Chapter 15 - Aural Skills 3: Harmonic Dictation

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20 Terms

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inversion
The supertonic and leading- tone chords are commonly found in first ________.
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strong subdominant
The supertonic in first inversion is a(n) ________ harmony.
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Tonic
I and vi
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Subdominant or Predominant
IV and ii or ii7
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Dominant
V or V7 and vii° or vii°7
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Cadence
The way phrases end
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three harmonic areas or functions
tonic

subdominant

dominant
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root position chords are considered
strong
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used to prolong stronger harmonies
Second inversion and sometimes first inversion harmonies
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Four basic ways to prolong a harmony
* Passing harmonies
* Neighbot harmonies
* Arpeggiated harmonies
* Cadential harmonies
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how do harmonic progressions move
from tonic to subdominant to dominant to tonic (**T-S-D-T**)
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Dominant harmonies don’t move
to subdominant
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Significant harmonic function changes usually occur on
strong beats
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When the bass line is conjunct
harmonies are generally being prolonged
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When large skips or leaps occur in the bass
it often signals a change of function
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Most common bass line endings
* So-So-Do
* Fa-So-Do
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ii6-V7-I can harmonize with
Re-Re-Do
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IV-V-I can be harmonized with
Do-Ti-Do
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ii6-V or V7-I can be harmonized with
Re-Re-Do or Re-Ti-Do.
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The middle section uses inversions if
the bass is moving stepwise.