japanese art final

Horiguchi Sutemi, Shiensō, 1926

timber frame with stucco, thatched roof, and brick foundation

Uchida Yoshikazu, Yasuda Lecture Hall, Tokyo University , 1925

reinforced concrete

Antonin Raymond, Hamao House, Tokyo, 1927, timber/stucco

Ito Chūta, Kanto Earthquake Memorial Hall, 1930

concrete with metal roof

Murayama Tomoyoshi, Work Employing Flower and Shoe, ca. 1923, mixed media, Taishō era

Mavo artists, Hayashi Restaurant, Barrack Decoration Project, 1924, Taisho era, wood, paint

Koga Harue, The Sea, 1929, oil/canvas

Foujita Tsuguharu, Reclining Nude (Kiki), 1922, oil on panel

Foujita Tsuguharu, Self-Portrait, 1929, oil on canvas

Foujita Tsuguharu, Fight to the Death on Attu Island, 1943, oil painting

Miyamoto Saburō, Lieutenant-General Percival and the Meeting of the Two Commanders, 1942, oil /canvas

Yokoyama Taikan, The Pacific Ocean on a Certain Day, 1952

ink, gold, color on board (nihonga)

Yamazaki Takashi, Scenery (Impression of a Battlefield), 1940

ink and color on paper, four-panel folding screen (nihonga)

Shiraga Kazuo, Challenging Mud, 1955, performance

Murakami Saburo, Passage, 1956, performance

Shiraga Kazuo, Please Come In, 1955, wood

Tanaka Atsuko, Electric Dress (two versions), 1956

light bulbs, wire circuitry

Shiraga Kazuo, Work II, 1959, oil on paper mounted on canvas

Gutai artists, International Sky Festival, 1960

Akasegawa Genpei, Model 1000-Yen Note (Green), 1963

double-sized printed work, back: invitation to the exhibition On Ambivalent Sea.

Court photographer and Hi Red Center, Akasegawa Trial, October 8, 1966. photograph of court case.

Akasegawa Genpei, Japan Zero Yen Note, 1967, printed on paper (sold for 300 yen)

Hi Red Center, Yamanote Line Incident, 1962, performance

Nakanishi Natsuyuki, Compact Object, 1962, resin and various objects

Hi Red Center, Movement to Promote the Cleanup of the Metropolitan Area (Be Clean!)

October, 1964; Tokyo (performance)

Daido Moriyama, Computer Age, 1966, photograph

Taki Kōji, Provoke: Materials for Thought, no. 1, 1968, photograph, photomechanically printed

Moriyama, Tomei Expressway, ca. 1968, photograph printed in Provoke journal

Takanashi Yutaka in Provoke, no. 2: Eros, printed photograph, 1968

Kimura Ihei, Morikawa-cho, Hongo (Tokyo), 1953, photograph

Kurokawa Kisho, Nakagin Capsule Tower,1970-72, Tokyo

reinforced concrete with 140 pre-fab capsules

Kikutake Kiyonori, Marine City, 1958-60 (artist’s renderings), never built

Tange Kenzo, Hiroshima Peace Memorial, 1956, reinforced concrete, Showa era

Tange Kenzo, 1960 plan for Tokyo Bay Visualization, never built, 1960-64

Ando Tadao, Chichu Museum of Art, 2004, reinforced concrete

Walter De Maria, TIme/Timeless/No TIme, 2004

granite, mahogany, gold leaf, concrete

(in Chichu Art Museum)

Andō Tadao, Church of Light, 

Osaka, 1989

Reinforced concrete.

Ando Tadao, Benesse House Museum, Naoshima, 1999

steel, reinforced concrete

ANDO Tadao

Benesse House Museum, 1999

steel, reinforced concrete

seascape photographs by

Hiroshi SUGIMOTO

Bruce Nauman (American artist)

100 Live and Die, neon tubing mounted on metal, 1984

Naito Rei, Being Given, 2001, Naoshima Art House Project

timber-frame house, earthen floor

Fumihiko Maki, Spiral, Tokyo, 1985

reinforced concrete, white aluminum, glass

Tenmyoya Hisashi, Japanese Spirit #13, 2000

acrylic, gold leaf, wood

Tenmyoya Hisashi, Kamikaze, 2003

acrylic, gold leaf, wood

Takashi Murakami, And Then, And Then And Then And Then (Red)

1996, acrylic

Takashi Murakami, Time Bokan Pink, 2006

acrylic paintings with fiberglass sculptures and wallpaper

AIDA Makoto, Picture of an Air Raid on New York, from the series War Picture Returns 

ink color, gold, and metallic paper on folding screen, 1996 

Yayoi Kusama, Infinity Mirror Room, 1965, cloth sculptures, mirrors