"The bodies of the dancing sideline mascots, such as those like the former UI performer Chief Illiniwek, are the frameworks of embodiments whose gestures, movements, and postures condense physical histories, cultural experiences, and effects of colonial interactions of redness and whiteness. In the dance that had been performed by Chief Illiniwek, the gymnastics-like abilities of the performers were to mimic the physical attributes of the idealized Indian body by the nonnative performer. By dancing like an Indian, the white performer became an actual Indian body, one that contained the abilities of speed, agility, stamina, and endurance of the romanticized ideal Indian."