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Title: Apollo 11 Stones
Author: Namibia
Material: Charcoal on Stone
Function/Context: Uknown, behavioral communication in early humans
Title: Running Horned Woman
Artist: Tassili n’Aijer, Algeria
Material: Pigment on Rock
Function/Context: emphasis on composite figures (connection to the Divine, supernatural figures)
Title: Conical tower and Circular Wall of Great Zimbabwe
Artist: Shona Peoples
Material: Coursed granite rocks
Function/Context: Non defensive structure symbolizing power/wealth among ruling elite, King’s prosperity, genorosity, and control over community resources
Title: Wall Plaque from Oba’s Palace
Artist: Edo’s People (Benin, Nigeria)
Material: Cast Brass
Function/Context: to document and glorify the Oba's reign, wealth, and power by decorating the palace walls to show royal history, court life, and key historical events, impress visitors, show Oba’s authority
Title: Sika dwa kofe (Golden Stool)
Artist: Ashanti Peoples (South Central Ghana)
Material: Gold over wood, cast iron attachments
Function/Context: Embodies Ashanti People’s pride for nation, collective spirit, unity, and royal authority
Role in religious/political ceremonies (remembering ancestors, binding present and future generations to one another)
Title: Ndop Figure
Artist: Kuba People
Material: Wood
Function/Context: commemorative memorial portrait, honoring the king's accomplishments, embodying the ideal of kingship, and providing a historical record in a culture that relied heavily on oral tradition
Title: Power Figure
Artist: Kongo Peoples
Materials: Wood, iron, glass, ceramincs
Function/Context: represents dispute resolution, spiritual/medicinal substance that only few have access to, when medal is removed = power is diminished, connection to divine world
Title: Female (Pwo) mask
Artist: Chokwe peoples
Materials: Wood, fiber, pigment, and metal
Function/Context: made to honor women (matrimanial culture), used during initiation of young boys to adulthood (worn by men to appreciate women, not impersonate)
Title: Portrait mask (Mblo)
Artist: Baule peoples
Materials: wood and pigment
Function/Context: worn during masquerades, form of entertainment, communicate to distinguished members of trip and ancestors
Title: Bundu mask
Artist: Sande Society (Mende People)
Material: Wood, cloth, fiber
Function/Context: Worn on top of head (helmet), rolls = health, beauty, able to bear a child, small ears/mouth = not participating in gossip
Title: Ikenga (shrine gure)
Artist: Igbo People
Material: Wood
Function/Context: Carrying sword, composite figure, spiritual images of being successful, human power/pro activity, personal alter for Igbo man (achievements, power, destiny)
Title: Lukasa, memory board
Artist: Luba Peoples
Materials: wood, beads, metals
Function: to serve as a physical mnemonic device for the Luba people of Central Africa to recount and perform history during spiritual rituals
Title: Elephant Mask
Artist: Kuosi Society
Material: beads, woven raffia, wood, cloth
Function/Context: Honors king, brings social harmony, embodiment of elephant, leopard through iscolceles triangles (wise, respected, fierce)
Title: Reliquary figure
Artist: Fang Peoples
Material: Wood
Function/Context: guardians atop reliquary boxes containing ancestral relics like skulls and bones, warding off evil spirits and the uninitiated while symbolizing connection to ancestors
Title: Veranda Post
Artist: Olowe of Ise, Yoruba Peoples
Material: Wood and pigment
Function/Context: Used at cornoations, emphasis on females in power rather than males, power of feminity, queen bestowing power onto king