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Sound Design
Films: Blow Out (1980), No Country For Old Men (2007)
Blow Out (1980)
Uses sound in different ways (Sound as evidence, leverage, documentation and manipulation, backbone of cinema, horror, truth)
Brian De Palma
Directed Blow Out
Asynchronous Sound
Sound that intentionally exploits a discrepancy between a presented sound and the images on screen
Diegetic Sound
Comes from a source within a film's world
Non-Diegetic Sound
Comes from a source outside of the film's world
Types of sound
Dialogue or narration, Score, Environmental/Ambient sounds, Silence
Silence
Produces tension, builds anticipation, menace, desire
Joel and Ethan Coen
Directed No Country For Old Men
Functions of Film Sound
Audience awareness, audience expectations, expressions of point of view, rhythm, characterization, continuity, emphasis
Film History
Film: Killer of Sheep (1977)
Approaches to Film History
Aesthetic, economic, social history, technological
Global factors shaping film history
Film movements and national cinemas
Early Silent Era
1890s - 1920s
German Expressionism
1919-1931
Soviet Montage
1924-1930
Classic Hollywood
1930s - 1950s
Italian Neorealism
1942-1951
French New Wave
1959-1964
The New Hollywood
1965-1980
LA Rebellion filmmakers
"Los Angeles School of Black Filmmakers" or the UCLA Rebellion, late 1960s-1980s, response to social injustice, influenced by Melvin van Peebles, Italian Neorealism
Charles Burnett
Grew up in LA in the 1950s, UCLA film school early 1970s, breakout film Killer of Sheep (1978), career championed by Jonathan Rosenbaum, notable films To Sleep With Anger, The Glass Shield
Ideology
Film: Minding the Gap (2018)
Implicit Ideology
Subtle messaging hidden beneath action, reflects social norms
Explicit Ideology
Direct, confrontational messaging, stands at odds with social norms
Personal Documentary
Direct expression of filmmaker's ideology, explores worldview, trauma, regret, generational disconnect, anxiety; filmmaker often a subject
What Determines Ideology?
Social/political forces, cultural trends, personal experiences, political beliefs, aesthetic interests
Spectrum of Ideology
Right Wing (D.W. Griffith - Birth of a Nation, Leni Riefenstahl - Triumph of the Will), Moderate (Most films), Left Wing (Michael Moore - Bowling For Columbine, Ken Loach - The Wind that Shakes the Barley, Spike Lee - Do the Right Thing)
Leni Riefenstahl
Nazi filmmaker
Synthesis
Film: Inside Llewyn Davis (2013)
Joel and Ethan Coen’s Inside Llewyn Davis
Film aesthetics tell the story of a conflicted folk singer in 1950s Greenwich Village; discontentment, artistic stagnation, dark humor
Themes
Critical transition in music history, struggles of the artist, wit, comedy, acidic tone, anti-hero narrative, musical performances, sacrifice, betrayal