Tech Theater FINAL review

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40 Terms

1
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the type of batten features two battens joined together forming what looks like a ladder

Truss Batten

2
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the fire curtain is activated by

All of the above

3
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the primary purpose of the arbor Spreader Plates

They prevent the arbor rods from bending

4
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the following is NOT a stage-weight size we own at the LTPAC

50 lbs

5
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The primary purpose of the fire curtain is

To isolate the fire and save lives

6
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the purchase line on a Single-Purchase Fly System tied off to

The top and bottom of the arbor

7
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it is important to reply "Thank you" when a crewmember warns you of a batten that is going to move because

All of the above

8
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total line sets are in the PAC

33

9
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"types" of batten are currently located on stage

3

10
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the primary difference between a Single Batten and a Truss Batten

The amount of weight that may be placed on the batten

11
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secondary color is created in light when green and red are combined

Amber

12
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The third (round) prong on a three-wire system is for the hot wire

False

13
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The color media used in lighting is still commonly referred to as ? because of the original material it was made from

Gels

14
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White light is

A combination of all colors of light

15
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Directing the audience to pay attention to certain people or objects by using a combination of light and dark is the definition of

Focus

16
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proved lightning is a form of electricity

Ben Franklin

17
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"Electrons flow in only one direction" is the definition of

Direct Current

18
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A ? wire offers more resistance than a ? one.

thin, thick

19
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Absorption, as it refers to lighting can be defined as

The stopping of a light ray

20
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A part of the light fixture that allows for the focusing of light rays, making the fixture more useful

Lens

21
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The strongest signal level in audio is _________________ level

line

22
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The _______________ control helps you make everything even coming into the board.

gain

23
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The ______section is a tone control that will allow you to "shape" the tone of that channel.

EQ

24
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The _____________ gives precise control of the volume of each channel of the mixing console.

fader

25
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The ______________ can separate a signal to send to the left or right speakers.

pan control

26
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A __________ button sends the signal directly to headphones.

solo/PFL button

27
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A _________________ totally turns off a channel so you don't accidentally put it into the mix.

mute

28
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The _______________ allows you to send a particular input to a separate mix, without affecting the main mix.

AUX 1

29
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_________________________ control multiple like sources, like the boundary mics, all the lead actors or all the playback.

group buttons

30
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The ___________________is the final section of the mixer that the signal passes through.

output section

31
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An Active Crossover divides the mix signal into 2, 3 or more frequency ranges, and that split happens in the rack back at the

Mixing Console

32
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If the CD with your familiar song doesn't sound right, go to your crossover, and adjust the ____________ frequencies until it sounds better.

LOW, MEDIUM and HIGH

33
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Once you get the levels set on the crossover where it is sounding pretty close to what you remember, then you should adjust your graphic EQ to "_____________" the sound of the room.

SWEETEN-UP

34
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Active Crossovers are used in large, state of the art systems, but are expensive since you need additional, separate _____________ for each range!

POWER AMPS

35
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After establishing that everything is in good, working order, make sure all the _____________ are set correctly.

WIRELESS MICS

36
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Mount the mics and belt packs on the actors using ___________ to mount lavalier and headset mics.

SURGICAL GRADE TAPE

37
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Make sure the _____________ are set to the correct group and channel.

BELTPACKS and RECEIVERS

38
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Turn your master faders, left and right, up to zero, or minus 5, and have each individual actor speak their lines, or sing, and bring up the fader for each _______________ so the actor can be clearly heard, and write down that level. Repeat that for each actor and source.

INDIVIDUAL FADER

39
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Use the ______________ master faders to control multiple mics at the same time.

GROUP

40
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Make sure you _____________ the actors' mics whenever they leave the stage.

MUTE