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Elite vs Folk Arts
much of premodern arts are the arts of the elites -> necessary to look beyond that
look at the art of the subaltern
distinction is often made between the arts of the courtly classes and the ‘crafts’
materials: expensive vs ephemeral
written vs oral histories
Rajasthan
lots of trade moved through Rajasthan
Thar Desert
dominated by martial caste of Rajputs
integrated into Mughal empire as Hindu elites
allowed a certain amount of independence
Mughals married Rajput princesses
19thC James Tod wrote on Rajasthan, romanticised focus on Rajputs
Epic of Pabuji and Phad Painting
tale of a Rajput prince engaged in a blood feud
Pabuji worshipped as a folk deity by the pastoral nomadic community of Raikas (low status)
bard-priests (bhopas) are from Nayak Bhil, even lower status group
epic performed over 7 nights against backdrop of sacred phad painting
enormous, has to be treated with ritual
tale can be traced back to medieval times
performance tradition traced back to 16thC
visual storytelling existed in Mughal court, but monoscenic
Bengali Patua
Bengal -> Bangladesh and Indian state of West Bengal
one of the richest provinces in the empire
historically dominated by villages
Patuas created Patua scroll paintings
both painters and storytellers
vertical in format, episode stacked
paintings depicted village life, lots of animals
historical proximity between humans and animals
Patuas landless labourers of mixed Hindu-Muslim identity
no concern for depth, Western naturalism, reminiscent of pre-Mughal aesthetics
Pahari Painting and Embroidery
Pahari belt -> foothills of Western Himalayas
a number of small courts emerged in late pre-modern period
represented Hindu epics, courtly scenes, etc.
lots of paintings of ideal feminine beauty
derivative artform: embroideries
Chamba Rumal
women’s art
coverlets of muslin cloth with silk
similar themes to Pahari paintings
Chamba Rumal scene as a craft, not an art