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Introduction
Thesis = Shakespeare present Iago as an embodiment of malevolent duplicity which enables him to orchestrate the downfall of others
Through Iago, the play interrogates appearance versus reality
Iago as a Master Manipulator
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‘I am not what I am’ = A direct contradiction of Exodus 3:14 ("I am that I am"), this line immediately establishes Iago’s duplicity
‘I’ll pour this pestilence into his ear’ = may be mirroring another Shakespeare character - Lady Macbeth (‘poison’)
image of ‘pouring’ suggest a calculated intimate invasion
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Renaissance society, particularly Renaissance Humanist, believed in the power of language to shape perception and reality
Iago’s manipulation is grounded in this: through suggestion, insinuation, and false loyalty, he constructs a version of reality others believe
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Leavis ‘Iago is the play’s chief humourist and manipulator, relishing his own cleverness’
Symbol of Moral corruption
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‘I’ll pour this pestilence into his ear’ = may be mirroring another Shakespeare character - Lady Macbeth (‘poison’)
image of ‘pouring’ suggest a calculated intimate invasion
The “pestilence” metaphor aligns Iago with disease and moral corruption, implying that his manipulations are both psychologically and socially destructive
‘I play the villain’
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Iago embodies the Machiavellian villain, where moral corruption and the rejection of ethical boundaries are seen as a means of achieving personal gain
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A character who conceals his malevolent intentions behind a facade of honesty and loyalty
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‘honest Iago’ = highlights the theme of appearance vs reality
‘I am your own forever’ Iago presents himself as a loyal and devoted servant to Othello, positioning himself as someone whose allegiance is unquestionable
Shakespeare uses the dramatic irony that ‘men should be as they seem’, to make Iago appear wise and honest on the surface, while the audience knows his deceptive person
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Elizabethan and Jacobean society valued honour, reputation, and loyalty,
Iago’s duplicity would have been deeply unsettling for an audience that viewed outward appearances as indicators of inner truth
Shakespeare’s portrayal of Iago as an expert at concealing his intentions critiques the potential for moral decay beneath seemingly virtuous appearances
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Bradley “The most alarming feature of Iago is his ability to present himself as trustworthy while perpetrating unthinkable evil.”