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artworks :D
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I Saw the Figure 5 in Gold
painter Charles Demuth
1928
simple color scheme and angular lines
uses symbols, images, and texts related to Demuth’s subject
alludes to urban setting
The Lawrence Tree
Georgia O’Keefe
1929
uses unusual perspective and colors to symbolize
was intended to be hung upside down when displayed
Leaf Pattern
Imogen Cunningham
1929
Pictorialist style
Rayograph
Man Ray
1922
Surrealist technique
placing objects on light-sensitive paper and exposed paper to light
Chrysler Building
William Van Alen
1928-30
Art Deco
new materials, energy oriented motifs, egyptian elements
chrome gargoyles, chevron brickwork, luxury materials, and a “crown”
Woman on Sofa
Guy Pene Du Bois
1922-27
demonstrates Jazz Age attitudes towards women, specifcally the flapper
woman makes eye contact w viewer
Spring Sale at Bendel’s
Florine Stettheimer
1921
pokes fun at the frenzy of American consumer culture
breaks down distinction between “high” and “popular” culture
campy
references persian miniature paintings, bright colors, and lots of detail
Couple, Harlem
James Van Der Zee
1932
photos of black couples after the Great Migration
used props backgrounds and fancy clothes to portray status
couple demonstrates status by showcasing a Cadillac V-16
Saturday Night
Archibald Motley Jr.
1935
raised questions of colorism
has a sense of energy and visual syncopation
America Today: City Activities
Thomas Hart Benton
1930-31
referenced the prohibition era
highlights urban trends
Watch
Gerald Murphy
1925
symbolizes energy and optimism
has lots of intricate gears
represents speed and control overtime
american consumer culture
Ethiopia Awakening
Meta Warrick Fuller
1921
pan-african movement
commissioned by james weldon johnson
linked egypt and ethiopia
Boy Stealing Fruit
Yasuo Kunioshi
1923
japanese and american folk art aestethics
Ennis House
Frank Lloyd Wright
1923-24
prarie style
mayan temples influenced Wright’s “romanza” style
Bowl and Plate
Maria and Julian Martinez
19..
black on black color
River Rouge Manufacturing Plant
Charles Scheeler
1927
photorealistic precisionism style
crisscross conveyors resemble a Christian cross
Hands Resting on a Tool
Tina Modotti
1927
highlights a laborer’s scarred hands
realism
Let My People Go
Aaron Douglas
1935-39
addressing lynching in america
uses art deco and egyptian motifs
connects the biblican exodus with black struggle