The idea that an object possesses qualities that help to effect change.
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Animism:
The belief that the forces of nature are inhabited by living spirits.
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Anthropomorphism:
The practice of investing plants, animals, and natural phenomena with human form or attributes.
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Cairn:
A fully enclosed burial chamber covered with earth.
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Carving:
The act of cutting or incising stone, bone, wood, or other material into a desired form.
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Civilization:
A culture that possesses the ability to organize itself thoroughly and communicates through written language.
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Corbeling:
A method for creating walls and roofs by layering stones so that they project inward over the layer beneath.
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Creation myth:
A story of a people's origin.
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Cromlech:
A circle of megaliths, usually surrounding a dolmen or mound.
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Culture:
The set of values, beliefs, and behaviors that governs or determines a common way of living formed by a group of people and passed on from one generation to the next.
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Dolmen:
A type of prehistoric megalithic structure made of two posts supporting a horizontal capstone.
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Emergence tale:
A type of narrative that explains beliefs about a people's origins.
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Hominids:
The earliest upright mammals, including humans, apes, and other related forms.
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Humanism:
the study of the human mind and its moral and ethical dimensions.
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Hunter-gatherer:
One whose primary method of subsistence depends on hunting animals and gathering edible plants and other foodstuffs from nature.
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Kiln:
An oven specifically designed to achieve the high temperatures necessary for firing clay.
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Kiva:
A Pueblo ceremonial enclosure that is usually partly underground and serves as the center of village life.
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Lintel:
A horizontal architectural element.
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Megalith:
Literally, "big stone"; large, usually rough, stones used in a monument or structure.
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Menhir:
A large, single, upright stone.
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Modeling:
The use of shading in a two-dimensional representation to give a sense of roundness and volume.
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Myth:
A story that a culture assumes is true. A myth also embodies the culture's views and beliefs about its world, often serving to explain otherwise mysterious natural phenomena.
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Naturalism:
In art, representations that imitate the reality in appearance of natural objects.
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Oral culture:
A culture that develops without writing and passes down stories, beliefs, values, and systems by word of mouth.
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Perspectival drawing:
The use of techniques to show the relation of objects as they appear to the eye and to convey a sense of three-dimensional space on a two-dimensional surface.
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Post:
A piece fixed firmly in an upright position.
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Post-and-lintel:
A form of construction consisting of two posts (upright members) that support a lintel (horizontal member).
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Prehistoric:
Existing in or relating to the times before writing and recorded history.
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Relief sculpture:
A three-dimensional work of art carved out of a flat background surface.
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Ritual:
A rite or ceremony habitually practiced by a group, often in religious or quasi-religious context.
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Sculpture-in-the-round:
A fully three-dimensional work of art.
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Shaman:
A person thought to have special ability to communicate with the spirit world.
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Trilithon:
A type of megalithic structure composed of three stones: two posts and a lintel; served in prehistory as the basic architectural unit.
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City-states:
Governments based in urban centers of the Mesopotamian basin that controlled neighboring regions; also an independent self-governing city.
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Composite:
Made up of distinct parts.
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Cuneiform writing:
A writing system composed of wedgeshaped characters.
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Cylinder seal:
An engraved piece of stone or other material used as a signature, confirmation of receipt, or identification of ownership.
A long narrative poem in elevated language that follows characters of a high position through a series of adventures, often including a visit to the world of the dead.
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Epithet:
A word or phrase that characterizes a person.
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Fluting:
The vertical channels in a column shaft.
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Ground line:
A baseline.
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Hierarchy of scale:
A pictorial convention in which the most important figures are represented in a larger size than the others; see also social perspective.
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Lost-wax casting:
A sculptural process in which a figure is modeled in wax and covered in plaster or clay; firing melts away the wax and hardens the plaster or clay, which then becomes a mold for molten metal.
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Metallurgy:
The science of separating metals from their ores.
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Metaphor:
A word or phrase used in place of another to suggest a likeness.
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Monotheism:
Belief in a single god.
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Monotheistic:
A religion that worships one god.
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Narrative genre:
A class or category of story with a universal theme.
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Narrative scene:
A scene that represents a story or event.
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Obelisk:
A four-sided stone shaft topped by a pyramid-shaped block.
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Patriarch:
A scriptural father of the Hebrew people.
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Phonetic writing:
A writing system in which signs represent sounds.
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Pictogram:
A picture that represents a thing or concept.
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Priest-king:
In ancient Mesopotamia, a government leader who acted as an intermediary between gods and people and established laws.
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Prophet:
One who serves as a mouthpiece for and interpreter of Yahweh's purposes, which is understood through visions.
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Register:
A self-contained horizontal band.
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Simile:
A comparison of two unlike things using the word like or as.
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Social perspective:
A pictorial convention in which the most important figures are represented in a larger size than the others; see also hierarchy of scale.
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Stele:
An upright stone slab carved with a commemorative design or inscription.
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Stylus:
A writing tool.
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Synoptic:
A view that depicts several consecutive actions at once.
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Ziggurat:
A pyramidal temple structure consisting of successive platforms with outside staircases and a shrine at the top.