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Humanism
There was a rise of humanism in art during this time, along with the importance of Florence as the artistic center
Sacrifice of Isaac 1401 (Loser)
Brunelleschi’s entry in the east door competition in (French Gothic quatrefoil frame a medieval holdover) (cast bronze, old testament)

Sacrifice of Isaac 1401 (Winner)
Ghiberti’s entry for the east door competition in (French Gothic quatrefoil frame a medieval holdover) (cast bronze, old testament)
1st “classical” nude since Antiquity, appreciation of the human body, he made them look muscular
Ghiberti won due to the classical motifs, illusionism of depth, dramatic intensity, and the artisan virtuosity

Linear Perspective
Horizon line, vanishing point, and orthogonals (diagonal lines) which all give an illusion of depth/perspective - thanks to Brunelleschi

Atmospheric perspective (Aerial perspective)
the farther back an object, the blurrier, less detailed, and bluer it appears
Gates of Paradise 1425-1452
East doors, Baptistery of San Giovanni, Florence made by Ghiberti. It is the entire door.

Saint Mark 1411-1413
Sculpted by Donatello, he reintroduces Greek contrapposto stance to statuary
Guild headquarters had artists sculpt their patrons’ saint, basically like their mascot

David (Medici Family) 1440-1460
Fully nude sculpture by Donatello
About the biblical character David, from David vs. Goliath
Laurel wreath - Was put on victors, a symbol of victory

Holy Trinity 1425
Painting by Masaccio
“I was once what you are, and what I am you will become”
Classical coffered ceiling inside a painted barrel vaulted, fluted pilasters with Corinthian capitals, and columns
Used linear perspective

Birth of Venus 1484
Painted by Botticelli
Personification - Ideas in human form, learned this in english
Tempera was used for this painting

Pursuit of Knowledge
There was more of a pursuit for knowledge, along with the studying of the classical world. Studying perspective.
Modular
Brunelleschi revived classical systems of proportions and employed this method of repeated use of forms and dimensions in his architecture
cornice
like the edges that sticks out at the tops of buildings
Quattrocento
Early Renaissance, a transformative period in Florence and Italy characterized by realism, humanism, linear perspective, and classical influences in painting, sculpture, and architecture
Palazzo Medici 1445
Bartolommeo, Rustic masonry at ground level mixed with classical architectural elements including a prominent cornice
Church of Sant’Andre
Alberti, Pilasters extend up uninterrupted in “colossal order”