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renaissance is
14-17th century
religious divisions between Catholic and Protestant doctrines
Renaissance, ex. the role of the pope and interpretations of the scripture
religious and ethical concerns about revenge
renaissance
specualtions on the fate of the soul after death (connected to religious divisions)
renaissance, ex. John Donne’s poem ‘death be not proud’, challenge traditional fear of death
the dramatic power and horror of the ghost on stage
renaissance
the dramatisation of Hamlet’s melancholy and insanity
renaissance
surveillance culture, succession crisis, Sir Francis Walsingham, the Earl of Essex’s rebellion
renaissance
humanism praising man’s godlike potential
renaissance, ex. Davinci and Michelangelo’s focus on human anatomy, Davinci’s vitruvian man
where would the play’s witty language be expected
a royal court
who created the idea of servants of royals entertaining their rulers with inventive language
Castiglione’s work ‘The Courtier’
theatre reopenings post civil war
Restoration, Enlightenment and Age of Reason
years for Restoration, Enlightenment and Age of Reason
1660-1780
Female actresses allowed on stage for the first time
restoration, enlightenment, age of reason, ex. Sarah Siddons playing Hamlet in 1775
royal society founded in
1660
enlightenment scholars sought to
limit the power of organised religion, separate church and state, ex. John Locke in his ‘A letter concerning toleration’
parliament takes leading role with monarchs taking more ceremonial role
restoration, enlightenment, age of reason
increased consumption of reading materials
restoration, enlightenment, age of reason, ex. coffee houses typically offering the Tattler and the Spectator
shakespeare seen as primitive and untutored in comparison to neoclassical artistic ideals, i.e. Aristotle
restoration, enlightenment, age of reason
Hamlet is a ‘vulgar and barberous drama’
Voltaire 1748
truth as personal and individual
romanticism, ex. rise in popularity of philosopher Jean-Jacques Rousseau work, belief that truth is inherently linked to the individual and authenticity
years for romanticism
1780-1840
man is a pure being corrupted by prolonged contact with society
romanticism, ex. Coleridge’s ‘frost at midnight’ emphasis on his son Hartley being able to enjoy his childhood
interest in things outside the ‘normal’ and ration, i.e. dreams, insanity, drugs, ghosts, or spirits
romanticism, ex. ‘the spectre bridegroom’ Washington Irving, ‘Olalla’ R.L. Stevenson
extremism, excess of emotion and sensibility are valid
romanticism, ex. Wordsworth's Lyrical Ballads
romantic love is human’s natural birthright
romanticism
emphasis on homosocial bonds
romanticism, ex. rise in popularity of male dominated social spaces, like coffeehouses, gentlemen’s clubs and traveler’s clubs
readers love for the gothic novel
romanticism
what did the Romantic gothic revival do
admire the exaggerated, idealised depictions of courtly romances, chivalric quests, Catholic ritual and superstition
1850, Edmund Kean
portrayed Hamlet as showing love rather than fear for the ghost
restoration era, what was cut
bawdy references, included those made by Ophelia
17th century to end of 19th century what was cut
the play’s political strand, focusing on Fortinbras and his impending invasion
when did David Garrick play Hamlet
18th century
why were audiences thrilled by Garrick’s acting
the tender expression of love for his dead father and his contagious terror in his encounter with his father’s ghost
what did Garrick do to show his terror of the ghost, 18th century
wore a cunning wig so his hair could always be relied upon to stand as ‘quills upon the fretful porpentine’ just as the ghost says they should
When did Edmund Kean play Hamlet?
19th century
how did Kean present Hamlet’s love for Ophelia
evident, though he was forced by circumstance to reject her
who was the dominant Hamlet in the late 19th century
Henry Irving at the Lyceum theatre
what was Henry Irving described
‘a lean image of hungry speculation’ by Yeats
what did Henry Irving do skilfully
showed Hamlet’s volatility; fits of melancholy alternating with fits of cheerfulness
who was the dominant Ophelia in the late 19th century
Ellen Terry
What did Ellen Terry do
play Ophelia’s madness in a ‘disturbingly painful way’
Kosintsev
1964
how does Kosintsev’s Hamlet present surveillance culture
monologues are internal. at Polonius’ death, Gertrude’s dresses in the closet look like bodiless spectators.
Olivier
1948
how does Olivier present surveillance culture
mobile camera roams halls of Elsinore. eavesdropping presence, closer to guards during watch. high angle.
Almereyda (Ethan Hawke)
Hamlet 2000, 2000
how does Michael Almereyda convey surveillance culture
Hamlet has his own camera and films Claudius during mousetrap
critic quote about Almereyda’s surveillance culture
the characters are inmates of the technological panopticon - Burnett
Robert Icke
2018
who’s ophelia is in a straight jacket in madness
kenneth branagh
Kenneth Branagh
1996
Act 1, Scene 3, Kosintsev, Ophelia
sits at Polonius’ feet by the throne, infantilised
Robert Icke, Ophelia and Laertes, 1.3
make fun of Polonius behind his back
what is the name for numerous religions mixing
syncretism
Kosintsev, 1.4, ghost scene
Hamlet does not hold sword as a cross as stage directions suggest. reminds of Stalin’s ‘five year plan of atheism’, 1932-1937.
Kosintsev, opening scenes, 1964
filming rough ocean, emphasising Denmark as a prison, frequent camera view of bars and grates
When did Jonathan Pryce play Hamlet
1980
who played Hamlet as being possessed by his father’s ghost?
Jonathan Pryce
when did Jonathon Pryce take the role of Hamlet?
His father had been violently attacked and died, he says he ‘wanted to conjure him back into being’
in which adaptation does Ophelia kiss random soldiers while mad
Zeffirelli, 1990
what did Lawrence Olivier say about Hamlet
‘Hamlet was a prime sufferer from the Oedipus complex’
what happened post ww2 (oedipal complex)
psychoanalysis experienced a period of significant intellectual and popular interest to grapple with the aftermath of the war (Nazism and rise of Cold war tensions)
How did Olivier emphasise the Oedipal elements of the play
casting himself (41) as Hamlet and Eileen Herlie (28) as Gertrude
Who plays Olivier’s Ophelia?
Jean Simmons
what was said about Jean Simmons, Olivier’s Hamlet, nunnery scene
when she collapses on the staircases she ends in the ‘position of a rape victim’ (Deborah Cartmell)
what was said about Kosintsev’s Ophelia
the image of Ophelia in an iron fathingale symbolises the fate of the sensitive and intelligent in the film’s tough political environment- J Lawrence Guntner
who directed the 1925 version of Hamlet
H.K. Ayliff
what was controversial about H.K.Ayliff’s Hamlet
Ophelia’s madness was presented as the uncontrolled release of pent-up sexual frustrations