Poet–composers from the Occitan regions (south of France) who wrote secular songs in the medieval period, often about unrequited love, chivalry, and pastoral scenes.
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Trouvère
Poet–composers from northern France who wrote secular songs in the medieval period, often about unrequited love, chivalry, and pastoral scenes.
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Ventadorn
The most famous troubadour whose songs set the standard for later composers.
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Strophic form
A song structure where the same music is repeated for every verse of the text.
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Estampie
A popular medieval instrumental dance piece characterized by triple meter and a quick tempo, suitable for dancing.
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Drone
A sustained pitch underpinning the texture of a musical piece.
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Rebec
A bowed string instrument from the medieval period, akin to a violin.
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Lute
A plucked string instrument, often likened to an early guitar in function and style.
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Sackbut
An early form of the trombone.
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Serpent
A bass wind instrument with a buzzing mouthpiece and a serpentine body.
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Shawm
A medieval double-reed wind instrument that evolved into the modern oboe.
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Motet
A typically shorter, polyphonic sacred work, often featuring imitative polyphony and sometimes homorhythmic moments, usually in Latin. Its text could be original rather than a fixed liturgical text.
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Mass
A longer liturgical setting in sacred music, using fixed text (the ordinary of the mass) and often longer musical settings.
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Imitative polyphony
A musical texture where the same melody enters in a staggered fashion across different voices, similar to a canon.
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Homorhythmic texture
A musical texture where multiple voices share the same rhythmic profile, with all voices moving together in rhythm.
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Mixed meter
Sections of music within the same piece that use different metrical groupings (e.g., combinations of 2/4, 3/4, 4/4).
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Josquin des Prez
A Franco-Flemish composer known for both sacred and secular music; his Ave Maria motet is a representative example of Renaissance sacred music, employing imitative polyphony, homorhythmic sections, and mixed meter.