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adagio
a slow and stately pace
andante
a moderately slow and flowing pace, often likened to a walking pace
Presto
a very fast speed
Rallentando
an Italian term instructing the performer to gradually slow down the tempo; implies a gradual slowing that may be used to create a sense of dying away or a rolling stop, often at the end of a section
Ritardando
a gradual decrease in speed; suggests a more immediate or dramatic slowing, potentially to hold back a phrase or build tension
Staccato
notes that are played short, detached, and disconnected
Legato
playing notes smoothly and connected, with no gaps between them
Slurs
a symbol that connects two or more notes, indicating they should be played smoothly, without a break between them
Accents
a deliberate emphasis or stronger attack on a particular note or chord
tenuto
a marking that instructs the performer to hold a note for its full value, without necessarily adding a slight accent or emphasis
Fermata
a musical symbol that indicates to a performer to hold a note or rest longer than its normal duration
Con fuoco
an Italian term that translates to "with fire" or "with passion"
Leggiero
a direction to the performer to play a passage with a delicate, airy, and graceful touch, often in a nimble or swift manner.
Con brio
a directive to play with liveliness, energy, and vigor
Fucoso Brusco
a performance direction suggesting a fiery and abrupt, or rough, style.
Enharmonics
Different notes that sound the same (ex: B flat and A sharp)
Johann Strauss Jr.
200th birth year in 2025; Austrian; composed The Blue Danube and Tritsch-Tratsch-Polka; violinist
Johannes Brahms
German; main instrument: piano; 1833-1897
Frederick Chopin
Polish; main instrument: piano; 1810-1849
Gustav Mahler
Austro-Bohemian; main instrument: piano; 1860-1911
Richard Wagner
German; main instrument: piano; 1813-1883
Franz Schubert
Austrian; main instrument: piano; 1797-1828
Piotr Illych Tchaikovsky
Russian; Ballets: Swan Lake, The Sleeping Beauty, The Nutcracker; 1840-1893