Film Terms: Photography, Mise en Scéne & Movement

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20 Terms

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Shot

Images recorded continuously from the time the camera starts to the time it stops; an unedited strip of film.

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Frame

The dividing line between the edges of the screen image; also a single photograph from the filmstrip.

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Angle

The camera’s angle of view relative to the subject. (High angle = from above; low angle = from below).

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Telephoto Lens

Lens that acts like a telescope, magnifying distant objects. Side effect: flattens perspective.

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Point-of-View Shot

Any shot taken from the vantage point of a character, showing what they see.

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Cinematographer

The artist/technician responsible for lighting and the quality of the photography.

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High Key

Bright, even illumination with few shadows. Common in comedies, musicals, and light films.

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Low Key

Lighting with diffused shadows and pools of light. Common in mysteries and thrillers.

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High Contrast

Lighting with harsh shafts and dramatic streaks of light/dark. Common in thrillers and melodramas.

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Filters

Pieces of glass/plastic in front of the lens that distort light entering the camera.

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Mise en Scène

Arrangement of visual weights/movements within a space, defined by the frame. Includes staging and how it’s photographed.

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Tight Framing

Close shots where mise en scène is so balanced/harmonized that subjects have little/no movement freedom.

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Loose Framing

Longer shots where mise en scène is spacious, giving subjects considerable freedom.

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Closed Forms

Visual style favoring self-conscious designs and harmonized compositions; frame encloses all necessary information aesthetically.

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Pan

Horizontal movement of the camera from left to right (or vice versa).

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Tilt

Shot photographed by a tilted camera; image appears diagonal when projected.

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Dolly Shot

Shot taken from a moving vehicle.

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Zoom Shot

Lens movement changing focal length from wide-angle to telephoto (or vice versa) in one shot, moving viewer in/out rapidly.

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Hand-Held Shot

Shot with a moving camera held in hand; deliberately shaky, often for documentary style.

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Pull-Back Dolly

Camera withdraws from a scene to reveal an object or character previously out of frame.