5.23 The Late Twentieth Century

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Musique concrète

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12 Terms

1

Musique concrète

Post-WWII technique of incorporating normal life sounds into compositions, similar to modern sampling

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2

Synthesizers

Technology which appeared in the 1960s, revolutionizing creation of new sound w/ patch cords

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3

Chance Music

A variety of unconventional music, which can be very extreme or more tame

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4

Minimalism

Famous mid-60s style with simple and very repetitive melodies, motives, and harmonies

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5

Partita

In the early 1600s- a section in a set of variations (usually for keyboard) In the 1700s, it was a dance suite for 1 instrument In the 1700s, it was a dance suite for 1 instrument.

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6

Edgard Varèse (1883–1965)

Relatively old and very radical composer who "found his voice” after moving to America

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7

György Ligeti (1923–2006)

Budapest Academy of Music student and teacher (as a young adult), who later moved West due to Communism in Hungary; New sonorities, sometimes no clear pitches/chords, and no discernible meter/distinct rhythm in compositions

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8

John Cage (1912-1992)

Californian "father of chance music" who studied w/ Schoenberg, questioned music foundations, and sometimes wrote statement music

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9

Steve Reich (b. 1936)

Keyboardist and "acknowledged master" of minimalism who "explored issues of rhythm and timing" in early music

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10

Tania León (b. 1943)

Composer with wide global heritage who studied at the National Conservatory of Havana, worked w/ ballets, uses more dissonant/atonal harmonies, uses very dynamic rhythm, and now teaches at Brooklyn College

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11

John Adams (b. 1947)

"True American original" raised in New England who was influenced by minimalism and has written several operas

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12

Caroline Shaw (b. 1982)

2013 Pulitzer Prize winner

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