes along the top, with a speaker attached to one end.</span></span></p><p class="MsoNormal"><span><span><br>When sound waves travel through the tube, they create pressure variations that cause the flames emerging from the holes to rise and fall in a pattern corresponding to the standing wave inside the tube.</span></span></p><p><span style="font-family: &quot;Times New Roman&quot;, &quot;serif&quot;;"><span><br>These flame patterns make the normally invisible sound pressure distribution visually observable.</span></span></p>
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How is Ruben's Tube similar to the vocal tract?

Ruben’s tube is similar to the vocal tract because both act as resonant tubes in which standing waves form at certain frequencies, shaping the pattern of pressure variations inside.


In the vocal tract, these pressure patterns correspond to
formants, while in Ruben’s tube they appear as flame height patterns that visually reveal the same underlying resonant behavior.

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Node

Pressure maximum and minimum velocity

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Antinode

atmospheric pressure, maximum velocity

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term image
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How do we model the vocal tract

we model it as a series of bandpass filters

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What is the lowest natural frequency of a tube

it is one that has a wavelength 4 times the length of the tube

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What are resonant frequencies

The physical properties of the filter (tube); these are the frequencies that the tube wants to amplify

<p><span style="font-family: &quot;Times New Roman&quot;, &quot;serif&quot;;"><span>The physical properties of the </span><strong><u><span>filter</span></u></strong><span> (tube); these are the frequencies that the tube wants to amplify</span></span></p>
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What are formants

formants are amplified frequency bands with increased energy (naturally high amplitude) in the output spectrum. These usually correspond with the resonant frequencies of the vocal tract, but they are technically different.

This is what comes out of the output spectrum one we combine the source + filter

 

The harmonics under the RFs get amplified

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The fundamental frequency is redundantly present in the speech spectrum. How?

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Resonance Frequencies vs Formants

Resonance frequencies refer to the specific frequencies that a filter, such as the vocal tract, naturally amplifies, while formants are the actual bands of amplified frequencies observed in the speech output.

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Are R1 and H1 related to each other?

NO

H1 is a harmonic that comes from the noise source.

R1 is a property of the filter

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Half Wavelength Resonator

a tube or system that resonates most strongly when its length equals one-half of the wavelength of the sound frequency inside it

 

A tube closed at both ends is called a half-wavelength resonator because its boundary conditions require pressure antinodes at both ends, and the simplest standing wave that satisfies this pattern is one where the distance between the two antinodes equals half of a wavelength, making its fundamental resonance correspond to λ/2.

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¼ Wavelength Resonator

The lowest natural frequency of the tube is one that has a wavelength 4x the length of the tube