Studied by 2 people
inversion
The supertonic and leading- tone chords are commonly found in first ________.
strong subdominant
The supertonic in first inversion is a(n) ________ harmony.
Tonic
I and vi
Subdominant or Predominant
IV and ii or ii7
Dominant
V or V7 and vii° or vii°7
Cadence
The way phrases end
three harmonic areas or functions
tonic
subdominant
dominant
root position chords are considered
strong
used to prolong stronger harmonies
Second inversion and sometimes first inversion harmonies
Four basic ways to prolong a harmony
Passing harmonies
Neighbot harmonies
Arpeggiated harmonies
Cadential harmonies
how do harmonic progressions move
from tonic to subdominant to dominant to tonic (T-S-D-T)
Dominant harmonies don’t move
to subdominant
Significant harmonic function changes usually occur on
strong beats
When the bass line is conjunct
harmonies are generally being prolonged
When large skips or leaps occur in the bass
it often signals a change of function
Most common bass line endings
So-So-Do
Fa-So-Do
ii6-V7-I can harmonize with
Re-Re-Do
IV-V-I can be harmonized with
Do-Ti-Do
ii6-V or V7-I can be harmonized with
Re-Re-Do or Re-Ti-Do.
The middle section uses inversions if
the bass is moving stepwise.
Note 
Flashcard (137)