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short story
protagonist
the person around whom the conflict revolves
antagonist
the most prominent of the characters who oppose the protagonist
characterization
the process by which the writer reveals the personality of a character
character
a person in a text
flat character
a character who has few personality traits (they can be summed up by a single phrase: the loyal sidekick, the buffoon, the nosy neighbor)
round character
a character who has more dimensions to their personalities— they are more complex, just as real people are
static character
a character who does not change much in the course of the story
dynamic character
a character who changes in some important way as a result of the story’s events
direct characterization
the author’s stated opinion about the character
indirect characterization
character development through:
physical description
the character’s thought, feelings, and words
the comments and reactions of others
the actions of the character
foil
a character whose qualities or actions serve to emphasize those of the protagonist by providing a strong contrast with them
internal conflict
the problem lies within the main character
external conflict
outside forces act upon the main character
setting
the where/geography, when/time, weather, and season, AND how it affects plot and character
theme
the insight about human life that is revealed in a literary work
themes are rarely stated directly in literature
most often, a reader has to infer the theme of a work after considerable thought
plot
the organized pattern or sequence of events that make up a story
made up of a series of incidents that are related to one another
it doesn’t just tell what happened; it tells why it happened
exposition
this usually occurs at the beginning of a short story— here the characters are introduced
we also learn about the setting of the story
most importantly, we are introduced to the main conflict (main problem)
rising action
this part of the story begins to develop the conflict(s). A building of interest or suspense occurs
climax
this is the turning point of the story in which the main character is forced to change as a result
usually the main character comes face to face with a conflict
the main character will change in some way
falling action
all loose ends of the plot are tied up. The conflict(s) and climax are taken care of
denouement/resolution
the story comes to a reasonable ending
mood
the feeling a text arouses in its reader
tone
the author’s stance toward the subject
foreshadowing
a literary device in which an author drops subtle hints about plot decelopments to come later in the story
flashback
a move back in time to an earlier incident
point of view
the vantage point from which the writer tells a story
first-person
one of the characters in the story tells the story
the narrator uses first person pronouns such as I and we
readers can know only what the narrator knows
third-person limited
an unknown narrator (usually thought of as the author) tells the story
the narrator zooms in to focus on the thoughts and feelings of only one character
in the case of third-person limited point of view, the narrator can tell us many things about the character, things that the character himself (or herself) might be unaware of
third-person omniscient
an “all-knowing” narrator tells the story
this narrator often tells us everything about many characters: their motives, weaknesses, hopes, childhoods, and sometimes their futures
(third-person) objective
an impersonal and objective narrator
no opinionated comment on any characters or events
like the point of view of a movie camera
readers can know only what the camera might see
the narrator does not reveal the unspoken thoughts of the character
figurative language
words and expressions used figuratively, words that mean in a particular context something more than any dictionary definition would lead us to expect
the figures of speech that create these extra meanings
simile
a figure of speech that makes a comparison between two unlike things, using a word such as like, as, than, or resembles
metaphor
a figure of speech that makes a comparison between two unlike things without the use of specific words of comparison
personification
a figure of speech in which an object or animal is given human feelings, thoughts, or attitudes
hyperbole
exaggerated statements or claims not meant to be taken literally
oxymoron
a figure of speech that combines opposite or contradictory terms in a brief phrase
allusion
an implied or indirect reference especially in literature and film; references are often made to Greek gods or goddesses, Shakespeare, the bible, specific historical events or figures, and widely known aspects of popular culture
symbol
a person, place, thing, or event that has meaning in itself and that also stands for something more than itself
dramatic irony
a contradiction between what a character thinks and what the reader/audience knows to be true
when words and actions possess a significance that the listener or audience understands, but the speaker or character does not
verbal irony
words used to suggest the opposite of what is meant
when a speaker says one thing but means another, or when a literal meaning is contrary to its intended effect. An example of this is sarcasm.
situational irony
an event occurs that directly contradicts the expectations of the characters, the reader, or the audience
when the result of an action is contrary to the desired or expected effect. Likewise, cosmic irony is disparity between human desires and the harsh realities of the outside world (or the whims of the gods)
feminist lens
analyzing literature through the eyes of a feminist. To look for examples of inequality of treatment or opportunity among genders
historical lens
analyzing literature through the eyes of an historian. To look for how literature can inform readers about history and how history has had an impact on the literature of the time