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Transducers
devices that transform energy from one form of energy to another form of energy
Microphone
A type of transducer that changes acoustic energy (sound wave) to electrical energy (electrical voltage)
Receiver
converts electrical (output of amplifier) to acoustic energy to the ear
Amplifier
amplifies electric signal
Battery
supplies power
Brief History of Microphones
1) Carbon microphones - (early 1990s) first electrical HA; restricted bandwidth; large distortion
2) Crystal microphones - (mid 1930s) didn’t require an external power source; wider frequency response than previous mics; used piezoelectric salt crystals; vulnerable to heat & moisture
3) Magnetic/ electromagnetic - (mid 1940s) used mainly in body worn aids; size, low impedance and energy efficiency— became common when transistor aids were introduced
4) Ceramic Microphones - (late 1960s) modern version of the crystal mic; more stable and resistant to shock than electromagnetic
5) Electret Condenser Microphone - (1970s) low resistance to mechanical vibration / better resistance to shock; uses a special type of capacitor which has a permanent voltage built into it, and therefore doesn’t require any external power for operation; currently used in the vast majority of HAs!!
Basic (electret) Microphone function
sounds enter inlet port and reach the diaphragm
pressure fluctuations within the sound wave cause diaphragm (front plate) to move up and down
when sound pressure forces the diaphragm towards the electret, closer diaphragm and electret, the greater charge on the diaphragm
(see slides 6&7 for more detail/diagrams)
Future of microphones
Silicon Microphones / Micro-Electronic-Mechanical Systems (MEMS)
currently used in Starkey hearing aids
extremely small and low vibration sensitivity because of thin diaphragm
may be produced on same chip as amplifier
but relatively high internal noise
HA mic frequency response
should ideally have a flat frequency response with a wide dynamic range (should be equally sensitive to all frequencies)
Two General Types of HA Mics
Omnidirectional - one sound inlet; signals processed equally regardless of azimuth /equally sensitive to sound coming in from all angles
Directional - two sound inlets; more sensitive to sound coming from one direction than from another direction; ideally more sensitive to sound coming from the front than to sound coming from other directions
SNR
Signal-to-Noise Ratio = relationship between the loudness of the desired speech signals and the undesired noise background
As reverberation increases, SNR _________
decreases
What is the SNR:
1) singal 70dB, noise 65 dB
2) singal 70dB, noise 75dB
3) singal 70dB, noise 70dB
1) +5dB SNR
2) -5dB SNR
3) 0dB SNR
Directional Microphones
sounds coming from the front are given priority compared to sounds arriving form other directions
directional mics depend on spatial separation of the noise and signal
greatest increase in speech recognition in the presence of noise is achieved by reducing distance between speaker and mic
Two types of directional mics
single directional microphones
dual microphones
Single Directional Microphones
aka pressure difference mic / pressure gradient mic
two sound entry ports going to ONE microphone
the diaphragm motion is driven by the difference in pressure on its two sides
external time delay & internal time delay
directional mics usually provide ______ low-frequency gain than omnidirectional mics due to greater similarity in the amplitude and phase at the 2 mic ports for the low-frequency waveforms
less
Dual Microphones
most commonly used in today’s HAs
2 perfectly matched omnidirectional mics (mics are equally sensitive)
Dynamic matching: HA constantly compares the relative sensitivity of the two microphones
greater distance, better directionality
output from 2nd mic is electronically delayed and subtracted from 1st mic output
a HA with dual microphones can still be put in omnidirectional mode (it would just use one of the mics)!
Multi-Microphone/ Beamforming Arrays
combines outputs of 2 or more directional mics or more than 2 omnidirectional mics
little addition benefit when number of mics is >5
sometimes referred to as “beamformers”
Polar Plots
plot microphone output as a function of the angle of sound incidence
describes the directional sensitivity of microphones
Directional Microphone designs
Cardioid (max attenuation from rear - 180 degrees)
Super-cardioid (sensitivity to sounds in back grows, but sensitivity to sounds on side diminish)
Hypercardiod (max attenuation at 110 and 250 degrees)
Bi-drectional (max attenuation at 90 and 270 degrees)
Cardioid directional mic
max attenuation from rear - 180 degrees
Super-cardioid directional mic
sensitivity to sounds in back grows, but sensitivity to sounds on side diminish
Hypercardiod directional mic
max attenuation at 110 and 250 degrees
Bi-drectional directional mic
max attenuation at 90 and 270 degrees
List two directional hearing aid features
automatic switching
adaptive polar patterns
Automatic Switching
directional hearing aid feature
HA will detect the level of the spectrum (speech, noise, or music) and the direction (front, back, side) of the sounds
based on this info, the HA will “automatically switch” to the best microphone mode (omni or directional) for that listening environment
algorithms vary across companies
Adaptive Polar Patterns
directional hearing aid feature
can be changed by changing the electronic delay between the two omnidirectional mics
HA samples all polar patterns and then locks on the one that results in the best output or maximum attenuation of noise
can track a moving noise source from behind by keeping the null of the polar pattern located on the noise source
Problems with Microphones
break down if exposed to perspiration and other chemical agents
random electrical noise - all electronic components generate small amounts of noise
sometimes audible in quiet environments
sensitivity to vibration of mic generates a voltage reflecting the magnitude and frequency of the vibration (e.g. clothing next to body, running on hard surface, wind noise)
Factors that Limit Effectiveness of Directional Microphones
venting/open fittings negatively affects directivity
open fittings and hearing aids with large vents only maintain directionality in the high frequencies
microphone ports need to be aligned on the horizontal plane
directional microphones reduce low frequency output
need to increase amplification of low frequencies to compensate
List three measures of directionality
Directivity Index (DI)
Articulation Index — Directivity Index (AI-DI)
Front-to-Back Ratio (FBR)
Directivity Index (DI)
one number in dB that represents ratio of the mic output for signals from the front (0 degrees) to sounds originating from all directions
DI ranges:
0-1dB omindirectional mic
4-6dB directional mic
12-14dB multiple array mic
higher DI = better directionality
every 1 dB improvement in DI increases speech recognition by 7-10%
DI is a good estimate of how helpful the directional mic will be in difficult listening situations
AI-DI - weighted directivity index
articulation index provides measure of the percent of speech energy that is audible
AI-DI: directivity index at each frequency is calculated by multiplying the AI weight and then performing a RMS rum of resulting products to equal one number
a directional microphone that extends to higher frequencies will have higher AI-DI because high frequencies contribute more to intelligibility than other frequencies
How does the count-the-dot method of AI calculation work?
count the number of audible dots and then divide by 100
Front-to-back Ratio (FBR)
difference between the frequency response of the mic with the signal presented from the front and rear
omnidirectional — front and back frequency responses essentially same (FBR = 0)
directional — greater separation of front/back signals
greater FBR (ratio of front to rear sensitivity)
only good for cardioid, with null at 180 degrees
only gives info about suppressing noise directly behind the person