Week 11: David Lynch, Television Procedurals, and Neo-Noir

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22 Terms

1
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Evolution of Detective Shows

  • Dragnet followed a case-of-the-week format, good guys vs. bad guys

  • Columbo was more subversive, but the cases were always solved and Columbo was the “good guy”

  • Hill Street Blues is influenced by soap operas and has flawed characters, cops don’t always solve cases

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David Simon

  • Created The Wire

  • Originally a police reporter in Baltimore

  • His book inspired Homicide: Life on the Street

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Barry Levinson

  • Directed several films set in Baltimore, like Diner, Tin Men, and Avalon

  • Executive produced and directed episodes of Dopesick

  • Helped develop and direct episodes of Homicide: Life on the Street with David Simon

  • Directed Rain Man, won Best Director at the Oscars

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Paul Attanasio

  • Wrote the pilot for Homicide: Life on the Street

  • Created several TV shows

  • Wrote films like Donnie Brasco

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Tom Fontana

  • Showrunner for Homicide: Life on the Street

  • Worked on St. Elsewhere

  • Created Oz

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Rise of FOX

  • Rupert Murdoch launched in 1986 for very little money

  • Unavailable in certain parts of the US until 1991

  • Launched The Late Show Starring Joan Rivers, the first late night show hosted by a woman

  • Married… With Children, The Simpsons, Beverly Hills 90210, Melrose Place, In Living Color, America’s Most Wanted, Cops, The X-Files

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Chris Carter

  • Known as a comedy writer

  • Wrote Disney TV movies like The B.R.A.T. Patrol

  • Pitched The X-Files to FOX after learning that 10% of Americans believed they’d contacted aliens

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The Scully Effect

  • Scully in The X-Files is a competent, skeptic scientist who is different from other women on TV at the time

  • Inspired young women to go into STEM fields

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David Lynch

  • Went to the American Film Institute

  • Directed Eraserhead, The Elephant Man, Blue Velvet, etc.

  • Developed and directed Twin Peaks with Mark Frost

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Mark Frost

  • Helped develop and write Twin Peaks

  • Worked on Hill Street Blues

  • Experience in ensemble-driven TV influenced by soap operas

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Homicide: Life on the Street

  • Influential but often overlooked

  • Seven seasons on NBC

  • Morally complex

  • One episode can track multiple investigations at once, some cases are never solved

  • Similar to Hill Street Blues and The Wire

  • Based on a book by David Simon

  • Developed by Barry Levinson who directed some episodes

  • NBC provided lots of creative freedom due to Levinson’s positive reputation

  • Paul Attanasio wrote the pilot

  • Tom Fontana became the showrunner

  • Not many action pieces, focused more on emotional impact

  • Described as “a series of interconnected short stories”

  • Breakout star was Andre Brougher as Frank Pembleton

  • Shot on location in Baltimore

  • Shot through handheld cameras to save money, gave show a grainy documentary feel

  • Premiered after the Super Bowl

  • Moved to Friday nights

  • Always under threat of cancellation

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The X-Files

  • Created by Chris Carter

  • Ran on FOX, intended to be a different version of other networks’ detective shows

  • Ran for nine seasons

  • Two feature films and two revival seasons

  • Inspired by Rod Serling’s work and Kolchak the Night Stalker

  • Aired on Friday nights, not a typical time slot for a hit show

  • Tapped into a feeling that the government was lying

  • Early internet fandom

  • Scully was a competent skeptic scientist, different from how women were portrayed on TV at the time

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Twin Peaks

  • Inspired by soap operas like Dallas

  • Many viewers were intrigued by Who Killed Laura Palmer (even though that WASN’T THE POINT!!!!!)

  • Surreal elements

  • Created by David Lynch and Mark Frost

  • Inspired The X-Files, Fringe, Lost, The Leftovers, Fargo, True Detective

  • Inspired by a real unresolved murder

  • Strong emotional core

  • Example of “event viewing”

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Law & Order

  • Created by Dick Wolf, who worked on Hill Street Blues

  • 65 seasons between original series and spin-offs, over 1300 episodes

  • Half police procedural, half courtroom drama

  • Case-of-the-week format

  • Often cynical

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Quentin Tarantino

  • Provocative and quirky dialogue, pop culture references

  • Variety of genres

  • Stylized violence

  • Pays homage to past films

  • Two Oscars for screenwriting

  • Two BAFTAS

  • Four Golden Globes

  • Criticized for degree of violence and use of racial slurs

  • Worked at a video rental store

  • Acted as an Elvis impersonator in The Golden Girls

  • Directed Reservoir Dogs, etc.

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The Wachowski Sisters

  • Started careers writing Marvel comics

  • Sold screenplay for 1 million, but the script got rewritten and they got their credits removed

  • Sold script for The Matrix under the condition that they could direct

  • Wrote and directed Bound to prove that they could direct

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Martin Scorsese

  • Influential in New Hollywood after directing Mean Streets

  • Goodfellas was a personal film, he grew up near the mob but had to stay inside watching movies due to asthma

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The Coen Brothers

  • From Minnesota

  • NYU film school and Princeton for philosophy

  • Worked on Sam Raimi’s The Evil Dead

  • Directorial debut was Blood Simple

  • Directed Raising Arizona, Miller’s Crossing, and Fargo

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Goodfellas

  • Personal film for Martin Scorsese

  • Based on a nonfiction book about Henry Hill by crime reporter Nicholas Pileggi

  • A lot of the dialogue was improvised

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Bound

  • Directorial debut for the Wachowski sisters

  • Studios wanted to change the lesbian romance to a heterosexual one

  • Sometimes considered the first mainstream Hollywood film to put a lesbian relationship at the center without the relationship itself being the point of the story

  • Occasionally considered exploitative by “male” filmmakers, reassessed after the Wachowskis both came out as trans women

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Reservoir Dogs

  • Heist film that takes place after a robbery

  • Written and directed by Quentin Tarantino, debut

  • Inspired by The Killing (Stanley Kubrick)

  • Harvey Keitel liked the script, offered to act and produce the film, put up own money to get the film made

  • Subtext and character writing under stylized violence

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Fargo

  • Directed by the Coen Brothers

  • Idea from writer’s block on Miller’s Crossing

  • Dark comedy neo-noir

  • Allegedly based on a true story, but it’s not

  • Huge hit, critically acclaimed

  • Won Oscar for Best Screenplay

  • Inspired TV show