rossetti critics ao5

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45 Terms

1
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selflessness (when i am dead my dearest)

'an attempt to embody the victorian view of female selflessness' - Landow

2
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contentment (when i am dead my dearest)

'the woman perhaps realises peace and contentment without her beloved' - Kim

3
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love and death (echo)

'none of her poems reflect joy or hope; in her the idea of love turned inexorably to the idea of death' - Bowra

4
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religion (good friday)

'religion comforted her and enriched her... it wasn't just something that boxed her in' - Major

5
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nature (shut out)

'to her, nature was always a relief, and escape' - Simon

6
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judged (shut out)

'being a woman in victorian britain meant that you were doubly judged: by man and by god' - Bocher

7
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christian (uphill)

'a christian allegory in miniature' - Ludlow

8
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attack (twice)

'the attack is implicitly upon the powerlessness of women in a rigid patriarchal society' - Harrison

9
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god (twice)

'in the end of rossetti's love for god always trumps the love of another human' - Bocher

10
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sexuality (goblin market)

'reflects a profound fear of female sexuality' - Harrison

11
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warning (goblin market)

'a didactic poem to be read to these women as a warning' - Bentley

12
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christ (goblin market)

'rossetti portrays lizzie as a self-sacrificing christ-figure who brings life out of death' - Scholl

13
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sisterhood (goblin market)

'rossetti's version of sisterhood may seem limitative and restrictive' - Kirby

14
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boundaries (goblin market)

'an allegory for a woman trying to transcend the boundaries placed upon her by society' - Kirby

15
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parable (goblin market)

'a conventional parable' - Morden

16
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twentieth century (no thank you john)

'a poem which any twentieth century girl might have written' - Thomas

17
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female characters (no thank you john)

'strong-minded female characters' - Cahill

18
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proposal (no thank you john)

'to reject a marriage proposal seemed counter to the victorian mentality' - Galt

19
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bullied (no thank you john)

'she is not to be bullied into a relationship because a man or social convention more generally demands it' - Avery

20
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game (winter my secret)

'a self fully in control of its own game' - Leighton

21
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skilfully (winter my secret)

'the speaker skilfully withholds power and control' - Avery

22
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negotiation (winter my secret)

'winter my secret reveals a much more complex negotiation of power which enabled the women to achieve agency, equality and self-sufficiency' - Avery

23
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power (winter my secret)

'a study in the manipulation of power' - Avery

24
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hegemonic (maude clare)

'engages the discourse on hegemonic definitions of victorian femininity' - Phillips

25
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marriage (maude clare)

'the poem dwells on the idea that marriage is not an ideal or fulfilled love' - Pearce

26
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critique (maude clare)

'maude clare is a clear critique of dominant masculinity' - Avery

27
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uncompromising (from the antique)

'these lines are uncompromising in their analysis of a woman's place in society - Avery

28
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other (from the antique)

'in a patriarchal culture, woman inevitably experiences herself as object and other' - Rosenblum

29
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wife (in the round tower)

'the wife is left without a name; her only significance is as an appendage of her husband' - Pearce

30
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pairing (in the round tower)

'rossetti creates a very conventional pairing: the husband is protector and the wife is infantilised' - Williams

31
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desire (soeur louise)

'desire has destroyed both her mature femininity and innocence' - Rosenblum

32
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isolation (soeur louise)

'rossetti explores isolation as a rejection of the world which renders the woman as good as dead' - Rosenblum

33
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death

'christina is obsessed by thoughts of death' - Bowra

34
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radical

'her view may not always be 'radical' as such, but they are usually far from conservative and often questioning, challenging and potentially subversive' - Avery

35
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love

'rossetti predominately expresses an emotional love, not a sexualised love' - Bocher

36
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god

'in rossetti's poetry god is always present'

37
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rebel

'rossetti stopped trying to rebel: in her devotional writings she finds an appropriate place for a conventional woman's voice' - Mermin

38
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expectations

'rossetti's speakers demonstrate both an awareness of and resistance to those social and political expectations which define roles for women' - Avery

39
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confined

'in rossetti's poems, the female figure is depicted as entrapped or confined - physically, psychologically, or both' - Avery

40
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pre-raphaelite

'women are importance in the pre-raphaelite movement. but while their faces are seen everywhere, their voices are never heard' - Marsh

41
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doubt

'rossetti's poems repeatedly struggle with religious doubt, frustration and fear' - Avery

42
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emotions

'a poet not of thought or ideas but of emotions' - Schmidt

43
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desires

'rossetti's speakers often own their desires, rather than rejecting it' - Unsworth

44
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female suffering

'her understanding of female suffering and exploitation in particular was ahead of her time and even, at points, almost proto-feminist' - Williams

45
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reform

'typically, rossetti's poems evince a concern with individual salvation, rather than social reform'