Music itww unit 2

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48 Terms

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basso continuo

a set of chords continuously underlying the melody in a piece of baroque music

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ground bass

an ostinato in the bass

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opera

drama presented in music, with the characters singing instead of speaking

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recitative

a half-singing, half-reciting style of presenting words in opera, cantata, oratorio, etc., following speech accents and speech rhythms closely.

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aria

a vocal number for solo singer and orchestra, generally in opera, cantata, or oratorio

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arioso

a singing style between recitative and aria

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fugue

a composition written systematically in imitative polyphony, usually with a single main theme, the fugue subject

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concerto

a large composition for orchestra and solo instrument

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concerto grosso

the main early baroque type of ____, for a group of solo instruments and a small orchestra

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movement

a self-contained section of a larger piece, such as a symphony or concerto grosso

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ritornello

the orchestral material at the beginning of a concerto grosso, etc., which always returns later in the piece

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subject

the term for the principle theme of a fugue

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expostition

the first section of a fugue, or the first section of a sonata form movement

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episodes

in a fugue, a passage that does not contain any complete appearances of the fugue subject

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prelude

an introductory piece, leading to another, such as a fugue or an opera

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minuet

a popular 17th century dance in moderate triple meter; or a movement in a sonata, symphony, etc, based on this dance

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suite

a piece consisting of a series of dances; sometimes also used for a piece joining several or many small pieces

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binary form

a musical form having two different sections; A B form

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trio

a piece for three instruments or singers; the second, or B section of a minuet movement, scherzo, etc

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opera seria

a term for serious, heroic ___ of the baroque period in Italy; usually had historic characters

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da capo

literally “from the beginning”; a direction to the performer to repeat music from the beginning of the piece up to a later point

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oratorio

long semi dramatic piece on a religious subject for soloists, chorus, and orchestra

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cantata

a composition in several movements for solo voices, instruments, and perhaps also chorus

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chorales

German for “hymn”; also used for a four-part harmonization of a Lutheran hymn

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gapped chorale

a setting of a ____ in which the tune is presented in phrases with “gaps” between them, during which other music continues in other voices or instruments

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sonata form

developed by the Classical composers and using in almost all the first movements of their symphonies, etc

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development

the process of expanding themes and short motives into larger sections of music; or the second section of a sonata-form movement, which features the development process

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recapitulation

the third section of a sonata form movement

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coda

the concluding section of a piece or a movement, after the main elements of the form have been presented

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rondo

a musical form consisting of one main theme or tune alternating with other themes or sections

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double-exposition form

a type or sonata form developed for use in concertos

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ensemble

a musical number in an opera, cantata, or oratorio that is sung by two or more people

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string quartet

an instrumental group consisting of two violins, viola, and cello; or a piece composed for this group; or the four players themselves

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cadenza

an improvised passage for the soloist in a concerto, or sometimes in other works. Usually come near the ends of movements

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secco

accompanied only by continuo

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accompagnato

accompanied by an orchestra

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symphony

a large orchestral piece in several movements

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sonata

a chamber-music piece in several movements, typically for three main instruments plus continuo in the baroque period, and for only one or two instruments since then

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solo exposition

in classical concerto form, the second of two ____, played by the soloist and orchestra

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ternary form

a three-part musical form in which the last section repeats the first; A B A form

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theme and variations

a form consisting of a tune plus a number of ____ on it

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opera buffa

italian comic opera; contains every day, common people

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orchestra exposition

in Classical concerto form, the first of two expositions, played by the ____ without the soloist

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libretto

the complete book of words for an opera, oratorio, cantata, etc.

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concerto, solo concerto

a large composition for orchestra and solo instrument

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chamber music

music played by small groups, such as a string quartet or piano trio

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castrato

men who had submitted to castration at puberty in order to preserve their voices in the soprano or alto range

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affections

a Baroque-era theory that music could evoke specific emotions in the listener through particular musical figures and techniques.